Now available
Gagosian Quarterly Fall 2023
The Fall 2023 issue of Gagosian Quarterly is now available, featuring Derrick Adams’s Everything and a Ring (2023) on its cover.
Gagosian is pleased to announce Derrick Adams: The Strip, the artist’s debut exhibition in Korea. New work by Adams will be presented in the headquarters of Amorepacific, the world-renowned Korean beauty company, in the center of Seoul, opening on September 3, 2024, alongside the third edition of the Frieze Seoul art fair, which is open to the public September 4–7. The exhibition will be held in the APMA Cabinet, a project space on the ground floor of the David Chipperfield–designed building.
In this latest body of work, Adams paints a series of display windows at beauty supply stores that he photographs both near his Brooklyn studio and throughout the world. Transforming the compositions through his distinctive use of abstraction, he explores themes of style and beauty. Presenting groups of mannequin heads adorned with colorful wigs, the views of store windows are framed by molded reliefs of bricks—collaged, dimensional elements that contrast with the flatness of the paintings. Spray-painted hearts pay tribute to American fashion designer Patrick Kelly, whose exuberant and inclusive styles have long inspired the artist. The paintings are titled after classic tracks from the 1990s by women-fronted R&B groups including Brownstone, Destiny’s Child, Groove Theory, SWV, Total, and Xscape, whose femme styling and costuming remain influential.
1/F Amorepacific Headquarters
100 Hangang-daero
Yongsan-gu, Seoul
Hours: Tuesday–Saturday 10–6
This gallery will be closed September 17–18, 2024
Gagosian
press@gagosian.com
Hallie Freer
hfreer@gagosian.com
+1 212 744 2313
Toby Kidd
tkidd@gagosian.com
+44 20 7495 1500
WHBN
Matilda Lee
matilda@wh-bn.com
+82 10 6574 0706
The Fall 2023 issue of Gagosian Quarterly is now available, featuring Derrick Adams’s Everything and a Ring (2023) on its cover.
Jewels Dodson visited artist Derrick Adams at his New York studio as he prepared for an exhibition of new paintings in Los Angeles in the fall of 2023. She reports on these works and on Adams’s embrace of joy, humor, and contradiction.
On the occasion of her exhibition Amanda Williams: CANDYLADYBLACK at Gagosian in New York, the artist spoke with artist Derrick Adams about the way she uses color as a tool to examine the complex ways in which race informs our assignment of value to physical, social, and conceptual spaces.