
Jim Shaw: A–Z
Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.
I’m drawn towards things that are weird—that show you something about America.
—Jim Shaw
Gagosian is pleased to announce an exhibition of drawings by Jim Shaw at Park & 75, New York. Made between 2012 and 2024, the works find the artist continuing his journey through the maelstrom of American society, taking inspiration from such sources as vintage advertisements and borrowing from the aesthetics of comic books and album covers. They feature images of complex forms such as trees and hair; references to popular culture and counterculture; surreal representations of the artist’s dreams; and allusions to bizarre religious cults and political conspiracies.
In the works on view Shaw details scenarios from the domestic to the fantastical, often combining elements of both. “Most of these drawings,” he explains, “involve nostalgia for advertising images from a period when the single image was staged and fetishized.” Study for “Rinse Cycle” (2012)—one of two works in color in the exhibition—was derived from a 1950s washing machine ad and portrays the wraithlike abstracted forms of clothing dancing around a central agitator.
Gagosian
press@gagosian.com
Hallie Freer
hfreer@gagosian.com
+1 212 744 2313
Polskin Arts
Meagan Jones
meagan.jones@finnpartners.com
+1 212 593 6485
Request more information
about this exhibition

Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.

The Spring 2023 issue of Gagosian Quarterly is now available, featuring Roe Ethridge’s Two Kittens with Yarn Ball (2017–22) on its cover.

Catherine Taft examines Jim Shaw’s visionary work, which probes the American psyche through political, historical, and cultural allegory.

In this Shortlist series we invite artists and writers to tell us about works of art, literature, film, or music that have influenced their work or are at the forefront of their minds today. Here Jim Shaw shares a selection of songs he listens to while working, from new discoveries to childhood staples. Shaw writes of the balance between delight and regret, hope and gloom in his playlist.

In the fall of 2021, in partnership with New York’s Metrograph cinema and Gagosian, Jim Shaw organized a series of six conspiracy-minded films revolving around thorny questions of truth, guilt, fantasy, and innocence, and leading Shaw to revelations about the fringe notion of “frazzledrip.” Here, Natasha Stagg reflects on the movies he chose and on the wider implications of what it means to go down the rabbit hole.