Art Fair
Frieze Los Angeles 2023
Rick Lowe
February 17–19, 2023, booth D2
Santa Monica Airport, California
frieze.com
Gagosian is pleased to announce its participation in Frieze Los Angeles 2023, at the fair’s new venue of Santa Monica Airport, with a solo presentation of recent paintings and works on paper by Rick Lowe. The booth features Rotation (Revolution) (2023), a monumental 12-by-27-foot multi-panel painting, alongside other works that explore line, color, and space with reference to the impact of rural and urban development. Throughout these works, Lowe emphasizes the links between the hands-on, communal aspects of his practice and its conceptual and visual elements, combining interpretations of his transformative public projects with abstract investigations of medium and form.
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In Conversation
Rick Lowe, Dieter Roelstraete, Abigail Winograd
Friday, April 19, 2024, 3pm
Museo di Palazzo Grimani, Venice
polomusealeveneto.beniculturali.it
Join Gagosian and Museo di Palazzo Grimani for a conversation between Rick Lowe; Dieter Roelstraete, curator of the Neubauer Collegium for Culture and Society at the University of Chicago; and Abigail Winograd, commissioner and curator of the United States Pavilion at the 60th Biennale di Venezia. The talk will take place inside The Arch within the Arc, featuring new paintings by Lowe inspired by the Palazzo’s historic chambers, the urban dynamics of Venice, and the arc as a visual motif. The group will discuss the exhibition in the context of Lowe’s overall practice, as well as Gagosian’s recently published monograph on the artist, which was coedited by Roelstraete and features essays by both curators. The event is free with museum admission; reservations are recommended.
Left: Rick Lowe. Photo: Brent Reaney. Middle: Dieter Roelstraete. Photo: Richard Pilnik. Right: Abigail Winograd. Photo: Cara Romero
Art Fair
Art Basel Hong Kong 2024
March 27–30, 2024
Hong Kong Convention and Exhibition Centre
www.artbasel.com
Gagosian is participating in Art Basel Hong Kong 2024 with a selection of works by international contemporary artists. The works on view, which embrace a dizzying variety of subjects and approaches, see the participating artists identify fresh ways to disrupt established histories of abstraction and figuration, and instill sculptural and painterly representations of the natural world with complex cultural significance.
Sarah Sze, Turning and Turning, 2024 © Sarah Sze. Photo: Maris Hutchinson
Art Fair
Frieze Los Angeles 2024
Social Abstraction
March 1–3, 2024, booth D13
Santa Monica Airport, California
frieze.com
Gagosian is pleased to announce its participation in Frieze Los Angeles 2024 with Social Abstraction, a diverse selection of paintings and sculptures rooted in the exploration of historic qualities of abstraction and contemporary social realities. The first in a sequence of three presentations organized by Antwaun Sargent, Social Abstraction at Frieze Los Angeles will be followed by exhibitions in Beverly Hills this summer and in Hong Kong this fall.
The intergenerational group of Black artists in Social Abstraction—Derrick Adams, Theaster Gates, Cy Gavin, Lauren Halsey, and Rick Lowe—operates beyond purely formal concerns to create artworks that move between and beyond figuration and abstraction. They push shape to become landscape, color to reveal people, and texture to map the totality of experience.
Gagosian’s booth at Frieze Los Angeles 2024. Artwork, front to back: © Lauren Halsey, © Cy Gavin, © Theaster Gates. Photo: Ed Mumford
Francesca Woodman
Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.
Now available
Gagosian Quarterly Spring 2024
The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).
Simon Hantaï: Azzurro
Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.
Sofia Coppola: Archive
MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.
Prosperity’s Long Song #1: At Lights-Out Hour
We present the first installment of a four-part short story by Arinze Ifeakandu. Set at the Marian Boys’ Boarding School in Nigeria, “Prosperity’s Long Song” explores the country’s political upheavals through the lens of ancient mythologies and the mystical power of poetry.
Mount Fuji in Satyajit Ray’s Woodblock Art, Part II
In the first installment of this two-part feature, published in our Winter 2023 edition, novelist and critic Amit Chaudhuri traced the global impacts of woodblock printing. Here, in the second installment, he focuses on the films of Satyajit Ray, demonstrating the enduring influence of the woodblock print on the formal composition of these works.
Adaptability
Adam Dalva looks at recent films born from short stories by the Japanese writer Haruki Murakami and asks, What makes a great adaptation? He considers how the beloved surrealist’s prose particularly lends itself to cinematic interpretation.
Game Changer: Alexey Brodovitch
Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.
Goetheanum: Rudolf Steiner and Contemporary Art
Author and artist Ross Simonini reports on a recent trip to the world center of the anthroposophical movement, the Goetheanum in Switzerland, exploring the influence of the movement’s founder and building’s designer Rudolf Steiner on twentieth-century artists.
Hans Ulrich Obrist’s Questionnaire: Frida Escobedo
In this ongoing series, curator Hans Ulrich Obrist has devised a set of thirty-seven questions that invite artists, authors, musicians, and other visionaries to address key elements of their lives and creative practices. Respondents select from the larger questionnaire and reply in as many or as few words as they desire. For the first installment of 2024, we are honored to present the architect Frida Escobedo.
Border Crossings: Exile and American Modern Dance, 1900–1955
Dance scholars Mark Franko and Ninotchka Bennahum join the Quarterly’s Gillian Jakab in a conversation about the exhibition Border Crossings at the New York Public Library for the Performing Arts. Cocurated by Bennahum and Bruce Robertson, the show reexamines twentieth-century modern dance in the context of war, exile, and injustice. An accompanying catalogue, coedited by Bennahum and Rena Heinrich and published earlier this year, bridges the New York presentation with its West Coast counterpart at the Art, Design & Architecture Museum at the University of California, Santa Barbara.
Lisa Lyon
Fiona Duncan pays homage to the unprecedented, and underappreciated, life and work of Lisa Lyon.