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Gagosian Quarterly

May 3, 2021

Now available

Gagosianquarterlysummer 2021

The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.

Carrie Mae Weems’s The Louvre (2006), on the cover of Gagosian Quarterly, Summer 2021

Carrie Mae Weems’s The Louvre (2006), on the cover of Gagosian Quarterly, Summer 2021

We are thrilled to present Antwaun Sargent’s guest-edited supplement, “Social Works,” which includes a feature on Weems that pairs her photography with new poetry by Maya Phillips. The section also includes interviews with Rick Lowe, Linda Goode Bryant, Sir David Adjaye OBE, and Lauren Halsey; a look at Theaster Gates’s engagement with the archives of house music legend Frankie Knuckles; and a portfolio of works by Zalika Azim and Allana Clarke, both former fellows of nxthvn.

For the second iteration of our Eye on the Market series, Nick Simunovic shares his insights into the Asian art market, particularly focusing on Hong Kong. Our ongoing collaboration with PEN America brings us a new, haunting short story by Libby Flores: Mercury Was There. In our Building a Legacy feature, Delphine Huisinga and Charles Stuckey delve into the importance of chronologies.

Also inside the issue, Albert Oehlen speaks with Mark Godfrey about his new paintings; Larry Gagosian reflects on the incredible life and career of his friend Doris Ammann; we present a conversation with dance artist Eiko Otake and historian William Johnston about their forthcoming book A Body in Fukushima; and Taylor Aldridge reflects on the enduring legacy of Dr. David Driskell.

For all of this and more, contact the Gagosian Shop to order your copy and subscribe, or read the issue online.

Artwork © Carrie Mae Weems, courtesy the artist and Jack Shainman Gallery, New York

Eiko Otake stands on what was part of the original seawall next to the Tomioka Fishing Harbor.

A Body in Fukushima

Ten years after Fukushima’s nuclear meltdown of 2011, movement-based artist Eiko Otake and historian/photographer William Johnston discuss their visits to that irradiated landscape. The forthcoming book A Body in Fukushima documents their ongoing performance project.

Charlotte Gainsbourg on a motorscooter in a film still from Jim Jarmusch and Anthony Vaccarello's "French Water"

Fashion and Art: Anthony Vaccarello and Jim Jarmusch

Director Jim Jarmusch and Anthony Vaccarello, the creative director for Saint Laurent, discuss French Water, a new short film collaboration—starring Charlotte Gainsbourg, Indya Moore, Julianne Moore, Chloë Sevigny, and Leo Reilly—in this interview with the Quarterly’s Wyatt Allgeier.

Light blue title page with "Compass" in the center and white line radiating out.

Compass

A short story by Cleyvis Natera, published here on the occasion of the Quarterlys collaboration with pen America.

Hank Willis Thomas and Chitose Abe

Fashion and Art: Hank Willis Thomas and Chitose Abe

Artist Hank Willis Thomas and Chitose Abe, the creative director and founder of Sacai, speak with the Quarterly’s Wyatt Allgeier about their recent collaboration.

Gerhard Richter’s Helen (1963) on the cover of Gagosian Quarterly, Spring 2021

Now available
Gagosian Quarterly Spring 2021

The Spring 2021 issue of Gagosian Quarterly is now available, featuring Gerhard Richter’s Helen (1963) on its cover.

Judy Geib, black-and-white portrait. Photo: Dirk Vanderberk

Fashion and Art: Judy Geib

The founder of the eponymous jewelry house speaks with the Quarterly’s Wyatt Allgeier about her literary and architectural inspirations, the role of drawing in her practice, and the importance of direct contact with her materials.

Ricardo Guadalupe

Fashion and Art: Ricardo Guadalupe

The CEO of Hublot speaks with the Quarterly about the role of art in the watch company’s design process, the importance of collaboration, and the Hublot Loves Art campaign.

Francesca Woodman, Untitled, Providence, Rhode Island, 1976, gelatin silver print, 5 ¼ × 5 ¼ inches (12.7 × 12.7 cm) © Woodman Family Foundation/Artists Rights Society (ARS), New York

Living Death

As part of “New Interiorities,” a supplement guest edited by Alison M. Gingeras and Jamieson Webster for the Winter 2020 issue of the Quarterly, Jacqueline Rose writes powerfully and soberly on the future of feminism in the time of covid.

Hugh Hefner working from his bed at the Playboy Mansion

Pathologically Optimistic

Paul B. Preciado joins Alison M. Gingeras and Jamieson Webster for a conversation about this difficult, extraordinary moment, as part of “New Interiorities,” a supplement guest edited by Gingeras and Webster for the Winter 2020 issue of the Quarterly.

Francesca Woodman, Untitled, New York, 1979, chromogenic print

Becoming Together

Alison M. Gingeras and Jamieson Webster consider the paradigm shifts brought on by 2020’s biological, psychological, and social crises. The essay serves as an introduction to “New Interiorities,” a supplement they guest edited for the Winter 2020 issue of the Quarterly.

Oil on linen linen painting by Dennis Kardon, titled Transfixed by the Past, depicting a woman holding a snow globe in front of her face seated at a dining table.

You Should Leave

As part of “New Interiorities,” a supplement guest edited by Alison M. Gingeras and Jamieson Webster for the Winter 2020 issue of the Quarterly, Alissa Bennett writes on liminal spaces and self-contemplation within the work of Patricia Highsmith.

Iiu Susiraja, Badminton, 2018

Resting Place

As part of “New Interiorities,” a supplement guest edited by Alison M. Gingeras and Jamieson Webster for the Winter 2020 issue of the Quarterly, Miciah Hussey delves into the work of Finnish photographer Iiu Susiraja.