Note to Visitors
In order to provide a safe environment for our staff and the public, visitors will be asked to comply with the following protocols as well as to respect instructions given by gallery staff.
– A limited number of visitors will be permitted within the exhibition spaces.
– Advance appointments are available.
– Visitors must wear masks for the duration of their visit.
– Visitors must maintain at least 2 meter distance from others.
– Hand sanitizer and masks will be provided for use.
Please contact firstname.lastname@example.org or +33 1 75 00 05 92 with any questions about these guidelines, or to schedule your visit.
Thank you for your understanding and cooperation.
À l’attention des visiteurs
Afin de fournir un environnement sûr à notre personnel et au public, les visiteurs seront invités à se conformer aux protocoles suivants ainsi qu’à respecter les instructions données par le personnel de la galerie.
– Un nombre limité de visiteurs est autorisé dans les espaces d’exposition.
– Des rendez-vous à l’avance sont disponibles.
– Les visiteurs doivent porter des masques pendant toute la durée de leur visite.
– Les visiteurs doivent se tenir à au moins 2 mètres de distance les uns des autres.
– Du désinfectant pour les mains et des masques seront fournis.
Veuillez contacter email@example.com ou appeler le +33 1 75 00 05 92 pour toutes questions sur ces consignes, ou pour planifier votre visite.
Merci de votre compréhension et de votre coopération.
Extended through June 26, 2021
Field of the Cloth of Gold
February 7–June 26, 2021
Extended through June 27, 2020
LES NOIRS DU BLANC, LES BLANCS DU NOIR
October 13, 2019–June 27, 2020
The Thinking Hand
Edmund de Waal speaks with Richard Calvocoressi about touch in relation to art and our understanding of the world, and discusses the new stone sculptures he created for the exhibition This Living Hand: Edmund de Waal Presents Henry Moore, at the Henry Moore Studios & Gardens. Their conversation took place at the Fitzwilliam Museum, University of Cambridge, in the context of the exhibition The Human Touch.
Gagosian Quarterly Fall 2021
The Fall 2021 issue of Gagosian Quarterly is now available, featuring Damien Hirst’s Reclining Woman (2011) on its cover.
Behind the Art
Rick Lowe: In the Studio
Join Rick Lowe in his Houston studio as he speaks about his recent paintings, describing their connections to his long engagement with the activity of dominoes and to his community-based projects created in the tradition of social sculpture.
Georg Baselitz: Pulling Up the Image
In celebration of five recent projects related to Georg Baselitz, Richard Calvocoressi, Max Hollein, and Katy Siegel speak with the artist and look at his prolific career.
Social Works II: Kahlil Robert Irving
Antwaun Sargent speaks with Kahlil Robert Irving in advance of the opening of Social Works II and presents a portfolio of Irving’s sculptures.
The Destination Is Latinx
Susan Breyer surveys the dynamic state of contemporary Latinx art in the United States. Highlighting seven artists who are rewriting cultural narratives, Breyer calls for sustained attention to this growing group beyond National Hispanic Heritage Month.
Christopher Rudd’s pas de deux Touché, choreographed for American Ballet Theatre during the onset of the pandemic, follows dancers João Menegussi and Calvin Royal III through a charged, vulnerable, and ultimately tender love story. In conversation with scholar Clare Croft, the artists reflect on the politics, poetics, and process of bringing this groundbreaking duet to life.
Behind the Art
Tatiana Trouvé: In the Studio
Join the artist in her studio as she speaks about her new series of drawings, From March to May. Trouvé describes the genesis of the project and the essential role its creation played in keeping her connected with the outside world during the difficult months of pandemic-related lockdown.
Historian Victoria Phillips speaks with the artist about his new paintings, memory and its relationship to media, and the continuing impact of the Cold War.
Katy Hessel, Matthew Holman, and Eleanor Nairne on Helen Frankenthaler
Broadcaster and art historian Katy Hessel; Matthew Holman, associate lecturer in English at University College London; and Eleanor Nairne, curator at the Barbican Art Gallery, London, discuss Helen Frankenthaler’s early training, the development of her signature soak-stain technique and subsequent shifts in style, and her connections to the London art world.
Gagosian Quarterly Films
Katharina Grosse: Think Big!
From October 21 to 23, 2021, Gagosian Quarterly presented a special English-language online screening of Claudia Müller’s Katharina Grosse: Think Big!
The San Francisco Art Institute: Its History and Future
Constance Lewallen marks the 150th anniversary of the San Francisco Art Institute, exploring the school’s evolution and pioneering faculty, as well as current challenges and the innovations necessary for its preservation.