
Now available
Gagosian Quarterly Summer 2026
The Summer 2026 issue of Gagosian Quarterly is now available, featuring Ellen Gallagher’s Fast-Fish and Loose-Fish (2026) on the cover.

26 avenue de l’Europe
93350 Le Bourget
+33 1 48 16 16 47
paris@gagosian.com
Hours: Tuesday–Saturday 11–6
This gallery will be closed on July 14, 2026
Directions from Paris
Car
From the Périphérique take highway A1 toward Lille/Roissy Charles-de-Gaulle
Take exit 5 toward Le Blanc-Mesnil/Aéroport Le Bourget
Follow the signs for Aéroport Le Bourget–Musée de l’Air et de l’Espace
Enter the airport and turn right onto l’Esplanade de l’Air et de l’Espace
Pass the Aéroports de Paris building on your right and continue onto avenue de l’Europe until you reach the gallery on your right
Parking is available at the gallery
Bus
– No. 152 (toward ZAC Tulipes Nord) from Porte de la Villette—exit at Musée de l’Air et de l’Espace (10-minute walk to follow)
– No. 350 (toward Roissypôle) from Porte de la Chapelle—exit at Musée de l’Air et de l’Espace (10-minute walk to follow)
RER
RER B—exit at Le Bourget and then take bus no. 152 from Jean Jaurès–Division Leclerc toward ZAC Les Tulipes Nord—exit at Musée de l’Air et de l’Espace (10-minute walk to follow)
—
Itinéraire depuis Paris
Voiture
Depuis le Périphérique, prendre l’autoroute A1 en direction de Lille/Roissy Charles-de-Gaulle
Prendre la sortie 5 vers Le Blanc-Mesnil/Aéroport Le Bourget
Suivre les panneaux Aéroport Le Bourget–Musée de l’Air et de l’Espace
Entrer dans l’aéroport et tourner à droite sur l’Esplanade de l’Air et de l’Espace
Passer devant le bâtiment d’Aéroports de Paris sur votre droite et continuer sur l’avenue de l’Europe jusqu’à la galerie, qui sera sur votre droite.
Un parking est disponible à la galerie
Bus
– N° 152 (direction ZAC Tulipes Nord) depuis la Porte de la Villette—sortir à Musée de l’Air et de l’Espace (10 minutes à pied jusqu’à la galerie)
– N° 350 (direction Roissypôle) depuis la Porte de la Chapelle—sortir à Musée de l’Air et de l’Espace (10 minutes à pied jusqu’à la galerie)
RER
RER B—sortie Le Bourget, puis prendre le bus n° 152 de Jean Jaurès–Division en direction de ZAC Les Tulipes Nord, descendre à Musée de l’Air et de l’Espace (10 minutes à pied jusqu’à la galerie)

The Summer 2026 issue of Gagosian Quarterly is now available, featuring Ellen Gallagher’s Fast-Fish and Loose-Fish (2026) on the cover.
In this video, Jenny Saville sits down inside her first major exhibition in Venice to discuss how the great Venetian artists of the past and the city’s heritage influence her work. The show brings together more than thirty canvases and works on paper from the 1990s to the present, tracing the development of her practice, which is deeply rooted in the history of painting.
On the occasion of his exhibition The Reflection of Bronze at Gagosian, New York, Giuseppe Penone and curator Adam D. Weinberg sit down to discuss the genesis of, and their collaboration on, the show.

Ahead of Alex Israel’s exhibition of four new Fin sculptures at Gagosian, London, the artist spoke with Susan Casey, author of The Wave: In Pursuit of the Rogues, Freaks, and Giants of the Ocean (2010), about the ocean, surfing, and Los Angeles.

On July 9, Simon Hantaï: the last studio opens at Gagosian, Gstaad. Curated by Anne Baldassari, the show comprises sixteen of the artist’s dernier atelier (last studio) paintings of 1982–85. The exhibition is accompanied by an illustrated catalogue, copublished by Gagosian and Skira, which features an essay by Baldassari and an extensive portfolio of previously unpublished photographs by Édouard Boubat. Here, we share the introductory chapter from the publication.

An exhibition at Gagosian, Hong Kong, brings together three of James Turrell’s Glasswork pieces along with site plans, photographs, and models of his Skyspaces and Roden Crater. Here, Alice Godwin explores the history of the Glassworks and their relationship to the artist’s wider practice.

On April 16, the Institute of Contemporary Art, Boston, opened the first midcareer survey of Derrick Adams’s multidisciplinary practice. Covering over twenty years of work, the exhibition, titled View Master, brings together the artist’s painting, sculpture, collage, performance, and video, as well as a vibrant new commission created for the museum’s façade. Ahead of the opening, Adams met with Tessa Bachi Haas, cocurator of the survey, to discuss his formative experiences with television, the impact of his work in arts education on his practice, and the importance of taking a more complex, more joyful, and more expansive approach to Black American life and culture.

Adam D. Weinberg has been working with Giuseppe Penone on an exhibition of the artist’s new sculptures, The Reflection of Bronze, that opens at Gagosian, New York, on April 22. The works explore the character and possibilities of bronze. Here, Weinberg considers Penone’s enduring engagement with the alloy and addresses the conceptual underpinnings of the exhibition’s three-room structure.

Jeff Koons tells Alison McDonald about his appreciation for the pioneering artist and thinker Marcel Duchamp.

The Singular Experience at Gagosian’s Le Bourget gallery is the largest exhibition of Walter De Maria’s work in France in several decades. Organized by Donna De Salvo, senior adjunct curator at Dia Art Foundation, the exhibition marks the first time De Maria’s final sculpture, Truck Trilogy (2011–17), is being shown outside of the United States. Here, De Salvo speaks with artist Lucy Raven about her evolving kinship with De Maria and more.

Laura Bruni writes about a major exhibition celebrating the work of the British sculptor Henry Moore at the Royal Botanic Gardens, Kew, London.

The exhibition Pomellato, Le Joaillier Révolutionnaire opened at Palais de Tokyo, Paris, on June 24. The Italian jewelry house’s trailblazing advertising campaigns—created by some of the most consequential names in photography—act as the narrative arc of the exhibition, curated by Alba Cappellieri. Here, Sarah Godfrey tracks Pomellato’s history, speaks with Cappellieri about what drew her to this project, and examines some of the key photographs from the show.