Menu

Le Bourget

A photograph of the outside of the Gagosian location Le Bourget

26 avenue de l’Europe
93350 Le Bourget

+33 1 48 16 16 47
paris@gagosian.com

Hours: Tuesday–Saturday 11–6

Note to Visitors

In order to provide a safe environment for our staff and the public, visitors will be asked to comply with the following protocols as well as to respect instructions given by gallery staff.

– A limited number of visitors will be permitted within the exhibition spaces.
– Advance appointments are available.
– Visitors must wear masks for the duration of their visit.
– Visitors must maintain at least 2 meter distance from others.
– Hand sanitizer and masks will be provided for use.

Please contact paris@gagosian.com or +33 1 75 00 05 92 with any questions about these guidelines, or to schedule your visit.

Thank you for your understanding and cooperation.

À l’attention des visiteurs

Afin de fournir un environnement sûr à notre personnel et au public, les visiteurs seront invités à se conformer aux protocoles suivants ainsi qu’à respecter les instructions données par le personnel de la galerie.

– Un nombre limité de visiteurs est autorisé dans les espaces d’exposition.
– Des rendez-vous à l’avance sont disponibles.
– Les visiteurs doivent porter des masques pendant toute la durée de leur visite.
– Les visiteurs doivent se tenir à au moins 2 mètres de distance les uns des autres.
– Du désinfectant pour les mains et des masques seront fournis.

Veuillez contacter paris@gagosian.com ou appeler le +33 1 75 00 05 92 pour toutes questions sur ces consignes, ou pour planifier votre visite.

Merci de votre compréhension et de votre coopération.

Edmund de Waal, stone for two hands and water, 2021, Hornton stone, bamboo, and water, 27 ⅜ × 56 ¾ × 23 ⅝ inches (69.5 × 144 × 60 cm), installation view, Henry Moore Studios & Gardens, Perry Green, England

The Thinking Hand

Edmund de Waal speaks with Richard Calvocoressi about touch in relation to art and our understanding of the world, and discusses the new stone sculptures he created for the exhibition This Living Hand: Edmund de Waal Presents Henry Moore, at the Henry Moore Studios & Gardens. Their conversation took place at the Fitzwilliam Museum, University of Cambridge, in the context of the exhibition The Human Touch.

Damien Hirst's Reclining Woman on the cover of Gagosian Quarterly, Fall 2021

Now available
Gagosian Quarterly Fall 2021

The Fall 2021 issue of Gagosian Quarterly is now available, featuring Damien Hirst’s Reclining Woman (2011) on its cover.

Rick Lowe painting in his studio.

Behind the Art
Rick Lowe: In the Studio

Join Rick Lowe in his Houston studio as he speaks about his recent paintings, describing their connections to his long engagement with the activity of dominoes and to his community-based projects created in the tradition of social sculpture.

Georg Baselitz working on Madame Demoisielle weit weg von der Küste (Madame Demoiselle a long way from the coast)

Georg Baselitz: Pulling Up the Image

In celebration of five recent projects related to Georg Baselitz, Richard Calvocoressi, Max Hollein, and Katy Siegel speak with the artist and look at his prolific career.

Kahlil Robert Irving, Downtown Norfolk, Nebraska (1998), 2017, unglazed and glazed ceramic, enamel, luster, and image transfers.

Social Works II: Kahlil Robert Irving

Antwaun Sargent speaks with Kahlil Robert Irving in advance of the opening of Social Works II and presents a portfolio of Irving’s sculptures.

Rachelle Mozman Solano, Las Damas, 2010, chromogenic print,

The Destination Is Latinx

Susan Breyer surveys the dynamic state of contemporary Latinx art in the United States. Highlighting seven artists who are rewriting cultural narratives, Breyer calls for sustained attention to this growing group beyond National Hispanic Heritage Month.

João Menegussi and Calvin Royal III in Touché (2020), choreographed by Christopher Rudd

Touché

Christopher Rudd’s pas de deux Touché, choreographed for American Ballet Theatre during the onset of the pandemic, follows dancers João Menegussi and Calvin Royal III through a charged, vulnerable, and ultimately tender love story. In conversation with scholar Clare Croft, the artists reflect on the politics, poetics, and process of bringing this groundbreaking duet to life.

Tatiana Trouvé in her Paris studio.

Behind the Art
Tatiana Trouvé: In the Studio

Join the artist in her studio as she speaks about her new series of drawings, From March to May. Trouvé describes the genesis of the project and the essential role its creation played in keeping her connected with the outside world during the difficult months of pandemic-related lockdown.

Kon Trubkovich in his studio, Brooklyn, New York, 2021.

Kon Trubkovich

Historian Victoria Phillips speaks with the artist about his new paintings, memory and its relationship to media, and the continuing impact of the Cold War.

Katy Hessel, Matthew Holman, and Eleanor Nairne

In Conversation
Katy Hessel, Matthew Holman, and Eleanor Nairne on Helen Frankenthaler

Broadcaster and art historian Katy Hessel; Matthew Holman, associate lecturer in English at University College London; and Eleanor Nairne, curator at the Barbican Art Gallery, London, discuss Helen Frankenthaler’s early training, the development of her signature soak-stain technique and subsequent shifts in style, and her connections to the London art world.

Portrait of the painter with the spray gun.

Gagosian Quarterly Films
Katharina Grosse: Think Big!

From October 21 to 23, 2021, Gagosian Quarterly presented a special English-language online screening of Claudia Müller’s Katharina Grosse: Think Big!

Diego Rivera, The Making of a Fresco Showing the Building of a City, installation view, San Francisco Art Institute (SFAI)

The San Francisco Art Institute: Its History and Future

Constance Lewallen marks the 150th anniversary of the San Francisco Art Institute, exploring the school’s evolution and pioneering faculty, as well as current challenges and the innovations necessary for its preservation.