Sunday, February 17, 2019, 3:30pm
Sherry Lansing Theatre, Paramount Studios, Los Angeles
Mary Weatherford will speak with art historian Suzanne Hudson as a part of Frieze Talks, a program where artists, writers, and scholars partake in informal, wide-ranging conversation with a peer. The event is free with fair admission.
Photo: Lee Jaffe
Virtual Studio Visit with Klaus Biesenbach
In the Virtual Studio Visit series from the Museum of Contemporary Art, Los Angeles, director Klaus Biesenbach digitally connects with artists around the world. Here, he speaks with Mary Weatherford at her working space in Hemel-en-Aarde Valley, South Africa. The pair discuss Weatherford’s show Canyon—Daisy—Eden, at the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College in Saratoga Springs, New York, and her practice in general.
Still from “Virtual Studio Visits: Mary Weatherford”
June 17–23, 2020
Mary Weatherford makes large paintings comprising grounds of spontaneously sponged paint on heavy linen canvases, often surmounted by one or more carefully shaped and placed colored neon tubes. The canvas—prepared with white gesso mixed with marble dust and worked on with Flashe paint, a highly pigmented but readily diluted emulsion—supports startlingly diverse applications of color, while the surface of the paint ranges from matte and velvety to transparent and translucent. Weatherford’s use of color and light is based on her direct experience of specific locations, as well as her memories of such experiences.
Photo: Antony Hoffman
I’ve Seen Gray Whales Go By
Mary Weatherford: I’ve Seen Gray Whales Go By is available for online reading from June 17 through July 16 as part of Artist Spotlight: Mary Weatherford. Documenting Weatherford’s 2018 exhibition at Gagosian in New York, her first with the gallery, it features a new essay by curator and art historian John Elderfield that examines how this body of work evokes not just landscapes, but specific events and narratives. The plate section is interspersed with examples of Weatherford’s varied source material, including a nursery rhyme, a page of sheet music, and an entry from artist Agnes Pelton’s journal.
Mary Weatherford: I’ve Seen Gray Whales Go By (New York: Gagosian, 2020)
Jenny Saville and Nicholas Cullinan
Jenny Saville speaks with Nicholas Cullinan, the director of the National Portrait Gallery, London, from her studio. They discuss portraiture, her latest work, and her art historical influences, as well as the shifting nature of perception in the age of digital communication.
Gagosian Quarterly Summer 2020
The Summer 2020 issue of Gagosian Quarterly is now available, featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.
The Bigger Picture
Arts Leaders of Color
Jess Sims interviews Quanice Floyd and Joshua Henry Jenkins of the Arts Administrators of Color Network to discuss the organization’s COVID-19 emergency fund for BIPOC artists and arts administrators.
Emergency Arts Funding: Grants for United States Artists and Arts Workers
Gabriella Calandro, director of grants and curatorial affairs at the New York Foundation for the Arts, and Kathleen Flynn, deputy director of the Foundation for Contemporary Arts, speak with Gagosian director Kara Vander Weg about relief funding administered by their organizations for artists and arts workers in the United States during the COVID-19 pandemic.
Titus Kaphar: Can Beauty Open Our Hearts to Difficult Conversations?
In this TED talk, presented during the sweeping protests against racism and police violence following the killing of George Floyd, Titus Kaphar describes how the beauty of a painting can draw the viewer in and allow difficult conversations to emerge. Kaphar discusses his own work and shares the idea behind NXTHVN, a new national arts model he founded to empower artists of color through education and access.
Mike Milken and Larry Gagosian
Mike Milken interviews Larry Gagosian about their shared histories, the important role of art in moments of crisis, and the long-term impact of creative visions.
Five Preoccupations: Jenny Saville
Jenny Saville shares a selection of the books, films, and more that have been her companions in the quiet of the shutdowns in recent months and as she looks ahead to a new exhibition next year.
Casa Malaparte: Furniture
Featuring interviews with Tommaso Rositani Suckert and Serena Cattaneo Adorno, this video presents a unique look at the history of Casa Malaparte in Capri and documents the fabrication of new editions of the iconic furniture pieces from the house, designed in the late 1930s by avant-garde writer Curzio Malaparte.
In the Studio: Damien Hirst’s Veil Paintings
Damien Hirst speaks about his Veil paintings with Gagosian’s Alison McDonald. “I wanted to make paintings that were a celebration,” he says, “and that revealed something and obscured something at the same time.”
Theaster Gates: Black Vessel
Join Theaster Gates in his studio as he prepares for his upcoming exhibition at Gagosian, New York, this fall. In this video, shot entirely on location in Chicago during the recent tumultuous weeks, Gates reflects on the metaphorical power of materials and process, and on the redemptive potential of art.
Mary Weatherford: Train Yards
Mary Weatherford speaks to Laura Hoptman about her new paintings, the Train Yard series. Begun in 2016, this body of work evokes the sights and sounds of railroads and night skies. The series will be shown for the first time in late 2020, in an exhibition at Gagosian, London.
Uncanny Delights: Sculpture by John Chamberlain, Urs Fischer, and Charles Ray
Catalyzed by the exhibition Crushed, Cast, Constructed: Sculpture by John Chamberlain, Urs Fischer, and Charles Ray, Alice Godwin examines the legacy and development of a Surrealist ethos in selected works from three contemporary sculptors.