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In Conversation

Frank Gehry, Maja Hoffmann, Hans Ulrich Obrist

Friday, February 15, 2019, 5pm
Sherry Lansing Theatre, Paramount Studios, Los Angeles
frieze.com

Frank Gehry will speak with Maja Hoffmann, founder of the LUMA Foundation, and Hans Ulrich Obrist, artistic director of the Serpentine Galleries, as part of Frieze’s Conversations on Patronage. The new series explores the social and civic impact of art patronage. The event is free with fair admission.

Photo: David Lauridsen

Photo: David Lauridsen

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Left: Frank Gehry, Bear With Us, 2014 © Frank Gehry. Right: Thomas Houseago, Striding Figure (Rome I), 2013 © Thomas Houseago. Photos: Roman Alokhin

Permanent Installation

Frank Gehry
Thomas Houseago

Six additional acres have been added to the Sydney and Walda Besthoff Sculpture Garden at the New Orleans Museum of Art. The expansion features twenty-six new works including Frank Gehry’s Bear With Us (2014) and Thomas Houseago’s Striding Figure (Rome I) (2013).

Left: Frank Gehry, Bear With Us, 2014 © Frank Gehry. Right: Thomas Houseago, Striding Figure (Rome I), 2013 © Thomas Houseago. Photos: Roman Alokhin

Jonas Wood’s limited-edition Louis Vuitton Artycapucines bag

Design

Louis Vuitton X

June 28–November 10, 2019
Louis Vuitton X, Beverly Hills
us.louisvuitton.com

Louis Vuitton X celebrates the fashion house’s 160-year history of artistic collaborations and marks the world premiere of the Artycapucines Collection. The line includes limited-edition reinterpretations of the label’s iconic Capucines bag by six artists including Urs Fischer, Alex Israel, and Jonas Wood. The exhibition also brings together a collection of early twentieth-century special-order trunks, art deco perfume bottles, iconic Monogram bags reworked by artists such as Frank Gehry and Cindy Sherman, and original collaborations by artists such as Richard Prince.

Jonas Wood’s limited-edition Louis Vuitton Artycapucines bag

Theaster Gates, Bono, and David Adjaye. Photo: Rankin

Auction

(RED) Auction

Live auction: Wednesday, December 5, 2018
Online auction: November 12–December 7, 2018
Exhibition: December 1–7, 2018
Moore Building, Miami

Gagosian is pleased to announce the third (RED) Auction to support the fight against AIDS, organized in partnership with (RED) and Sotheby’s.

Bono, the driving force behind (RED), invited artist Theaster Gates and architect Sir David Adjaye to cocurate a selection of contemporary art and design that will be auctioned by Sotheby’s on December 5, 2018, during Art Basel in Miami Beach and Design Miami/ 2018. Gagosian will present a preview exhibition of the works at the famed Moore Building in Miami, which will open on World AIDS Day, December 1.

Artists donating works include Ai Weiwei, Christo, Rachel Feinstein, Teresita Fernández, Frank Gehry, Jennifer Guidi, Sir Jony Ive and Marc Newson, Jeff Koons, Guillermo Kuitca, Marilyn Minter, Wangechi Mutu, Jenny Saville, and Sean Scully; Adjaye and Gates will also contribute unique pieces.

Proceeds from this year’s auction will support community-based programs in Africa through the Global Fund to Fight AIDS, while also providing assistance to fight HIV through community-strengthening programs in Chicago with Theaster Gates’s Rebuild Foundation. For additional information, please contact Lidia Andich at redauction@gagosian.com.

View the auction catalogue (PDF)

Theaster Gates, Bono, and David Adjaye. Photo: Rankin

A black-and-white photograph of a woman's face by Dora Maar.

Discovering Dora Maar

Brigitte Benkemoun’s book Je suis le carnet de Dora Maar takes a novel approach to the art of biography. For the Quarterly, Benkemoun recounts her discovery of a mysterious Hermès address book, the subsequent realization of its genius former owner, and her journey to learn more about the life, friends, and art of Dora Maar.

Cover of the Winter 2019 Gagosian Quarterly, featuring a selection from a black-and-white Christopher Wool photograph

Now available
Gagosian Quarterly Winter 2019

The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.

Edmund de Waal and Jan Dalley, FT Weekend Festival, London, September 7, 2019

In Conversation
Edmund de Waal and Jan Dalley

At the FT Weekend Festival 2019 in London, Edmund de Waal sat down for a conversation with Financial Times arts editor Jan Dalley. They spoke about the relationship between words and sculpture in his practice, and about two recent projects: the two-part exhibition psalm, in Venice, and Elective Affinities, at the Frick Collection, New York.

Rachel Feinstein in her West 15th Street studio, New York, 2002.

Rachel Feinstein

The artist discusses her life and work with Alan Yentob.

Huma Bhabha during the installation of Huma Bhabha: The Company at Gagosian, Rome, September 2019.

Work in Progress
Huma Bhabha

The artist tells Negar Azimi about her interest in the monstrous, the influence of science fiction on her practice, and her recent rooftop commission at the Metropolitan Museum of Art, New York.

John Currin, The Shaving Man, 1993.

Mansplaining: Figuring Masculinity in the Age of #MeToo

In light of recent developments around the definition of masculinity in American culture, Alison M. Gingeras, the curator of John Currin: My Life as a Man at Dallas Contemporary looks closely at the artist’s depictions of male subjects.

Artist Nam June Paik writing on his typewriter in black and white photo.

Reading Nam June Paik

Earlier this year, MIT Press released We Are in Open Circuits: Writings by Nam June Paik. Here Gregory Zinman, coeditor of the book along with John Hanhardt and Edith Decker-Phillips, writes about his first exposure to the artist’s archives, the discoveries made there, and the relationship between Paik’s writings and his larger practice.

Before the Smoke Has Cleared

Before the Smoke Has Cleared

Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.

Helen Frankenthaler in her studio in Provincetown. Black and white image.

Abstract Climates: Helen Frankenthaler in Provincetown

Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.

Richard Serra, Hands Scraping, 1968, film still.

The Art of Perception: Richard Serra’s Films

For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.

Piero Golia.

Myth-Maker

Alexander Wolf explores the economic, social, and methodological concerns of Piero Golia’s art practice, revealing the real-world implications of the artist’s experiments with form and process.

Jerry Schatzberg, Self Portrait in the Mirror, Trinidad, 1964.

The Center of the Storm

Carlos Valladares writes on filmmaker and photographer Jerry Schatzberg’s prolific career.