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Screening

Heavy Water

Monday, July 29, 2019, 7pm
Guild Hall, East Hampton, New York
www.guildhall.org

Join Gagosian and the Fletcher family for a screening of Heavy Water (2019), directed by Michael Oblowitz and produced by Red Bull Media House and All Edge Entertainment, in conjunction with the exhibition The Fletcher Family: A Lifetime in Surf at Gagosian, 976 Madison Avenue, New York. The film follows big-wave surfer Nathan Fletcher through the evolution of his career, tracing his lineage back to his grandfather, Walter Hoffman, a surfing pioneer on Oahu’s North Shore. Fletcher and fellow surf and skate legends share stories of the pursuit of their passion for the big wave. To attend the free event, RSVP to nyfilms@gagosian.com.

Nathan, Teahupo’o, French Polynesia, 2011. Photo: Brian Bielmann

Nathan, Teahupo’o, French Polynesia, 2011. Photo: Brian Bielmann

Related News

Richard Serra, Railroad Turnbridge, 1976 (still), Museum of Modern Art, New York © 2019 Richard Serra/Artists Rights Society (ARS), New York

Screening

Richard Serra
The Complete Films and Videos

October 17–23, 2019
Anthology Film Archives, New York
anthologyfilmarchives.org

In conjunction with a trio of Gagosian exhibitions of Richard Serra’s work in New York, the gallery and Anthology Film Archives will present a three-day retrospective of the artist’s films and videos from October 17 through 19, drawn from the collections of the Museum of Modern Art, New York; Anthology Film Archives; Joan Jonas; and Stiftung Situation Kunst, Bochum, Germany. This is the first time that all of the artist’s film and video work will be shown together. The screening on October 19 will be followed by a panel discussion between curators Søren Grammel, Chrissie Iles, and Jeffrey Weiss, moderated by art historian Benjamin Buchloh. Additional screenings of the full program will take place on October 20 and 23. To attend the event, purchase tickets at www.brownpapertickets.com or at the box office on the day of the show.

Richard Serra, Railroad Turnbridge, 1976 (still), Museum of Modern Art, New York © 2019 Richard Serra/Artists Rights Society (ARS), New York

Cleo Le-Tan, A Booklover’s Guide to New York (New York: Rizzoli, 2019)

Book Signing

Cleo Le-Tan
A Booklover’s Guide to New York

Tuesday, October 22, 2019, 6–7pm
Gagosian Shop, New York

Gagosian Shop is pleased to host a book signing with New York–based author Cleo Le-Tan to celebrate the publication of A Booklover’s Guide to New York. Featuring artwork by her late father, the celebrated illustrator and designer Pierre Le-Tan, Le-Tan’s book chronicles the fascinating literary history of New York’s many neighborhoods and includes intimate interviews providing thoughtful perspectives on the city’s enduring relationship with the printed word. To attend this free event, RSVP to letanrsvp@gagosian.com. Space is limited.

Cleo Le-Tan, A Booklover’s Guide to New York (New York: Rizzoli, 2019)

Photo: courtesy the Shed

Performance

William Forsythe
A Quiet Evening of Dance

October 11–25, 2019
The Shed, New York
theshed.org

For this fresh configuration of new and existing work, William Forsythe has imagined something akin to an evening of chamber music, designed to be listened to. The intricate phrasing of the dancers’ breath is the primary accompaniment for a distillation of the geometric origins of classical ballet. To attend the event, purchase tickets at theshed.org.

Photo: courtesy the Shed

Before the Smoke Has Cleared

Before the Smoke Has Cleared

Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.

The cover of the Fall 2019 Gagosian Quarterly magazine. Artwork by Nathaniel Mary Quinn

Now available
Gagosian Quarterly Fall 2019

The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.

Video still of Sarah Sze speaking at a TED conference, Vancouver, BC, April 2019.

Sarah Sze: Art That Explores Time and Memory

Join Sarah Sze as she talks about the questions that drive her work. She describes creating immersive experiences that blur the lines between time, memory, and space—and between art and life.

Helen Frankenthaler in her studio in Provincetown. Black and white image.

Abstract Climates: Helen Frankenthaler in Provincetown

Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.

Nathaniel Mary Quinn and Troy Carter

In Conversation
Nathaniel Mary Quinn and Troy Carter

On the eve of the opening of his first exhibition with Gagosian, in Beverly Hills, Nathaniel Mary Quinn joined Troy Carter for a conversation at LA’s Hammer Museum. They spoke about deliverance, Quinn’s new work, and what drives him to make art.

Richard Serra, Hands Scraping, 1968, film still.

The Art of Perception: Richard Serra’s Films

For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.

Sterling Ruby, ACTS/OSIRIS-REx, 2016 (detail).

Sterling Ruby: Disjointed Monuments to Nothing

Alessandro Rabottini investigates the theoretical and formal underpinnings of Sterling Ruby’s career through the lens of the artist’s series ACTS.

Michael Craig-Martin at his London studio, 2019

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Michael Craig-Martin: Ordinariness

Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.

Nathaniel Mary Quinn, Brooklyn, New York, 2019.

Nathaniel Mary Quinn

Anderson Cooper spoke with the artist at his Brooklyn studio about his childhood and the visionary nature of his art.

Nina Simone at the Globe Jazz festival at Symphony Hall, Boston, March 20, 1986.

Nina Simone, Our National Treasure

Text by Salamishah Tillet.

Helen Frankenthaler in gondola with various friends, Venice, June 1966

Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992

Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992 marks the first time that Frankenthaler’s paintings have been exhibited in Venice since her inclusion in the 1966 Biennale as part of the US Pavilion. This video, including interviews with the show’s curator, John Elderfield; the chairman of the Helen Frankenthaler Foundation, Clifford Ross; and the Foundation’s executive director, Elizabeth Smith, provides viewers with an in-depth look at the fourteen paintings included in the exhibition.

Left: Sally Mann, Self-Portrait, 1974; right: Jenny Saville in her studio, c. 1990s.

Sally Mann and Jenny Saville

The two artists discuss being drawn to difficult subjects, the effects of motherhood on their practice, embracing chance, and their shared adoration of Cy Twombly.