Thursday, March 5, 2020, 6:30pm
Gagosian, Britannia Street, London
Join Gagosian for a tour of the group exhibition American Pastoral. The show juxtaposes modern and contemporary works with historical American landscapes ranging from Albert Bierstadt’s depiction of the sublime in Sunset over the River (1877) to Edward Hopper’s tranquil seaside scene, Gloucester Harbor (1926). Gagosian’s Alice Godwin will focus on a select grouping of exhibited works that seek to challenge the idealized vision of the American Dream that has long been a rich topic of inquiry for artists in the United States. To attend the free event, RSVP to email@example.com. Space is limited.
Installation view, American Pastoral, Gagosian, Britannia Street, London, January 23–March 14, 2020. Artwork, left to right: © Theaster Gates, © Adam McEwen, Thomas Moran, © Richard Prince, © Banks Violette, © Ed Ruscha. Photo: Lucy Dawkins
Adam McEwen, Bob Monk, and Lisa Turvey on Ed Ruscha
Tuesday, September 22, 2020, 5pm EDT
On the occasion of Artist Spotlight: Ed Ruscha, join artist Adam McEwen, Gagosian director Bob Monk, and Lisa Turvey, editor of the catalogue raisonné of Ed Ruscha’s works on paper, for an online conversation. The trio will discuss how Ruscha has experimented with the sound, appearance, and sense of language to imbue his works on paper with humor and pathos. To join, register at zoom.us.
Ed Ruscha, CERTAIN FACTS, 2020 © Ed Ruscha. Photo: Fredrik Nilsen
2020 Benefit Auction
September 15–29, 2020
The nonprofit visual art space LAXART is hosting a benefit auction, featuring works by Katharina Grosse, Jennifer Guidi, and Ed Ruscha. Proceeds will help the organization continue its mission to promote emerging and under-recognized talent and engage with key issues of our time through exhibitions, publications, and public programs. The live auction begins at 5pm edt on September 15 on Artsy. The works will also be available for viewing at LAXART by appointment beginning September 15. To register to bid, visit artsy.net.
Ed Ruscha, Street Cred, 2019 © Ed Ruscha
Monday, September 21, 2020, 1pm EDT (6pm BST)
Join Gagosian for a virtual tour of Casa Malaparte: Furniture, an exhibition on view at Gagosian, Davies Street, London, through September 19, 2020. Gagosian director Millicent Wilner and Tommaso Rositani Suckert, Curzio Malaparte’s youngest descendant, will discuss Casa Malaparte in Capri, Italy. Designed in its entirety by Malaparte, from floor plan to furniture, the house blends classical and modernist influences, united under one roof with inimitable poetic drama. Editions of the furniture are installed in the gallery to replicate the layout of the main room of the house, including a one-to-one scale image of the ocean vista. Rositani Suckert has produced the editions based on key pieces of furniture that grace the house to this day: a table, a bench, and a console. Manufactured in Italy, each piece comprises a simple, elegant solid walnut slab with supports in different materials. To join, register at zoom.us.
Original walnut and pine table conceived in 1941 by Curzio Malaparte in situ at Casa Malaparte, Capri © Malaparte. Photo: Dariusz Jasak
Mary Weatherford: Train Yards
Mary Weatherford speaks to Laura Hoptman about her new paintings, the Train Yard series. Begun in 2016, this body of work evokes the sights and sounds of railroads and night skies. The series will be shown for the first time in late 2020, in an exhibition at Gagosian, London.
Gagosian Quarterly Fall 2020
The Fall 2020 issue of Gagosian Quarterly is now available.
“Things Fall Apart”: Ed Ruscha’s Swiped Words
Lisa Turvey examines the range of effects conveyed by the blurred phrases in recent drawings by the artist, detailing the ways these words in motion evoke the experience of the current moment.
A short story by Emma Cline, published here on the occasion of her forthcoming collection of stories entitled Daddy.
Theaster Gates: Black Image Corporation
As a prelude to his first-ever solo exhibition in New York, Theaster Gates discusses his prescient work with the photographic archive of Chicago’s Johnson Publishing Company and his formation of Black Image Corporation as a conceptual project. In conversation with Louise Neri, he expands on his strategies as artist and social innovator in his quest to redeem and renew the sacred power of Black images and Black space.
Lockdown: Henri Matisse’s Domestic Interiors
John Elderfield reexamines Matisse’s Piano Lesson (1916) and Music Lesson (1917), considering the works’ depictions of domestic space during the tumult of World War I.
Suzanne Hudson speaks with Leah Levy, executive director of the Jay DeFeo Foundation, about the artist’s life and work.
Jacquelynn Baas profiles Isabelle Waldberg, writing on the sculptor’s many friendships and the influence of her singular creations.
Building a Legacy
The Helen Frankenthaler Foundation on COVID-19 Relief Funding
The Quarterly’s Alison McDonald speaks with Clifford Ross, Frederick J. Iseman, and Dr. Lise Motherwell, members of the board of directors of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director, about the foundation’s decision to establish a multiyear initiative dedicated to providing $5 million in covid-19 relief for artists and arts professionals.
Bebe Miller and Cynthia Oliver
The legendary choreographers discuss their history together, the evolution of Cynthia Oliver’s boom!, imposed boundaries on “Black dance,” and the choreographies of the pandemic.
Titus Kaphar: Can Beauty Open Our Hearts to Difficult Conversations?
In this TED talk, presented during the sweeping protests against racism and police violence following the killing of George Floyd, Titus Kaphar describes how the beauty of a painting can draw the viewer in and allow difficult conversations to emerge. Kaphar discusses his own work and shares the idea behind NXTHVN, a new national arts model he founded to empower artists of color through education and access.
Natasha Prince interviews the Dutch photographer and filmmaker about his relationships with musicians and gets the backstory on some of his most legendary images. Ivan Shaw puts Corbijn’s practice and aesthetic innovations into context.