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American Pastoral

Thursday, March 5, 2020, 6:30pm
Gagosian, Britannia Street, London

Join Gagosian for a tour of the group exhibition American Pastoral. The show juxtaposes modern and contemporary works with historical American landscapes ranging from Albert Bierstadt’s depiction of the sublime in Sunset over the River (1877) to Edward Hopper’s tranquil seaside scene, Gloucester Harbor (1926). Gagosian’s Alice Godwin will focus on a select grouping of exhibited works that seek to challenge the idealized vision of the American Dream that has long been a rich topic of inquiry for artists in the United States. To attend the free event, RSVP to londontours@gagosian.com. Space is limited.

Installation view, American Pastoral, Gagosian, Britannia Street, London, January 23–March 14, 2020. Artwork, left to right: © Theaster Gates, © Adam McEwen, Thomas Moran, © Richard Prince, © Banks Violette, © Ed Ruscha. Photo: Lucy Dawkins

Installation view, American Pastoral, Gagosian, Britannia Street, London, January 23–March 14, 2020. Artwork, left to right: © Theaster Gates, © Adam McEwen, Thomas Moran, © Richard Prince, © Banks Violette, © Ed Ruscha. Photo: Lucy Dawkins

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Installation view, Francesca Woodman, Gagosian, 555 West 24th Street, New York, March 13–April 27, 2024. Artwork © Woodman Family Foundation/Artists Rights Society (ARS), New York. Photo: Owen Conway

Tour

Francesca Woodman
With Lissa McClure and Katarina Jerinic

Friday, April 26, 2024, 10am
Gagosian, 555 West 24th Street, New York

Join Gagosian for a tour of the exhibition Francesca Woodman at Gagosian, New York, led by Lissa McClure and Katarina Jerinic, executive director and collections curator, respectively, at the Woodman Family Foundation. The pair will guide visitors through the presentation of over fifty prints from approximately 1975 through 1980, in which Woodman situated herself and others within dilapidated interiors and ancient architecture to compose her tableaux. Using objects such as chairs and plinths along with architectural elements including doorways, walls, and windows, she staged contrasts with the performative presence of the figures, presenting the body itself as sculpture.

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Installation view, Francesca Woodman, Gagosian, 555 West 24th Street, New York, March 13–April 27, 2024. Artwork © Woodman Family Foundation/Artists Rights Society (ARS), New York. Photo: Owen Conway

Stanley Whitney: How High the Moon (New York: DelMonico Books; Buffalo, New York: Buffalo AKG Art Museum, 2024)

In Conversation

How High the Moon
With Stanley Whitney and Cathleen Chaffee

Sunday, April 28, 2024, 2–3pm
Dia Chelsea, New York
printedmatterartbookfairs.org

Join Stanley Whitney and curator Cathleen Chaffee in conversation to celebrate the artist’s new monograph, Stanley Whitney: How High the Moon, published in conjunction with his traveling retrospective, currently on view at the Buffalo AKG Art Museum, New York, through May 26. The pair will discuss the breadth of Whitney’s practice since the early 1970s, his work in relation to his artistic community, and his influences—from the history of art and architecture to quilting, textiles, and jazz. The talk is presented by DelMonico Books as part of Printed Matter’s NY Art Book Fair 2024 and is free to attend.

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Stanley Whitney: How High the Moon (New York: DelMonico Books; Buffalo, New York: Buffalo AKG Art Museum, 2024)

Takashi Murakami. Artwork © 2024 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved. Photo: Shin Suzuki

In Conversation

Brooklyn Talks
Takashi Murakami and Joan Cummins

Monday, April 29, 2024, 7–9pm
Brooklyn Museum, New York
www.brooklynmuseum.org

In conjunction with the exhibition Hiroshige’s 100 Famous Views of Edo (feat. Takashi Murakami) at the Brooklyn Museum, Murakami and curator Joan Cummins will discuss the artist’s new series of fantastical paintings that respond to Utagawa Hiroshige’s 100 Famous Views of Edo (1856–58), now on view at the museum for the first time in twenty-four years. Cummins and Murakami will also reflect on Hiroshige’s contributions to global art history and his role as a witness to and chronicler of environmental and social change.

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Takashi Murakami. Artwork © 2024 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved. Photo: Shin Suzuki

Self portrait of Francesca Woodman, she stands against a wall holding pieces of ripped wallpaper in front of her face and legs

Francesca Woodman

Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.

Cover of Gagosian Quarterly, Spring 2024, featuring Jean-Michel Basquiat Cover

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Installation view, with three paintings by Simon Hantaï

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Still from The World of Apu (1959), directed by Satyajit Ray, it features a close up shot of a person crying, only half of their face is visible, the rest is hidden behind fabric

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