Thursday, March 5, 2020, 6:30pm
Gagosian, Britannia Street, London
Join Gagosian for a tour of the group exhibition American Pastoral. The show juxtaposes modern and contemporary works with historical American landscapes ranging from Albert Bierstadt’s depiction of the sublime in Sunset over the River (1877) to Edward Hopper’s tranquil seaside scene, Gloucester Harbor (1926). Gagosian’s Alice Godwin will focus on a select grouping of exhibited works that seek to challenge the idealized vision of the American Dream that has long been a rich topic of inquiry for artists in the United States. To attend the free event, RSVP to email@example.com. Space is limited.
Installation view, American Pastoral, Gagosian, Britannia Street, London, January 23–March 14, 2020. Artwork, left to right: © Theaster Gates, © Adam McEwen, Thomas Moran, © Richard Prince, © Banks Violette, © Ed Ruscha. Photo: Lucy Dawkins
Legacy Building in the Art World
Tuesday, May 18, 2021, 1pm edt
Art history is fickle. Why do some artists prevail while others falter? How can lesser-known artists build their reputations and legacies? Sound curatorial and art historical methods must be combined with a keen sense of the demands of the commercial marketplace. As part of Gagosian’s Building a Legacy program, writer, curator, editor, and publisher Raymond Foye and Gagosian director Rani Singh will discuss the general principles and methodology of archiving, editing, and presenting the work of overlooked artists and writers. They will share firsthand accounts and learning experiences working with artists such as Jordan Belson, Gregory Corso, Rene Ricard, and Harry Smith. To join, register at eventbrite.com.
Rene Ricard, So Who Left Who, 2007 © Estate of Rene Ricard
Friday, May 7, 2021, 1pm EDT
Join the Milwaukee Art Museum’s Contemporary Art Society for a virtual conversation between Katharina Grosse and the museum’s interim chief curator and curator of contemporary art, Margaret Andera. The pair will discuss Grosse’s Untitled (2019), which the museum recently acquired. The painting is the first work by the artist to enter the collection as well as the first by a female artist in the museum’s collection of contemporary German paintings. To attend the event, register at us02web.zoom.us.
Katharina Grosse, Untitled, 2019 © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2021
Richard Calvocoressi, Max Hollein, and Katy Siegel on Georg Baselitz
Wednesday, May 12, 2021, 1pm edt
Join Gagosian for a conversation about Georg Baselitz with Max Hollein, Marina Kellen French Director at the Metropolitan Museum of Art, New York; Katy Siegel, Eugene V. and Clare E. Thaw Endowed Chair at Stony Brook University, New York, and senior curator at the Baltimore Museum of Art; and Richard Calvocoressi, art historian and director at Gagosian, London. In celebration of the forthcoming monograph on Baselitz written by Calvocoressi and published by Thames and Hudson, the trio will look at the artist’s prolific career. They will highlight the exhibitions Springtime at Gagosian, New York, and Archinto at the Museo di Palazzo Grimani, Venice, both opening in May 2021, and the recent gift by the artist and his wife, Elke Baselitz, of six landmark paintings to the Met, which are on view at the museum in Pivotal Turn through July 2021. Hollein curated the major traveling exhibition Georg Baselitz: The Heroes (2016–17) and authored the accompanying catalogue on this seminal body of work. Siegel wrote the insightful essay “Double Positive: Not for Not against Not Nein—Georg Baselitz,” published in the exhibition catalogue for Georg Baselitz: Back Then, in Between, and Today (2014–15) at Haus der Kunst, Munich. To join, register at eventbrite.com.
Left: Richard Calvocoressi. Photo: Miriam Perez. Middle: Max Hollein. Photo: courtesy the Metropolitan Museum of Art/Eileen Travell. Right: Katy Siegel. Photo: Christopher Myers
A Body in Fukushima
Ten years after Fukushima’s nuclear meltdown of 2011, movement-based artist Eiko Otake and historian/photographer William Johnston discuss their visits to that irradiated landscape. The forthcoming book A Body in Fukushima documents their ongoing performance project.
Gagosian Quarterly Summer 2021
The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.
Adriana Varejão: For a Poetics of Difference
Curator Luisa Duarte considers the artist’s oeuvre, writing on Varejão’s active engagement with theories of difference, as well as the cultural specters of the past.
Artist to Artist: Rachel Feinstein and Ewa Juszkiewicz
On the occasion of Frieze New York 2021, the two artists discuss remixing conventions, the allure of Rococo, and the importance of research and history within their respective practices.
Larry Gagosian reflects on the incredible life and career of his friend Doris Ammann.
Glenn Brown and Jacky Klein
Glenn Brown speaks with art historian Jacky Klein about working between mediums, his first finished painting of 2021, and the evolution of his artistic voice.
Albert Oehlen: In the Studio
This film by Albert Oehlen, with music by Tim Berresheim, takes us inside the artist’s studio in Switzerland as he works on a new painting.
Fashion and Art: Anthony Vaccarello and Jim Jarmusch
Director Jim Jarmusch and Anthony Vaccarello, the creative director for Saint Laurent, discuss French Water, a new short film collaboration—starring Charlotte Gainsbourg, Indya Moore, Julianne Moore, Chloë Sevigny, and Leo Reilly—in this interview with the Quarterly’s Wyatt Allgeier.
Albert Oehlen and Mark Godfrey
Albert Oehlen speaks to Mark Godfrey about a recent group of abstract paintings, “academic” art, reversing habits, and questioning rules.
Hans Ulrich Obrist traces the history behind Richter’s Cage paintings and speaks with the artist about their creation.
The Grand Chalet: An interview with Setsuko
On the twentieth anniversary of Balthus’s death, Setsuko gives an intimate tour of the Grand Chalet and reflects on how the 1754 Swiss mountain home enriched their lives as artists.
Work in Progress
Adriana Varejão: In the Studio
Join Adriana Varejão at her studio in Rio de Janeiro as she prepares for her upcoming exhibition at Gagosian in New York. She speaks about the inspirations for her “tile” paintings, from Portuguese azulejos to the Brazilian Baroque to the Talavera ceramic tradition of Mexico, and reveals for the first time her unique process for creating these works.