Visions of the Self
Rembrandt and Now
Tuesday, March 17, 2020, 6:30–8:30pm
Kenwood House, London
In the interest of public health, this event has been postponed until further notice.
Gagosian is pleased to host a drinks reception to celebrate the release of Visions of the Self: Rembrandt and Now, published on the occasion of the recent eponymous exhibition at Gagosian, Grosvenor Hill, London. Organized in partnership with English Heritage, the exhibition places Rembrandt’s masterpiece Self-Portrait with Two Circles (c. 1665) in dialogue with self-portraits by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as leading contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Jenny Saville, Cindy Sherman, and Rudolf Stingel, among others. The catalogue includes an introduction by Wendy Monkhouse, senior curator at English Heritage, and a text by art historian David Freedberg. To attend the free event, RSVP to email@example.com. Space is limited.
Visions of the Self: Rembrandt and Now (London: Gagosian, 2020)
Visions of the Self: Rembrandt and Now
In partnership with English Heritage
Thursday, April 25, 2019, 6pm
Gagosian, Grosvenor Hill, London
Gagosian director and art historian Richard Calvocoressi will lead a tour of the exhibition Visions of the Self: Rembrandt and Now at Gagosian, Grosvenor Hill, London. Calvocoressi will take a look at postwar and contemporary masters of self-representation, anchoring the conversation to an important Rembrandt masterpiece included in the exhibition, Self-Portrait with Two Circles (c. 1665). The event has reached capacity. To join the wait list, contact firstname.lastname@example.org.
Rembrandt van Rijn, Self-Portrait with Two Circles, c. 1665, English Heritage, The Iveagh Bequest (Kenwood, London). Photo: Historic England Photo Library
Adam McEwen, Bob Monk, and Lisa Turvey on Ed Ruscha
Tuesday, September 22, 2020, 5pm EDT
On the occasion of Artist Spotlight: Ed Ruscha, join artist Adam McEwen, Gagosian director Bob Monk, and Lisa Turvey, editor of the catalogue raisonné of Ed Ruscha’s works on paper, for an online conversation. The trio will discuss how Ruscha has experimented with the sound, appearance, and sense of language to imbue his works on paper with humor and pathos. To join, register at zoom.us.
Ed Ruscha, CERTAIN FACTS, 2020 © Ed Ruscha. Photo: Fredrik Nilsen
2020 Benefit Auction
September 15–29, 2020
The nonprofit visual art space LAXART is hosting a benefit auction, featuring works by Katharina Grosse, Jennifer Guidi, and Ed Ruscha. Proceeds will help the organization continue its mission to promote emerging and under-recognized talent and engage with key issues of our time through exhibitions, publications, and public programs. The live auction begins at 5pm edt on September 15 on Artsy. The works will also be available for viewing at LAXART by appointment beginning September 15. To register to bid, visit artsy.net.
Ed Ruscha, Street Cred, 2019 © Ed Ruscha
Mary Weatherford: Train Yards
Mary Weatherford speaks to Laura Hoptman about her new paintings, the Train Yard series. Begun in 2016, this body of work evokes the sights and sounds of railroads and night skies. The series will be shown for the first time in late 2020, in an exhibition at Gagosian, London.
Gagosian Quarterly Fall 2020
The Fall 2020 issue of Gagosian Quarterly is now available.
“Things Fall Apart”: Ed Ruscha’s Swiped Words
Lisa Turvey examines the range of effects conveyed by the blurred phrases in recent drawings by the artist, detailing the ways these words in motion evoke the experience of the current moment.
A short story by Emma Cline, published here on the occasion of her forthcoming collection of stories entitled Daddy.
Theaster Gates: Black Image Corporation
As a prelude to his first-ever solo exhibition in New York, Theaster Gates discusses his prescient work with the photographic archive of Chicago’s Johnson Publishing Company and his formation of Black Image Corporation as a conceptual project. In conversation with Louise Neri, he expands on his strategies as artist and social innovator in his quest to redeem and renew the sacred power of Black images and Black space.
Lockdown: Henri Matisse’s Domestic Interiors
John Elderfield reexamines Matisse’s Piano Lesson (1916) and Music Lesson (1917), considering the works’ depictions of domestic space during the tumult of World War I.
Suzanne Hudson speaks with Leah Levy, executive director of the Jay DeFeo Foundation, about the artist’s life and work.
Jacquelynn Baas profiles Isabelle Waldberg, writing on the sculptor’s many friendships and the influence of her singular creations.
Building a Legacy
The Helen Frankenthaler Foundation on COVID-19 Relief Funding
The Quarterly’s Alison McDonald speaks with Clifford Ross, Frederick J. Iseman, and Dr. Lise Motherwell, members of the board of directors of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director, about the foundation’s decision to establish a multiyear initiative dedicated to providing $5 million in covid-19 relief for artists and arts professionals.
Bebe Miller and Cynthia Oliver
The legendary choreographers discuss their history together, the evolution of Cynthia Oliver’s boom!, imposed boundaries on “Black dance,” and the choreographies of the pandemic.
Titus Kaphar: Can Beauty Open Our Hearts to Difficult Conversations?
In this TED talk, presented during the sweeping protests against racism and police violence following the killing of George Floyd, Titus Kaphar describes how the beauty of a painting can draw the viewer in and allow difficult conversations to emerge. Kaphar discusses his own work and shares the idea behind NXTHVN, a new national arts model he founded to empower artists of color through education and access.
Natasha Prince interviews the Dutch photographer and filmmaker about his relationships with musicians and gets the backstory on some of his most legendary images. Ivan Shaw puts Corbijn’s practice and aesthetic innovations into context.