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Permanent Installation

Theaster Gates
Black Vessel for a Saint

The Walker Art Center in Minneapolis has permanently installed Theaster Gates’s Black Vessel for a Saint (2017) in the Minneapolis Sculpture Garden. In 2014, St. Laurence Church, located just a few blocks from Theaster Gates’s Chicago studio and considered an architectural beacon in the neighborhood for more than a century, was demolished. Among the objects and materials that Gates collected from the building was a life-size stone statue of St. Laurence, a venerated Roman martyr and the patron saint of librarians and archivists. Gates included the statue in several exhibitions in Europe, revealing new meanings in each location, before placing it in its permanent home in the Sculpture Garden in 2017, within a shrine built from custom-made black bricks.

Theaster Gates, Black Vessel for a Saint, 2017 © Theaster Gates. Photo: Gene Pittman

Theaster Gates, Black Vessel for a Saint, 2017 © Theaster Gates. Photo: Gene Pittman

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Photo: Sara Polley

Honor

Theaster Gates
Légion d’honneur

Theaster Gates received the Chevalier de l’Ordre national de la Légion d’honneur from the French Ambassador to the United States, Gérard Araud, in 2017.

Photo: Sara Polley

Photo: Rankin

Award

Theaster Gates
Visions of the City

Theaster Gates was selected as the second recipient of the Visions of the City artist grant in July 2019. Launched by the Obayashi Foundation in 2017, the program awards one research grant every two years to an artist with an abundance of creative ideas and a specific interest in urban development and renewal.

Photo: Rankin

Photo: Chris Strong

Artist Spotlight

Theaster Gates

June 10–16, 2020

Theaster Gates’s practice traverses an extraordinary range, from collecting to social gathering, architecture and object making, experimental music and sound, and the ethical and physical reconstruction of civic life. His interdisciplinary fusion of archiving, performance, institution building, painting, and sculpting is deeply rooted in African American histories and cultures, and revolves around the transformation of objects, edifices, and communities through art and cultural activity.

Photo: Chris Strong

Installation view of work by Rudolf Polanszky at Gagosian, 541 West 24th Street, New York, March 3–April 11, 2020.

Rudolf Polanszky: Reconstructions

Gagosian director Ealan Wingate describes his first visit to Rudolf Polansky’s studio outside Vienna and discusses the development of the artist’s practice—from his early works informed by the legacy of the Viennese Actionists to the Reconstructions, an ongoing body of assemblage-type wall works and sculptures.

Rudolf Polanszky in front of his country studio outside Vienna, 2019.

Rudolf Polanszky

Hans Ulrich Obrist visits the artist at his studio outside Vienna to discover more about the origins of his practice, his experiments in freedom, and the importance of drifting.

Installation view, Urs Fischer: The Lyrical and the Prosaic, Aïshti Foundation, Beirut, October 20, 2019–October 31, 2020.

Urs Fischer: Lives of Forms

In his introduction to the catalogue for Urs Fischer’s exhibition The Lyrical and the Prosaic, at the Aïshti Foundation in Beirut, curator Massimiliano Gioni traces the material and conceptual tensions that reverberate throughout the artist’s paintings, sculptures, installations, and interventions.

Urs Fischer, A–Z, 2019, a sculpture of a pear and an apple.

Fruit and Vegetables: Francesco Bonami on Urs Fischer

Fruit and vegetables are a recurring motif in Urs Fischer’s visual vocabulary, introducing the dimension of time while elaborating on the art historical tradition of the vanitas. Here, curator Francesco Bonami traces this thread through the artist’s sculptures and paintings of the past two decades.

Featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.

Now available
Gagosian Quarterly Summer 2020

The Summer 2020 issue of Gagosian Quarterly is now available, featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.

Rainer Maria Rilke, 1928. Photo: Lou Andreas-Salomé

Rainer Maria Rilke: Duino Elegies

Bobbie Sheng explores the symbiotic relationship between the poet and visual artists of his time and tracks the enduring influence of his poetry on artists working today.

Five Books: Urs Fischer

Shortlist
Five Books: Urs Fischer

Urs Fischer talks about reading during the pandemic lockdown, sharing five books—both fiction and nonfiction—that he has turned to while in self-isolation.

Mary Weatherford, Orion’s Belt, 2016, Flashe and neon on linen.

Mary Weatherford: Train Yards

Mary Weatherford speaks to Laura Hoptman about her new paintings, the Train Yard series. Begun in 2016, this body of work evokes the sights and sounds of railroads and night skies. The series will be shown for the first time in late 2020, in an exhibition at Gagosian, London.

young people inside a tent structure within a purple-lit room

The Bigger Picture
Recess

Gagosian’s Sarah Hoover sat down with Allison Freedman Weisberg, founder and executive director of Recess, and Anaïs Duplan, Recess program manager, to discuss the community arts organization’s evolution, recent programs, and dreams for the future.

Installation view, Crushed, Cast, Constructed: Sculpture by John Chamberlain, Urs Fischer, and Charles Ray, Gagosian, Grosvenor Hill, London, June 15–July 31, 2020

Uncanny Delights: Sculpture by John Chamberlain, Urs Fischer, and Charles Ray

Catalyzed by the exhibition Crushed, Cast, Constructed: Sculpture by John Chamberlain, Urs Fischer, and Charles Ray, Alice Godwin examines the legacy and development of a Surrealist ethos in selected works from three contemporary sculptors.

Theaster Gates in his studio

Theaster Gates: Black Vessel

Join Theaster Gates in his studio as he prepares for his upcoming exhibition at Gagosian, New York, this fall. In this video, shot entirely on location in Chicago during the recent tumultuous weeks, Gates reflects on the metaphorical power of materials and process, and on the redemptive potential of art.

The inside of Theaster Gates’s Black Vessel for a Saint sculpture

How to Renew the Color of Bricks

Social historian Chris Dingwall reflects on Theaster Gates’s engagement with the history of quotidian materials, focusing on the symbolic qualities and function of his brick-based sculpture.