Jim Shaw Selects
October 12–27, 2021
Metrograph, New York
Jim Shaw is presenting a selection of conspiracy-minded cinema at Metrograph in New York, inaugurating a new artist-programmer-in-residence series copresented by Gagosian and Metrograph in the theater and online. Jim Shaw Selects will feature six films that kept the artist uneasy company during the paranoiac pandemic time. To attend a screening, purchase tickets at metrograph.com.
Shaw explains, “The films tie into the quest for truth, and how it can become complicated. In the studio, I’ve been thinking a lot about the term ‘Frazzledrip,’ which is a conspiracy theory that’s related to the whole QAnon thing. Their need for these stories involving adrenochrome and satanic rituals speak to a desire that I think many of us have for lurid fantasies and stories of betrayal, conspiracy, and the slaughter of the innocents (a possible explanation for the popularity of true crime, serial killer bios, whodunits, sex-and-violence-filled cable series like Game of Thrones, and so on), which serve to stimulate our depleted serotonin receptors. In a way, all of these films can serve as our very own Frazzledrip.”
Still from They Live (1988), directed by John Carpenter
October 21–24, 2021, booth B23
Grand Palais Éphémère, Paris
Gagosian is pleased to participate in FIAC 2021 with a presentation of painting, sculpture, and works on paper by gallery artists. The booth will feature works by Georg Baselitz, Edmund de Waal, Helen Frankenthaler, Theaster Gates, Katharina Grosse, Simon Hantaï, Takashi Murakami, Albert Oehlen, Steven Parrino, Auguste Rodin, Sterling Ruby, Setsuko, Jim Shaw, and Cy Twombly, among others. A selection of the works will also appear on gagosian.com and in FIAC’s Online Viewing Room.
Gagosian’s booth at FIAC 2021. Artwork, left to right: © Giuseppe Penone/2021 Artists Rights Society (ARS), New York/ADAGP, Paris; © Michael Heizer; © Georg Baselitz, 2021; © Pier Paolo Calzolari. Photo: Thomas Lannes
Gagosian is pleased to announce the representation of Jim Shaw. Since the 1970s, Shaw has mined the dreams and conflicted realities of American culture, finding inspiration in comic books, pulp novels, rock albums, protest posters, and thrift store paintings. Blending the personal, the commonplace, and the uncanny, Shaw’s works frequently place in dialogue images of friends and family with world events, pop culture, and alternate realities, often unfolding in long-term narrative cycles.
Jim Shaw. Photo: LeeAnn Nickels
October 20, 2021–March 7, 2022
Académie des beaux-arts, Paris
Georg Baselitz’s sculpture Zero Dom (2015/2021) is installed in front of the Académie des beaux-arts, Paris, in conjunction with the artist’s retrospective at the Centre Pompidou, which is on view through March 7, 2022, and in celebration of his admission into the Académie des beaux-arts as a foreign associate member. The 9-meter-high patinated bronze sculpture features a bundle of legs in high heels, a recurring motif in the artist’s work, which he sees as a form of self-portrait.
Georg Baselitz, Zero Dom (Zero Dome), 2015/2021, installation view, Académie des beaux-arts, Paris © Georg Baselitz, 2021
The Thinking Hand
Edmund de Waal speaks with Richard Calvocoressi about touch in relation to art and our understanding of the world, and discusses the new stone sculptures he created for the exhibition This Living Hand: Edmund de Waal Presents Henry Moore, at the Henry Moore Studios & Gardens. Their conversation took place at the Fitzwilliam Museum, University of Cambridge, in the context of the exhibition The Human Touch.
Gagosian Quarterly Fall 2021
The Fall 2021 issue of Gagosian Quarterly is now available, featuring Damien Hirst’s Reclining Woman (2011) on its cover.
Behind the Art
Rick Lowe: In the Studio
Join Rick Lowe in his Houston studio as he speaks about his recent paintings, describing their connections to his long engagement with the activity of dominoes and to his community-based projects created in the tradition of social sculpture.
Georg Baselitz: Pulling Up the Image
In celebration of five recent projects related to Georg Baselitz, Richard Calvocoressi, Max Hollein, and Katy Siegel speak with the artist and look at his prolific career.
Social Works II: Kahlil Robert Irving
Antwaun Sargent speaks with Kahlil Robert Irving in advance of the opening of Social Works II and presents a portfolio of Irving’s sculptures.
The Destination Is Latinx
Susan Breyer surveys the dynamic state of contemporary Latinx art in the United States. Highlighting seven artists who are rewriting cultural narratives, Breyer calls for sustained attention to this growing group beyond National Hispanic Heritage Month.
Christopher Rudd’s pas de deux Touché, choreographed for American Ballet Theatre during the onset of the pandemic, follows dancers João Menegussi and Calvin Royal III through a charged, vulnerable, and ultimately tender love story. In conversation with scholar Clare Croft, the artists reflect on the politics, poetics, and process of bringing this groundbreaking duet to life.
Behind the Art
Tatiana Trouvé: In the Studio
Join the artist in her studio as she speaks about her new series of drawings, From March to May. Trouvé describes the genesis of the project and the essential role its creation played in keeping her connected with the outside world during the difficult months of pandemic-related lockdown.
Historian Victoria Phillips speaks with the artist about his new paintings, memory and its relationship to media, and the continuing impact of the Cold War.
Katy Hessel, Matthew Holman, and Eleanor Nairne on Helen Frankenthaler
Broadcaster and art historian Katy Hessel; Matthew Holman, associate lecturer in English at University College London; and Eleanor Nairne, curator at the Barbican Art Gallery, London, discuss Helen Frankenthaler’s early training, the development of her signature soak-stain technique and subsequent shifts in style, and her connections to the London art world.
Gagosian Quarterly Films
Katharina Grosse: Think Big!
From October 21 to 23, 2021, Gagosian Quarterly presented a special English-language online screening of Claudia Müller’s Katharina Grosse: Think Big!
The San Francisco Art Institute: Its History and Future
Constance Lewallen marks the 150th anniversary of the San Francisco Art Institute, exploring the school’s evolution and pioneering faculty, as well as current challenges and the innovations necessary for its preservation.