Collection of Qiao Zhibing
March 19–December 19, 2021
Qiao Zhibing, contemporary art collector and founder of Tank Shanghai, has selected works from his private collection by twelve Chinese and international contemporary artists for this exhibition, which explores the inspiration art brings to the public from a visual perspective. Work by Theaster Gates and Thomas Houseago is included.
Installation view, Aesthetics: Collection of Qiao Zhibing, Tank Shanghai, March 19–December 19, 2021. Artwork, left: © Thomas Houseago; center and right: © Theaster Gates. Photo: courtesy Tank Shanghai
There is No Neutral Space: The Architecture of Donald Judd, Part 2
In this second installment of a two-part essay, Julian Rose continues his exploration of Donald Judd’s engagement with architecture. Here, he examines the artist’s proposals for projects in Bregenz, Austria, and in Basel, arguing that Judd’s approach to shaping space provides a model for contemporary architectural production.
Gagosian Quarterly Fall 2022
The Fall 2022 issue of Gagosian Quarterly is now available, featuring Jordan Wolfson’s House with Face (2017) on its cover.
Picture Books: Sam Lipsyte and Jordan Wolfson
The third book published by Picture Books, an imprint organized by Emma Cline and Gagosian, is Sam Lipsyte’s Novella Friend of the Pod. Accompanying the text is a new artwork by Jordan Wolfson. In celebration of this forthcoming publication, Lipsyte and Wolfson speak with their mutual friend Joey Frank about the year 1993, eroticism and art, and what the proliferation of podcasts is doing to the ego.
Michael Craig-Martin and Jan Dalley
Michael Craig-Martin and Jan Dalley sat down together in London as part of this year’s FT Weekend Festival. Join the two for a conversation about the artist’s long career in art, teaching, and writing, as well as his latest projects. A principal figure of British conceptual art, Craig-Martin probes the relationship between objects and images, harnessing the human capacity to imagine absent forms through symbols and pictures.
Chloe Barter, John Kasmin, and Paul Moorhouse on Anthony Caro
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Setsuko and Y.Z. Kami
The artists address their shared ardor for poetry, the surfaces of painting, and nature.
The Iron Curtain: Christo & Jeanne-Claude
To mark the sixtieth anniversary of Christo and Jeanne-Claude’s seminal installation The Iron Curtain, author William Middleton addresses the radicality of this work and its enduring relevance to the artists’ subsequent projects.
Katy Hessel: The Story of Art without Men
Author, curator, and podcaster Katy Hessel met with the artist Somaya Critchlow to discuss Hessel’s latest publication, The Story of Art without Men.
Tyler Mitchell: This Side of Paradise
Brendan Embser reports on his encounter with Tyler Mitchell’s newest series of photographs, addressing their aesthetic motifs and art-historical references, while charting the development of these works in relation to the photographer’s earlier projects.
Minnette De Silva
Amie Corry traces the trailblazing Sri Lankan architect’s biography, philosophy, and achievements.
Tatiana Trouvé: Le grand atlas de la désorientation
In this video, Tatiana Trouvé provides an overview of her latest installation, presented at the Centre Pompidou, Paris. The exhibition, whose title translates to The Great Atlas of Disorientation, includes a selection of drawings and sculptures that create fantastical landscapes where reality engages in infinite exchanges with its doubles.
Giuseppe Penone À La Tourette
Le Couvent Sainte-Marie de La Tourette, in Éveux, France, is both an active Dominican priory and the last building designed by Le Corbusier. As a result, the priory, completed in 1961, is a center both religious and architectural, a site of spiritual significance and a magnetic draw for artists, writers, architects, and others. This fall, at the invitation of Frère Marc Chauveau, Giuseppe Penone will be exhibiting a selection of existing sculptures at La Tourette alongside new work directly inspired by the context and materials of the building. Here, Penone and Frère Chauveau discuss the power and peculiarities of the space, as well as the artwork that will be exhibited there.