Menu

Gagosian Quarterly

March 21, 2018

adriana varejão:Transbarroco

From October 19 to 21, 2017, Adriana Varejão’s video installation Transbarroco (2014) played across the façade and in the central courtyard of the historic John Sowden House, designed by Lloyd Wright in 1926. This US premiere coincided with her first-ever West Coast exhibition, Interiors, at Gagosian, Beverly Hills.

The four churches that appear in Transbarroco are among the most significant examples of Brazilian religious architecture of the seventeenth and eighteenth centuries: the Church of San Francisco in Salvador, Bahia; the Third Order of Saint Francis in Rio de Janeiro; the Church of Saint Francis of Assisi in Ouro Preto; and the Cathedral of Mariana in Mariana, Minas Gerais. The film work unfolds across four screens in scenes entitled Gold, The Blue, Sky and Earth, and China.

The soundscape for the installation is a collage of text, voices, ambience, and contrasting rhythms. Within the mix that combines the drumming of the Bahia-based collective Olodum, the music of the Mariana Church organ, and sounds captured during the filming—voices of church guides, children playing, bells, and samba music—the Angolan writer José Eduardo Agualusa reads an excerpt from Gilberto Freyre’s Casa—Grande & Senzala (The Masters and the Slaves), which addresses the influence of the vernacular language of endearment used by black nannies towards the children in their care on the evolution of the Portuguese language in Brazil.

Artwork © Adriana Varejão. Co-direction: Adriano Pedrosa; production: Lula Buarque de Hollanda; soundtrack: Berna Ceppas; installation footage: Clarice De Veyra; special thanks to Louise Neri, Kelso Wyeth, Miriam Perez, PerryDuke, Deborah McLeod, Ronnie Gunter, Courtney Raterman, and Amanda Stoffel

Carrie Mae Weems’s The Louvre (2006), on the cover of Gagosian Quarterly, Summer 2021

Now available
Gagosian Quarterly Summer 2021

The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.

Installation view, Adriana Varejão: Talavera, Gagosian, West 21st Street, New York, May 3–June 26, 2021. Photo: Rob McKeever

Adriana Varejão: For a Poetics of Difference

Curator Luisa Duarte considers the artist’s oeuvre, writing on Varejão’s active engagement with theories of difference, as well as the cultural specters of the past.

Adriana Varejão: In the Studio

Work in Progress
Adriana Varejão: In the Studio

Join Adriana Varejão at her studio in Rio de Janeiro as she prepares for her upcoming exhibition at Gagosian in New York. She speaks about the inspirations for her “tile” paintings, from Portuguese azulejos to the Brazilian Baroque to the Talavera ceramic tradition of Mexico, and reveals for the first time her unique process for creating these works.

Andrea Domenico Remps, Cabinet of Curiosities, c. 1690, oil on canvas, 39 × 54 inches (99 × 137 cm), Opificio delle Pietre Dure, Florence, Italy.

For Sale: Baby Shoes. Never Worn.

Sydney Stutterheim meditates on the power and possibilities of small-format artworks throughout time.

Adriana Varejão: Interiors

Adriana Varejão: Interiors

Lilia Moritz Schwarcz explores themes that are central to the artist’s oeuvre.

Adriana Varejão: Azulejão

Adriana Varejão: Azulejão

Gagosian director Louise Neri discusses the evolution of the Azulejão series with Adriana Varejão.

Exterior of Museu de Arte de São Paulo. Photo: Eduardo Ortega

Multiplo–Diverso–Plural: Museu de Arte de São Paulo

Louise Neri speaks with Adriano Pedrosa, artistic director of the Museu de Arte de São Paulo (MASP), about the history of this unique Brazilian museum and his vision for its future.

Marta Kuzma, Eileen Costello, and Caitlin Murray in conversation surrounded by Donald Judd paintings.

In Conversation
Eileen Costello, Marta Kuzma, and Caitlin Murray on Donald Judd: Paintings

Art historian Eileen Costello and Yale School of Art professor Marta Kuzma discuss Donald Judd’s two-dimensional work and how the lessons he learned from the innovations of Abstract Expressionist and Color Field paintings permeate his entire body of work. Their conversation is moderated by Caitlin Murray, director of archives and programs at Judd Foundation.

Still from "Sally Mann: Vinculum".

Sally Mann: Vinculum

Join Sally Mann at her studio in Lexington, Virginia. Filmed at work in her darkroom and within the surrounding landscape, she discusses her exploratory approach to making and printing pictures, what draws her to the landscape of the American South, and her newest body of work, Vinculum.

Still from video, featuring artwork by Jonas Wood

Behind the Art
Jonas Wood in Hong Kong

Join Jonas Wood on a virtual tour through the creation of his first solo exhibition in Hong Kong. Wood narrates the genesis and development of the new paintings, drawings, and wallpaper.

Martha Buskirk and Peter Ballantine speaking with one another

In Conversation
Peter Ballantine and Martha Buskirk on Donald Judd

Peter Ballantine, Donald Judd’s longtime fabricator of plywood works, and Martha Buskirk, professor of art history and criticism at Montserrat College of Art in Beverly, Massachusetts, discuss the development, production, and history of the largest plywood construction Judd ever made, an untitled work from 1980.

Still from "Hao Liang: Poetics of Li Shangyin"

Behind the Art
Hao Liang: Poetics of Li Shangyin

Join Hao Liang in his Beijing studio as he discusses the inspiration behind his latest series of paintings, rendered in ink and color on silk. Evoking the tradition of literati painting, the three works picture imagery conceived in response to passages of poetry by the ninth-century poet Li Shangyin.