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Gagosian Quarterly

May 30, 2019

jeff wall: the space of photography

Jeff Wall expounds on the physicality of photography and explains the backstory for his most recent New York exhibition in this artist-led tour.

Artwork © Jeff Wall; video: Pushpin Films; Jeff Wall, Gagosian, West 21st Street, New York, April 30–July 26, 2019

Jeff Wall, Low tide gull shadow, 2020, inkjet print, 23 x 26 inches (58.5 x 66 cm)

In Conversation
Jeff Wall and Gary Dufour

Jeff Wall speaks to Gary Dufour about his new photographs, made on the beachfront of English Bay in Vancouver, Canada, that record the endlessly varied and shifting patterns created in seaweed by the ebb and flow of the tide.

Jeff Wall, Dead Troops Talk (a vision after an ambush of a Red Army Patrol, near Moqor, Afghanistan, winter 1986), 1992, transparency in lightbox, 90 ⅛ × 164 ⅛ inches (229 × 417 cm)

Death Valley ’89: Jeff Wall vs. Photography

Daniel Spaulding considers formal and technical developments in the photographer’s work against the background of global shifts of power and politics, specifically the fall of the Berlin Wall in 1989.

Josh Kline, Skittles, 2014, commercial fridge, lightbox, and blended liquids in bottles, 86 ½ × 127 ½ × 41 inches (219.7 × 323.9 × 104.1 cm) © Josh Kline. Photo:  © Timothy Schenck

Laws of Motion

Catalyzed by Laws of Motion—a group exhibition pairing artworks from the 1980s on by Jeff Koons, Cady Noland, Rosemarie Trockel, and Jeff Wall with contemporary sculptures by Josh Kline and Anicka Yi—Wyatt Allgeier discusses the convergences and divergences in these artists’ practices with an eye to the economic worlds from which they spring.

Gagosian Quarterly Summer 2019

Now available
Gagosian Quarterly Summer 2019

The Summer 2019 issue of Gagosian Quarterly is now available, featuring a detail from Afrylic by Ellen Gallagher on its cover.

Jeff Wall: The World as It Appears

Jeff Wall: The World as It Appears

The artist speaks with David Rimanelli about his newest works, the physicality of photography, and the persistence of certain motifs throughout his career.

Unreal Americans

Unreal Americans

Benjamin Nugent reflects on questions of verisimilitude and American life in the group exhibition I Don’t Like Fiction, I Like History at Gagosian, Beverly Hills.

Andreas Gursky and Jeff Wall

In Conversation
Andreas Gursky and Jeff Wall

On the occasion of a major survey of Andreas Gursky’s work at the Hayward Gallery in London, Gursky and Jeff Wall discuss the state of photography and the evolution of the medium.

Cover of Gagosian Quarterly with Jasper Johns’s Target with Four Faces (1955)

Now available
Gagosian Quarterly Winter 2021

The Winter 2021 issue of Gagosian Quarterly is now available, featuring Jasper Johns’s Target with Four Faces (1955) on its cover.

Peter Lindbergh photograph of four women

Peter Lindbergh: Untold Stories

The traveling retrospective gathering the work of legendary photographer Peter Lindbergh will be on view in A Coruña, Spain, from December 4, 2021, through February 28, 2022. Featuring work created over four decades of his expansive career, the exhibition was curated by Lindbergh before his death in 2019. Here, the artist’s son Benjamin Lindbergh speaks with Derek Blasberg about the project.

Logo for Black Art Library

Asmaa Walton: Black Art Library

Asmaa Walton, independent curator and founder of the Black Art Library—a mobile living archive of global Black creativity—speaks with Gagosian director Antwaun Sargent about the origins of her book-based project. Walton tells Sargent about a recent collaboration with Bottega Veneta in a former Detroit firehouse and shares her hopes for the future of this endeavor, in terms of community and curation.

Henri Matisse, The Painter’s Family, 1911, oil on canvas, depicting a living-room scene with two boys in red playing chess

T. S. Eliot Meets Henri Matisse

John Elderfield asks: Is it possible that the paths of these two great modernists crossed? An essay by T. S. Eliot of 1919 on a playwright of the seventeenth century surprisingly raises that question; and an investigation of primary materials reveals an unexpected answer.

Inez van Lamsweerde and Vinoodh Matadin, Fashion Plate No. 3, 2020, 2020, pigment print on watercolor paper, 60 × 46 ½ inches (152.4 × 118.1 cm)

Fashion and Art: Inez & Vinoodh

Inez van Lamsweerde and Vinoodh Matadin, known better as Inez & Vinoodh, real-life partners and professional photography duo, built their career in the gray space between fashion pictures and fine art photography. This wasn’t by accident. As they tell Derek Blasberg, they used their educational foundation in historical Dutch painting to inform their work with some of the biggest names in contemporary fashion, including Chanel campaigns, Lady Gaga music videos, and editorials in editions of Vogue from around the world.