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Gagosian Quarterly

May 30, 2019

jeff wall: the space of photography

Jeff Wall expounds on the physicality of photography and explains the backstory for his most recent New York exhibition in this artist-led tour.

Artwork © Jeff Wall; video: Pushpin Films; Jeff Wall, Gagosian, West 21st Street, New York, April 30–July 26, 2019

Jeff Wall, Low tide gull shadow, 2020, inkjet print, 23 x 26 inches (58.5 x 66 cm)

In Conversation
Jeff Wall and Gary Dufour

Jeff Wall speaks to Gary Dufour about his new photographs, made on the beachfront of English Bay in Vancouver, Canada, that record the endlessly varied and shifting patterns created in seaweed by the ebb and flow of the tide.

Jeff Wall, Dead Troops Talk (a vision after an ambush of a Red Army Patrol, near Moqor, Afghanistan, winter 1986), 1992, transparency in lightbox, 90 ⅛ × 164 ⅛ inches (229 × 417 cm)

Death Valley ’89: Jeff Wall vs. Photography

Daniel Spaulding considers formal and technical developments in the photographer’s work against the background of global shifts of power and politics, specifically the fall of the Berlin Wall in 1989.

Josh Kline, Skittles, 2014, commercial fridge, light box, and blended liquids in bottles, 86 ½ × 127 ½ × 41 inches (219.7 × 323.9 × 104.1 cm) © Josh Kline. Photo:  © Timothy Schenck

Laws of Motion

Catalyzed by Laws of Motion—a group exhibition pairing artworks from the 1980s on by Jeff Koons, Cady Noland, Rosemarie Trockel, and Jeff Wall with contemporary sculptures by Josh Kline and Anicka Yi—Wyatt Allgeier discusses the convergences and divergences in these artists’ practices with an eye to the economic worlds from which they spring.

Gagosian Quarterly Summer 2019

Now available
Gagosian Quarterly Summer 2019

The Summer 2019 issue of Gagosian Quarterly is now available, featuring a detail from Afrylic by Ellen Gallagher on its cover.

Jeff Wall: The World as It Appears

Jeff Wall: The World as It Appears

The artist speaks with David Rimanelli about his newest works, the physicality of photography, and the persistence of certain motifs throughout his career.

Unreal Americans

Unreal Americans

Benjamin Nugent reflects on questions of verisimilitude and American life in the group exhibition I Don’t Like Fiction, I Like History at Gagosian, Beverly Hills.

Andreas Gursky and Jeff Wall

In Conversation
Andreas Gursky and Jeff Wall

On the occasion of a major survey of Andreas Gursky’s work at the Hayward Gallery in London, Gursky and Jeff Wall discuss the state of photography and the evolution of the medium.

Carrie Mae Weems’s The Louvre (2006), on the cover of Gagosian Quarterly, Summer 2021

Now available
Gagosian Quarterly Summer 2021

The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.

To Create a Vision: Jia Aili in Conversation with Philip Tinari

To Create a Vision: Jia Aili in Conversation with Philip Tinari

Jia Aili speaks with curator Philip Tinari about his arts education, his working process, and his desire to expand the talking points around painting.

Dr. David Driskell, 2002, head resting on hand in a blue shirt with art in the background.

Game Changer
Dr. David Driskell

Taylor Aldridge reflects on the enduring legacy of the artist, educator, curator, and scholar.

Albert Oehlen’s studio, Ispaster, Spain, 2019–20. Photos © Esther Freund

Albert Oehlen: Terrifying Sunset

The artist speaks with Mark Godfrey about his new paintings, touching on the works’ relationship to John Graham, the Rothko Chapel, and Leigh Bowery.

Eiko Otake stands on what was part of the original seawall next to the Tomioka Fishing Harbor.

A Body in Fukushima

Ten years after Fukushima’s nuclear meltdown of 2011, movement-based artist Eiko Otake and historian/photographer William Johnston discuss their visits to that irradiated landscape. The forthcoming book A Body in Fukushima documents their ongoing performance project.