![To Create a Vision: Jia Aili in Conversation with Philip Tinari](https://gagosian.com/media/images/quarterly/interview-jia-aili-conversation-philip-tinari/7giiXtETXbw9_300x300.jpg)
To Create a Vision: Jia Aili in Conversation with Philip Tinari
Jia Aili speaks with curator Philip Tinari about his arts education, his working process, and his desire to expand the talking points around painting.
May 26, 2021
This video presents a behind-the-scenes look at Jia Aili’s studio in Beijing. He elaborates on his in-progress works, the complexity of his compositions, as well as his philosophies of and motivations for painting.
Artwork © Jia Aili Studio; director: Chen Lei; cinematography: Li Yafeng; editor (Chinese): Li Mo; editor (English): Ariel Roubinoff; Jia Aili studio coordination: Zhiyuan Wang
Jia Aili speaks with curator Philip Tinari about his arts education, his working process, and his desire to expand the talking points around painting.
Curator Shen Qilan speaks with the artist about his latest works.
The artist speaks with the Quarterly about interrogating perceptions, questioning illusions, and the primacy of intuition.
The Spring 2019 issue of Gagosian Quarterly is now available, featuring Red Pot with Lute Player #2 by Jonas Wood on its cover.
Join Adriana Varejão at her studio in Rio de Janeiro as she prepares for her upcoming exhibition at Gagosian in New York. She speaks about the inspirations for her “tile” paintings, from Portuguese azulejos to the Brazilian Baroque to the Talavera ceramic tradition of Mexico, and reveals for the first time her unique process for creating these works.
With preparations underway for his 2018 exhibition at Gagosian in London, Phyllis Tuchman visited the artist’s studio in Long Island City, New York, to learn more about this new body of work.
Setsuko Klossowska de Rola and Benoît Astier de Villatte, of the Astier de Villatte atelier in Paris, first met at the Académie de France in Rome’s Villa Medici, where Setsuko lived when her late husband, the painter Balthus, was the school’s director. Here they discuss Setsuko’s newest body of terra-cotta works, produced at Astier de Villatte, with Gagosian’s Elsa Favreau.
The artist tells Negar Azimi about her interest in the monstrous, the influence of science fiction on her practice, and her recent rooftop commission at the Metropolitan Museum of Art, New York.
We visit the artist’s California studio as she prepares for her exhibition I’ve Seen Gray Whales Go By. She speaks with Jennifer Peterson about her new paintings, her studio process, and the artists who have inspired her.
Join Sarah Sze in her studio as she prepares for an exhibition of new work in Rome.
We visit the artist’s studio in Brooklyn, New York, to get a behind-the-scenes glimpse of his new series of Desert paintings while he prepares for an upcoming exhibition in Beverly Hills. Text by Ben Eastham.
In the summer of 2017, Laura Fried took a trip to Nancy Rubins’s awe-inspiring studio in Topanga Canyon, CA. In this essay, she recounts her visit, detailing Rubins’s latest sculptures and the history of the studio.