
Now available
Gagosian Quarterly Summer 2026
The Summer 2026 issue of Gagosian Quarterly is now available, featuring Ellen Gallagher’s Fast-Fish and Loose-Fish (2026) on the cover.
The most celebrated singer-songwriter of our time, Bob Dylan’s visual art is marked by the same constant drive for renewal that characterizes his legendary music. Although he has been making art since the 1960s, his work was not publicly exhibited until 2007 when an exhibition of “The Drawn Blank Series” was held in Chemnitz, Germany, followed by “The Brazil Series” at the Statens Museum for Kunst, Copenhagen, in 2010–11. He often draws and paints while on tour, and his motifs bear corresponding impressions of different environments and people. A keen observer, Dylan is inspired by everyday phenomena in such a way that they appear fresh, new, and mysterious. He combines a wide range of popular styles, the sources of which he has reshaped to produce new conflations of image and meaning. His work provides a glimpse of an artistic process that is equally maverick and elusive.
Bob Dylan was born in 1941 in Duluth, Minnesota. He studied at the University of Minnesota, Minneapolis, from 1959 to 1960. Dylan’s work has been featured in numerous exhibitions worldwide. Recent solo exhibitions include “The Drawn Blank Series,” Kunstsammlungen Chemnitz, Germany (2007, traveled to the City Art Centre, Edinburgh; Asahi Exhibition Centre, Tokyo; and Accademia Albertina delle Belle Arti, Italy, through 2010); “The Brazil Series,” National Gallery of Denmark (Statens Museum for Kunst), Copenhagen (2010); “The New Orleans Series,” Palazzo Reale, Milan (2013, traveled to the New Orleans Museum of Art, Louisiana, through 2016); “Face Value,” National Portrait Gallery, London (2013, traveled to the Museum of National History, Copenhagen; Butler Museum, Ohio; Kunstsammlungen Chemnitz, Germany; and Kent State University Museum, Ohio, through 2016). Dylan was awarded the US National Medal of Arts in 2009 and the Nobel Prize in Literature in 2016.
Dylan currently lives and works in Malibu, California.

The Summer 2026 issue of Gagosian Quarterly is now available, featuring Ellen Gallagher’s Fast-Fish and Loose-Fish (2026) on the cover.
In this video, Jenny Saville sits down inside her first major exhibition in Venice to discuss how the great Venetian artists of the past and the city’s heritage influence her work. The show brings together more than thirty canvases and works on paper from the 1990s to the present, tracing the development of her practice, which is deeply rooted in the history of painting.
On the occasion of his exhibition The Reflection of Bronze at Gagosian, New York, Giuseppe Penone and curator Adam D. Weinberg sit down to discuss the genesis of, and their collaboration on, the show.

Ahead of Alex Israel’s exhibition of four new Fin sculptures at Gagosian, London, the artist spoke with Susan Casey, author of The Wave: In Pursuit of the Rogues, Freaks, and Giants of the Ocean (2010), about the ocean, surfing, and Los Angeles.
Marcel Duchamp is the inaugural exhibition of the gallery’s new ground-floor space in the historic building at 980 Madison Avenue. In this video, the Quarterly’s Alison McDonald discusses the artist’s most iconic readymades and their connection to New York City.

On July 9, Simon Hantaï: the last studio opens at Gagosian, Gstaad. Curated by Anne Baldassari, the show comprises sixteen of the artist’s dernier atelier (last studio) paintings of 1982–85. The exhibition is accompanied by an illustrated catalogue, copublished by Gagosian and Skira, which features an essay by Baldassari and an extensive portfolio of previously unpublished photographs by Édouard Boubat. Here, we share the introductory chapter from the publication.

An exhibition at Gagosian, Hong Kong, brings together three of James Turrell’s Glasswork pieces along with site plans, photographs, and models of his Skyspaces and Roden Crater. Here, Alice Godwin explores the history of the Glassworks and their relationship to the artist’s wider practice.

On April 16, the Institute of Contemporary Art, Boston, opened the first midcareer survey of Derrick Adams’s multidisciplinary practice. Covering over twenty years of work, the exhibition, titled View Master, brings together the artist’s painting, sculpture, collage, performance, and video, as well as a vibrant new commission created for the museum’s façade. Ahead of the opening, Adams met with Tessa Bachi Haas, cocurator of the survey, to discuss his formative experiences with television, the impact of his work in arts education on his practice, and the importance of taking a more complex, more joyful, and more expansive approach to Black American life and culture.

Adam D. Weinberg has been working with Giuseppe Penone on an exhibition of the artist’s new sculptures, The Reflection of Bronze, that opens at Gagosian, New York, on April 22. The works explore the character and possibilities of bronze. Here, Weinberg considers Penone’s enduring engagement with the alloy and addresses the conceptual underpinnings of the exhibition’s three-room structure.

Jeff Koons tells Alison McDonald about his appreciation for the pioneering artist and thinker Marcel Duchamp.

The Singular Experience at Gagosian’s Le Bourget gallery is the largest exhibition of Walter De Maria’s work in France in several decades. Organized by Donna De Salvo, senior adjunct curator at Dia Art Foundation, the exhibition marks the first time De Maria’s final sculpture, Truck Trilogy (2011–17), is being shown outside of the United States. Here, De Salvo speaks with artist Lucy Raven about her evolving kinship with De Maria and more.

Laura Bruni writes about a major exhibition celebrating the work of the British sculptor Henry Moore at the Royal Botanic Gardens, Kew, London.