Jackson Pollock | Gagosian

Exhibitions

Jackson Pollock, Moon Vibrations, c. 1953–55

Extended through July 13, 2019

for what you are about to receive

September 18–October 25, 2008

Red October, Moscow

What’s Modern?

November 6–December 18, 2004

980 Madison Avenue, New York

Drawings

January 29–March 27, 2004

Heddon Street, London

The New York School

March 17–April 25, 1998

980 Madison Avenue, New York

Jackson Pollock
Black Enamel Paintings

April 4–June 2, 1990

980 Madison Avenue, New York

From the Quarterly

Jasper Johns, Untitled, 2011, acrylic over intaglio on paper mounted on Fred Siegenthaler “confetti” paper, 11 ¾ × 7 ¾ inches (29.8 × 19.7 cm)

The Generative Surface

Eileen Costello explores the oft-overlooked importance of paper choice to the mediums of drawing and printmaking, from the Renaissance through the present day.

Museum Exhibitions

Closed

Mural
Jackson Pollock | Katharina Grosse

July 1, 2019–February 23, 2020
Museum of Fine Arts, Boston
www.mfa.org

Jackson Pollock’s Mural (1943) is recognized as one of the pivotal achievements of the artist’s career, the moment when he left figuration behind, expanded the scale of his work, and started to develop his signature drip technique. The MFA has commissioned German artist Katharina Grosse to respond to this work, in an effort to demonstrate how the two artists have respectively transformed painting through their innovative techniques and approaches to massive scale.

Installation view, Mural: Jackson Pollock | Katharina Grosse, Museum of Fine Arts, Boston, July 1, 2019–February 23, 2020. Artwork, left to right: © 2020 The Pollock-Krasner Foundation/Artists Rights Society (ARS), New York; © Katharina Grosse and VG Bild-Kunst Bonn, 2020