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Drawings

January 29–March 27, 2004
Heddon Street, London

Jean-Michel Basquiat, Untitled (Macho Camacho), 1982 Acrylic and oil stick on poster, 23 × 29 inches (58.4 × 73.7 cm)

Jean-Michel Basquiat, Untitled (Macho Camacho), 1982

Acrylic and oil stick on poster, 23 × 29 inches (58.4 × 73.7 cm)

Cecily Brown, Untitled, 2003 Monoprint, 19 ⅜ × 25 ⅜ inches (49.2 × 63.5 cm)

Cecily Brown, Untitled, 2003

Monoprint, 19 ⅜ × 25 ⅜ inches (49.2 × 63.5 cm)

Douglas Gordon, Untitled, 2004 Ink on paper, 7 ½ × 11 inches (19 × 27.9 cm)

Douglas Gordon, Untitled, 2004

Ink on paper, 7 ½ × 11 inches (19 × 27.9 cm)

Anselm Kiefer, Untitled (Merkaba), 2003 Painted photograph with metal, 56 × 32 inches (142.2 × 81.3 cm)

Anselm Kiefer, Untitled (Merkaba), 2003

Painted photograph with metal, 56 × 32 inches (142.2 × 81.3 cm)

Pablo Picasso, Femme Nue Debout, 1906 Pastel on paper, 25 × 18 ⅞ inches (63.5 × 47.9 cm)

Pablo Picasso, Femme Nue Debout, 1906

Pastel on paper, 25 × 18 ⅞ inches (63.5 × 47.9 cm)

Ed Ruscha, Pahrump, 1991 Acrylic on paper, 30 1/16 × 40 1/14 inches (76.4 × 102.2 cm)

Ed Ruscha, Pahrump, 1991

Acrylic on paper, 30 1/16 × 40 1/14 inches (76.4 × 102.2 cm)

Jenny Saville, Untitled (Paint Study), 2004 Oil on watercolor paper, 59 13/16 × 47 13/16 inches (152 × 121.5 cm)

Jenny Saville, Untitled (Paint Study), 2004

Oil on watercolor paper, 59 13/16 × 47 13/16 inches (152 × 121.5 cm)

Mark Tansey, Search, 2000 Graphite and oil on gessoed paper, 9 × 9 inches (22.9 × 22.9 cm)

Mark Tansey, Search, 2000

Graphite and oil on gessoed paper, 9 × 9 inches (22.9 × 22.9 cm)

Wayne Thiebaud, Rabbit, 1970–71 Colored pencil and crayon on paper, 18 ½ × 23 ½ inches (47 × 59.7 cm)

Wayne Thiebaud, Rabbit, 1970–71

Colored pencil and crayon on paper, 18 ½ × 23 ½ inches (47 × 59.7 cm)

Robert Therrien, No title (small black running feet), 2001 Japan color and pencil on paper, 35 ¾ × 30 ⅛ inches (90.8 × 76.5 cm)

Robert Therrien, No title (small black running feet), 2001

Japan color and pencil on paper, 35 ¾ × 30 ⅛ inches (90.8 × 76.5 cm)

Andy Warhol, Untitled (Roy Rogers), 1948 Pencil on paper, 11 × 8 ½ inches (27.9 × 21.6 cm)

Andy Warhol, Untitled (Roy Rogers), 1948

Pencil on paper, 11 × 8 ½ inches (27.9 × 21.6 cm)

Franz West, 5 Ja >>Nimm dies<<, 1977 Gouche on newspaper, 9 ⅛ × 12 ¼ inches (23 × 31 cm)

Franz West, 5 Ja >>Nimm dies<<, 1977

Gouche on newspaper, 9 ⅛ × 12 ¼ inches (23 × 31 cm)

Rachel Whiteread, Drawing for Drawing Show, 2004 Collage, acrylic medium and graphite on paper, 22 × 15 inches (56 × 38 cm)

Rachel Whiteread, Drawing for Drawing Show, 2004

Collage, acrylic medium and graphite on paper, 22 × 15 inches (56 × 38 cm)

About

Gagosian is pleased to present a group exhibition featuring over seventy drawings by some of the preeminent artists of the last century. Drawing has always figured prominently in art making, often serving as the study or sketch for a final painting or sculpture. However, as the twentieth century saw a focus on artistic process, so drawing came to often serve as the finished product, with its technique and materials intrinsic to the artist’s project.

Dating from 1906 (with a Pablo Picasso nude in pastel) to the present, and executed in a range of scales and media, the featured works highlight the numerous stylistic impulses manifest in drawing during the last one hundred years. Included are Arshile Gorky’s chalk and ink Study for Nightime, Enigma, Nostalgia (1931–32), a dreamlike musing inspired by Surrealism, as well as Willem de Kooning’s boldly expressive pencil drawings related to his renowned Women paintings from the 1950s. Also exhibited are several of Andy Warhol’s early drawn portraits, such as Woman (1962), which reveal traces of the graphic style that would figure prominently in the artist’s iconic Pop works. More contemporary examples on view are Richard Serra’s paintstick line drawings, a drawing collage by Jeff Koons, and large-scale new pastels by Francesco Clemente. Recent works by Georg Baselitz, Cecily Brown, Jenny Saville, and Cy Twombly—artists whose work is rarely seen in London—will also be featured.

Artists include: Richard Artschwager, Georg Baselitz, Jean-Michel Basquiat, Joseph Beuys, Alighiero Boetti, Cecily Brown, Francesco Clemente, Michael Craig-Martin, Willem de Kooning, Walter De Maria, Ellen Gallagher, Douglas Gordon, Arshile Gorky, Richard Hamilton, Damien Hirst, Howard Hodgkin, Jasper Johns, Anselm Kiefer, Jeff Koons, Roy Lichtenstein, Pablo Picasso, Jackson Pollock, Ed Ruscha, Jenny Saville, Richard Serra, David Smith, Frank Stella, Mark Tansey, Robert Therrien, Wayne Thiebaud, Cy Twombly, Andy Warhol, Franz West, Rachel Whiteread, Richard Wright, among others.

Jenny Saville’s Prism (2020) on the cover of Gagosian Quarterly magazine.

Now available
Gagosian Quarterly Winter 2020

The Winter 2020 issue of Gagosian Quarterly is now available, featuring Jenny Saville’s Prism (2020) on its cover.

Tom Eccles and Kiki Smith on Rachel Whiteread

In Conversation
Tom Eccles and Kiki Smith on Rachel Whiteread

On the occasion of Artist Spotlight: Rachel Whiteread, curator Tom Eccles and artist Kiki Smith speak about the work of Rachel Whiteread through the lens of their personal friendships with her. They discuss her public projects from the early 1990s to the present, the relationship between drawing and sculpture in her practice, and the way her works reveal the memories embedded in familiar everyday objects.

Alexander Calder poster for McGovern, 1972, lithograph

The Art History of Presidential Campaign Posters

Against the backdrop of the 2020 US presidential election, historian Hal Wert takes us through the artistic and political evolution of American campaign posters, from their origin in 1844 to the present. In an interview with Quarterly editor Gillian Jakab, Wert highlights an array of landmark posters and the artists who made them.

Still from the video "In Conversation: Rachel Whiteread and Ann Gallagher"

In Conversation
Rachel Whiteread and Ann Gallagher

Rachel Whiteread speaks to Ann Gallagher about a new group of resin sculptures for an upcoming exhibition at Gagosian in London. They discuss the works’ emphasis on surface texture, light, and reflection.

Allen Midgette in front of the Chelsea Hotel, New York, 2000. Photo: Rita Barros

I’ll Be Your Mirror: Allen Midgette

Raymond Foye speaks with the actor who impersonated Andy Warhol during the great Warhol lecture hoax in the late 1960s. The two also discuss Midgette’s earlier film career in Italy and the difficulty of performing in a Warhol film.

Ed Ruscha, At That, 2020, dry pigment and acrylic on paper.

“Things Fall Apart”: Ed Ruscha’s Swiped Words

Lisa Turvey examines the range of effects conveyed by the blurred phrases in recent drawings by the artist, detailing the ways these words in motion evoke the experience of the current moment.