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Drawings

January 29–March 27, 2004
Heddon Street, London

Jean-Michel Basquiat, Untitled (Macho Camacho), 1982 Acrylic and oil stick on poster, 23 × 29 inches (58.4 × 73.7 cm)

Jean-Michel Basquiat, Untitled (Macho Camacho), 1982

Acrylic and oil stick on poster, 23 × 29 inches (58.4 × 73.7 cm)

Cecily Brown, Untitled, 2003 Monoprint, 19 ⅜ × 25 ⅜ inches (49.2 × 63.5 cm)

Cecily Brown, Untitled, 2003

Monoprint, 19 ⅜ × 25 ⅜ inches (49.2 × 63.5 cm)

Douglas Gordon, Untitled, 2004 Ink on paper, 7 ½ × 11 inches (19 × 27.9 cm)

Douglas Gordon, Untitled, 2004

Ink on paper, 7 ½ × 11 inches (19 × 27.9 cm)

Anselm Kiefer, Untitled (Merkaba), 2003 Painted photograph with metal, 56 × 32 inches (142.2 × 81.3 cm)

Anselm Kiefer, Untitled (Merkaba), 2003

Painted photograph with metal, 56 × 32 inches (142.2 × 81.3 cm)

Pablo Picasso, Femme Nue Debout, 1906 Pastel on paper, 25 × 18 ⅞ inches (63.5 × 47.9 cm)

Pablo Picasso, Femme Nue Debout, 1906

Pastel on paper, 25 × 18 ⅞ inches (63.5 × 47.9 cm)

Ed Ruscha, Pahrump, 1991 Acrylic on paper, 30 1/16 × 40 1/14 inches (76.4 × 102.2 cm)

Ed Ruscha, Pahrump, 1991

Acrylic on paper, 30 1/16 × 40 1/14 inches (76.4 × 102.2 cm)

Jenny Saville, Untitled (Paint Study), 2004 Oil on watercolor paper, 59 13/16 × 47 13/16 inches (152 × 121.5 cm)

Jenny Saville, Untitled (Paint Study), 2004

Oil on watercolor paper, 59 13/16 × 47 13/16 inches (152 × 121.5 cm)

Mark Tansey, Search, 2000 Graphite and oil on gessoed paper, 9 × 9 inches (22.9 × 22.9 cm)

Mark Tansey, Search, 2000

Graphite and oil on gessoed paper, 9 × 9 inches (22.9 × 22.9 cm)

Wayne Thiebaud, Rabbit, 1970–71 Colored pencil and crayon on paper, 18 ½ × 23 ½ inches (47 × 59.7 cm)

Wayne Thiebaud, Rabbit, 1970–71

Colored pencil and crayon on paper, 18 ½ × 23 ½ inches (47 × 59.7 cm)

Robert Therrien, No title (small black running feet), 2001 Japan color and pencil on paper, 35 ¾ × 30 ⅛ inches (90.8 × 76.5 cm)

Robert Therrien, No title (small black running feet), 2001

Japan color and pencil on paper, 35 ¾ × 30 ⅛ inches (90.8 × 76.5 cm)

Andy Warhol, Untitled (Roy Rogers), 1948 Pencil on paper, 11 × 8 ½ inches (27.9 × 21.6 cm)

Andy Warhol, Untitled (Roy Rogers), 1948

Pencil on paper, 11 × 8 ½ inches (27.9 × 21.6 cm)

Franz West, 5 Ja >>Nimm dies<<, 1977 Gouche on newspaper, 9 ⅛ × 12 ¼ inches (23 × 31 cm)

Franz West, 5 Ja >>Nimm dies<<, 1977

Gouche on newspaper, 9 ⅛ × 12 ¼ inches (23 × 31 cm)

Rachel Whiteread, Drawing for Drawing Show, 2004 Collage, acrylic medium and graphite on paper, 22 × 15 inches (56 × 38 cm)

Rachel Whiteread, Drawing for Drawing Show, 2004

Collage, acrylic medium and graphite on paper, 22 × 15 inches (56 × 38 cm)

About

Gagosian is pleased to present a group exhibition featuring over seventy drawings by some of the preeminent artists of the last century. Drawing has always figured prominently in art making, often serving as the study or sketch for a final painting or sculpture. However, as the twentieth century saw a focus on artistic process, so drawing came to often serve as the finished product, with its technique and materials intrinsic to the artist’s project.

Dating from 1906 (with a Pablo Picasso nude in pastel) to the present, and executed in a range of scales and media, the featured works highlight the numerous stylistic impulses manifest in drawing during the last one hundred years. Included are Arshile Gorky’s chalk and ink Study for Nightime, Enigma, Nostalgia (1931–32), a dreamlike musing inspired by Surrealism, as well as Willem de Kooning’s boldly expressive pencil drawings related to his renowned Women paintings from the 1950s. Also exhibited are several of Andy Warhol’s early drawn portraits, such as Woman (1962), which reveal traces of the graphic style that would figure prominently in the artist’s iconic Pop works. More contemporary examples on view are Richard Serra’s paintstick line drawings, a drawing collage by Jeff Koons, and large-scale new pastels by Francesco Clemente. Recent works by Georg Baselitz, Cecily Brown, Jenny Saville, and Cy Twombly—artists whose work is rarely seen in London—will also be featured.

Artists include: Richard Artschwager, Georg Baselitz, Jean-Michel Basquiat, Joseph Beuys, Alighiero Boetti, Cecily Brown, Francesco Clemente, Michael Craig-Martin, Willem de Kooning, Walter De Maria, Ellen Gallagher, Douglas Gordon, Arshile Gorky, Richard Hamilton, Damien Hirst, Howard Hodgkin, Jasper Johns, Anselm Kiefer, Jeff Koons, Roy Lichtenstein, Pablo Picasso, Jackson Pollock, Ed Ruscha, Jenny Saville, Richard Serra, David Smith, Frank Stella, Mark Tansey, Robert Therrien, Wayne Thiebaud, Cy Twombly, Andy Warhol, Franz West, Rachel Whiteread, Richard Wright, among others.

Georg Baselitz and Richard Calvocoressi sit next to each other in the artist’s studio

In Conversation
Georg Baselitz and Richard Calvocoressi

In conjunction with the exhibition The Painter in His Bed, at Gagosian, New York, Georg Baselitz and Richard Calvocoressi discuss the motif of the stag in the artist’s newest paintings.  

Jerome Rothenberg in a chair

In Conversation
Jerome Rothenberg and Charles Bernstein

Gagosian and Beyond Baroque Literary | Arts Center hosted a conversation between poets Jerome Rothenberg and Charles Bernstein inside Anselm Kiefer’s exhibition Exodus at Gagosian at Marciano Art Foundation, Los Angeles. Rothenberg and Bernstein explored some of the themes that occupy Kiefer—Jewish mysticism, the poetry of Paul Celan, and the formulation of a global poetics in response to the Holocaust—in a discussion and readings of their poetry.

Dora Maar, Portrait de Picasso, Paris, studio du 29, rue d’Astorg, winter 1935–36

A Foreigner Called Picasso

Cocurator of the exhibition A Foreigner Called Picasso, at Gagosian, New York, Annie Cohen-Solal writes about the genesis of the project, her commitment to the figure of the outsider, and Picasso’s enduring relevance to matters geopolitical and sociological.

Oscar Murillo and Ben Luke on Franz West

In Conversation
Oscar Murillo and Ben Luke on Franz West

In conjunction with Franz West: Papier, the gallery’s presentation of paper-based works by Franz West at Frieze Masters 2023, artist Oscar Murillo and arts writer, critic, and broadcaster Ben Luke sit down to discuss Murillo’s collaboration in selecting the works on view, as well as his personal experiences meeting the late artist in London.

Dorothy Lichtenstein and Irving Blum stand next to each other in front of Roy Lichtenstein's studio in Southampton, New York

In Conversation
Irving Blum and Dorothy Lichtenstein

In celebration of the centenary of Roy Lichtenstein’s birth, Irving Blum and Dorothy Lichtenstein sat down to discuss the artist’s life and legacy, and the exhibition Lichtenstein Remembered curated by Blum at Gagosian, New York.

still from video of eyeball

Douglas Gordon: if when why what

Douglas Gordon took over the Piccadilly Lights advertising screen in London’s Piccadilly Circus, as well as a global network of screens in cities including Berlin, Melbourne, Milan, New York, and Seoul, nightly for three minutes at 20:22 (8:22pm) throughout December 2022, with his new film, if when why what (2018–22). The project was presented by the Cultural Institute of Radical Contemporary Art (CIRCA) in conjunction with the exhibition Douglas Gordon: Neon Ark at Gagosian, Davies Street, London.