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William Forsythe

William Forsythe, Black Flags, 2014 Readymade industrial robots, silk flags, carbon fiber flagpoles, and steel plates, Dimensions variable© William Forsythe, photo by David Brandt

William Forsythe, Black Flags, 2014

Readymade industrial robots, silk flags, carbon fiber flagpoles, and steel plates, Dimensions variable
© William Forsythe, photo by David Brandt

About

William Forsythe is a radical innovator in choreography and dance. For more than four decades, he has redefined the syntax and praxis of his field, exerting unparalleled influence on subsequent generations of artists. Over the course of his career, he has developed an extensive repertoire of groundbreaking ballet choreographies and experimental, non-proscenium-based dance-theater works, as well as an open-access digital platform for dance analysis, notation, and improvisation. His works are featured in the repertoire of many of the world’s major ballet companies, including Paris Opera Ballet; Mariinsky Ballet, Saint Petersburg; Semperoper Ballet, Dresden, Germany; Royal Ballet, London; New York City Ballet; San Francisco Ballet; Boston Ballet; and the National Ballet of Canada. Parallel with the evolution of his choreographic performances, Forsythe has worked for more than twenty years on installations, film works, and discrete, interactive sculptures, which he calls “choreographic objects.”

Forsythe was born in 1949 in New York. He was resident choreographer of the Stuttgart Ballet, Germany, from 1976 to 1984, and director of Ballet Frankfurt, Germany, from 1984 to 2004. He established and directed the Forsythe Company from 2005 to 2015, and was most recently artistic advisor to the Paris Opera. He was named an honorary fellow of the Laban Centre for Movement and Dance in London and holds an honorary doctorate from the Juilliard School in New York. Solo museum exhibitions include Proliferation and Perfect Disorder, Pinakothek der Moderne, Munich (2006); Additive Inverse, 21_21 Design Sight, Tokyo (2007); Focus on Forsythe, Sadler’s Wells and Tate Modern, London (2009); Transfigurations, Wexner Center for the Arts, Columbus, Ohio (2009); Nowhere and Everywhere, Museum Folkwang, Essen, Germany (2013); The Fact of Matter, Museum für Moderne Kunst, Frankfurt, Germany (2015); and Wanås Konst, Knislinge, Sweden (2017). Beginning in 1989 with a special commission by architect Daniel Libeskind, The Books of Groningen, Forsythe has produced numerous installations, among them Tight Roaring Circle, Artangel, London (1997); Nowhere and Everywhere at the Same Time, Creative Time, New York (2005); and Black Flags, Staatliche Kunstsammlungen Dresden, Germany (2014–15). He has participated in the Whitney Biennial (1997); Biennale di Venezia, Venice (2005, 2009, 2012, 2014); and Sydney Biennale (2016).

Forsythe has received several awards, including the title of Commander of the French Order of Arts and Letters (1999); Hessische Kulturpreis/Hessian Culture Prize (1995); German Distinguished Service Cross (1997); Wexner Prize (2002); Golden Lion of the Biennale di Venezia (2010); Samuel H. Scripps/American Dance Festival Award for Lifetime Achievement (2012); and Grand Prix de la SACD (2016).

Forsythe lives and works in Vermont.

Fairs, Events & Announcements

Photo: Rosalie O’Connor

Performance

Full on Forsythe

March 7–17, 2019
Boston Opera House
www.bostonballet.org

The Boston Ballet’s 2019 spring season will open with Full on Forsythe by choreographer William Forsythe. The program features the world premiere of Playlist (EP), driven by an eclectic mix of hip-hop and R&B songs; the North American premiere of Blake Works I, set to music by Grammy-nominated musician James Blake; and Pas/Parts 2018, featuring an electronic score by Thom Willems. To attend the event, purchase tickets at www.bostonballet.org.

Photo: Rosalie O’Connor

William Forsythe, The Fact of Matter, 2009 © William Forsythe. Photo: Liza Voll

In Conversation

William Forsythe
Eva Respini

Thursday, February 21, 2019, 7pm
Institute of Contemporary Art, Boston
www.icaboston.org

William Forsythe will speak with Eva Respini, Barbara Lee Chief Curator of the Institute of Contemporary Art, Boston, about his current exhibition at the museum, Choreographic Objects, on view through February 21, 2019. He will also discuss his artistic practice, physical thinking, and how he uses problem solving in his work. The event is free and open to the public.

William Forsythe, The Fact of Matter, 2009 © William Forsythe. Photo: Liza Voll

Photo: Dorothea Tuch

Performance

William Forsythe
A Quiet Evening of Dance

October 4–6, 2018
Sadler’s Wells, London
sadlerswells.com

For this fresh configuration of new and existing work, William Forsythe has imagined something akin to an evening of chamber music, designed to be listened to. The works range from sparse analytic condensation to baroque-inspired counterpoint. The intricate phrasing of the dancers’ breath is the primary accompaniment for a distillation of the geometric origins of classical ballet. To attend the event, purchase tickets at sadlerswells.com.

Photo: Dorothea Tuch

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Museum Exhibitions

Installation view, William Forsythe: Objetos coreográficos, SESC Pompéia, São Paulo, March 27–July 28, 2019 © William Forsythe. Photo: Jackson Matos

On View

William Forsythe
Objetos coreográficos

Through July 28, 2019
SESC Pompéia, São Paulo
www.sescsp.org.br

This exhibition presents eleven works by William Forsythe from his Choreographic Objects series. The show includes a new work created specifically for this presentation, Unsustainables, São Paulo (2019).

Installation view, William Forsythe: Objetos coreográficos, SESC Pompéia, São Paulo, March 27–July 28, 2019 © William Forsythe. Photo: Jackson Matos

William Forsythe, City of Abstracts, 2000 © William Forsythe. Photo: Dominik Mentzos

On View

William Forsythe
Choreographic Objects

Through September 15, 2019
Museum of Fine Arts, Houston
www.mfah.org

Since the 1990s, parallel to his stage productions, William Forsythe has developed installations, sculptures, and films that he calls Choreographic Objects. Blurring the lines between performance, sculpture, and installation, these works invite the viewer to engage with the fundamental ideas of choreography.

William Forsythe, City of Abstracts, 2000 © William Forsythe. Photo: Dominik Mentzos

On View

William Forsythe in
Blickachsen 12

Through October 6, 2019
Various venues, Bad Homburg and Frankfurt Rhine Main, Germany
www.blickachsen.com

The twelfth edition of Blickachsen, a biennial exhibition of sculpture and installations, focuses attention on the interplay between contemporary art and its historical surroundings. The exhibition aims to show works by both young artists and renowned sculptors. Work by William Forsythe is included.

On View

William Forsythe in
Sinnesrausch: Kunst und Bewegung

Through October 13, 2019
OÖ Kulturquartier, Linz, Austria
www.sinnesrausch.at

This exhibition includes large installations on the roof and in the great hall that must be “actively” perceived by visitors in a playful way, not only with the eyes but with the whole body. Work by William Forsythe is included.

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Press

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