In Conversation
Cindy Sherman
Cindy Sherman sat down with Derek Blasberg to discuss her critically acclaimed exhibition at London’s National Portrait Gallery, her solitary process, and selfies.
Gagosian Gallery is pleased to announce an exhibition of new photographic work by Cindy Sherman. This will also be her first exhibition in Los Angeles since her major traveling retrospective opened at MoCA in 1997.
In this newest body of color images, Sherman has created individual portraits of herself in the guise of women living on the fringes of show business, or aspiring to Hollywood celebrity. Her cast of characters suggests an array of star-struck hopefuls: actresses hoping to find jobs, a child actress now an adult, and ordinary women fantasizing about being "discovered." The strain of it all is evidenced in the collision of "too much" and "not enough"—bad make-up, sun scorched skin and hair, unhappy cosmetic surgery, failed fashions, and an omnipresent aura of high chutzpah and chronic fatigue.
The format of each portrait is a conventional photo-studio pose against plain backdrop paper, with the subjects looking directly at the camera. The command and accomplishment of these photographs are their highly complex mood—comically ridiculing and completely empathetic.
In contemporary photography, these are among the great images of human dreaming and impossibility. The premiere of these pictures in Los Angeles, just days prior to the annual Oscar awards is, therefore, especially appropriate.
Cindy Sherman sat down with Derek Blasberg to discuss her critically acclaimed exhibition at London’s National Portrait Gallery, her solitary process, and selfies.
The Spring 2020 issue of Gagosian Quarterly is now available, featuring Cindy Sherman’s Untitled #412 (2003) on its cover.
An exhibition at Gagosian, Paris, is raising funds to aid in the reconstruction of the Cathédrale Notre-Dame de Paris following the devastating fire of April 2019. Gagosian directors Serena Cattaneo Adorno and Jean-Olivier Després spoke to Jennifer Knox White about the generous response of artists and others, and what the restoration of this iconic structure means across the world.
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.