Vera Lutter: Battersea, Heddon Street, London, October 14–November 27, 2004

Works Exhibited

Vera Lutter, Battersea Power Station, III: July 5, 2004, 2004. Unique gelatin silver print, 76 ¾ × 167 inches (194.9 × 424.2 cm) — Vera Lutter, *Battersea Power Station, III: July 5, 2004*, 2004
Unique gelatin silver print, 76 ¾ × 167 inches (194.9 × 424.2 cm)

Vera Lutter, Battersea Power Station, XVII: July 24, 2004, 2004. Unique gelatin silver print, 83 ½ × 111 ½ inches (212.1 × 283.2 cm) — Vera Lutter, *Battersea Power Station, XVII: July 24, 2004*, 2004
Unique gelatin silver print, 83 ½ × 111 ½ inches (212.1 × 283.2 cm)

Vera Lutter, Battersea Power Station, XXV: July 29, 2004, 2004. Unique gelatin silver print, 75 ¼ × 55 ¾ inches (191.1 × 141.6 cm) — Vera Lutter, *Battersea Power Station, XXV: July 29, 2004*, 2004
Unique gelatin silver print, 75 ¼ × 55 ¾ inches (191.1 × 141.6 cm)

Vera Lutter, Battersea Power Station, XIII: July 13, 2004, 2004. Unique gelatin silver print, 80 ¾ × 55 ¾ inches (205.1 × 141.6 cm) — Vera Lutter, *Battersea Power Station, XIII: July 13, 2004*, 2004
Unique gelatin silver print, 80 ¾ × 55 ¾ inches (205.1 × 141.6 cm)

Thumbnail - Vera Lutter, Battersea Power Station, III: July 5, 2004, 2004. Unique gelatin silver print, 76 ¾ × 167 inches (194.9 × 424.2 cm)

Thumbnail - Vera Lutter, Battersea Power Station, XVII: July 24, 2004, 2004. Unique gelatin silver print, 83 ½ × 111 ½ inches (212.1 × 283.2 cm)

Thumbnail - Vera Lutter, Battersea Power Station, XXV: July 29, 2004, 2004. Unique gelatin silver print, 75 ¼ × 55 ¾ inches (191.1 × 141.6 cm)

Thumbnail - Vera Lutter, Battersea Power Station, XIII: July 13, 2004, 2004. Unique gelatin silver print, 80 ¾ × 55 ¾ inches (205.1 × 141.6 cm)

About

Frieze viewing: Friday, 15 October 6 - 10pm

The building stands poised on a weighty cusp, rocking this way and that between an uncertain past and a certain future, flickering from the transcendent to the immanent. Because for over two decades now the Power Station has been impotent-an oxymoron made of a million bricks-it says more to us about how we are than what we have been.
—Will Self

Gagosian Gallery is pleased to announce an exhibition of Vera Lutter's monumental camera obscura photographs. The exhibition features the highly anticipated Battersea Power Station project as well as significant projects completed over the past eight years. Lutter is drawn to industrial environments with historic or iconic resonance, including the abandoned Erie Basin in Red Hook, Brooklyn and Pepsi Cola Factory in Long Island City, New York.

Battersea Power Station, designed by Giles Gilbert Scott, is a remarkable relic of the Industrial Age, having provided London with electricity for nearly 50 years until its closure in 1982. Since then, this historical landmark has stood dormant for over two decades, until now, as construction is currently underway to redevelop the site into an entertainment and leisure destination. Fascinated by the future duality of the Power Station, Lutter has selected the site, a remnant of the past, before its impending transformation.

Artist

Vera Lutter

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Press release (pdf)

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From the Quarterly

Vera Lutter: Time Travel

Jean Dykstra reports on Vera Lutter’s new series, produced on the occasion of a commission to photograph Athens.

Now available
Gagosian Quarterly Summer 2022

The Summer 2022 issue of Gagosian Quarterly is now available, with two different covers—featuring Takashi Murakami’s 108 Bonnō MURAKAMI.FLOWERS (2022) and Andreas Gursky’s V & R II (2022).

Vera Lutter: Museum in the Camera

During a two-year residency at the Los Angeles County Museum of Art, from 2017 to 2019, Vera Lutter documented the museum’s changing campus and permanent collection, using her distinctive photographic technique. Here, she speaks about the experience with the museum’s director, Michael Govan.

Now available
Gagosian Quarterly Spring 2020

The Spring 2020 issue of Gagosian Quarterly is now available, featuring Cindy Sherman’s Untitled #412 (2003) on its cover.

In Conversation
Vera Lutter

Vera Lutter speaks with Gagosian’s Derek Blasberg about her Museum of Fine Arts Houston exhibition, using a shipping container as a camera, and her place in photography as we enter a digital age.