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Rachel Whiteread

Sculpture

October 19–December 3, 2005
Britannia Street, London

Rachel Whiteread, Keep, 2004 Plaster, 4 ¾ × 10 × 13 ½ inches (12.2 × 25.5 × 34.5 cm)

Rachel Whiteread, Keep, 2004

Plaster, 4 ¾ × 10 × 13 ½ inches (12.2 × 25.5 × 34.5 cm)

Rachel Whiteread, Train Set, 2004 Plaster, 17 1/3 × 52 5/12 × 10 7/12 inches (44 × 133 × 27 cm)

Rachel Whiteread, Train Set, 2004

Plaster, 17 1/3 × 52 5/12 × 10 7/12 inches (44 × 133 × 27 cm)

Rachel Whiteread, Tare II, 2005 Plaster and plastic, 27 ¾ × 43 ¼ × 47 ¼ inches (70.5 × 109.9 × 120 cm)

Rachel Whiteread, Tare II, 2005

Plaster and plastic, 27 ¾ × 43 ¼ × 47 ¼ inches (70.5 × 109.9 × 120 cm)

Rachel Whiteread, Garage, 2005 Plaster, painted steel and laminated wood, 44 ½ × 49 × 27 ¼ inches (113 × 126 × 69 cm)

Rachel Whiteread, Garage, 2005

Plaster, painted steel and laminated wood, 44 ½ × 49 × 27 ¼ inches (113 × 126 × 69 cm)

Rachel Whiteread, Untitled, 2004 Pencil and collage on paper, 22 ¼ × 30 inches (56.5 × 76 cm)

Rachel Whiteread, Untitled, 2004

Pencil and collage on paper, 22 ¼ × 30 inches (56.5 × 76 cm)

Rachel Whiteread, Untitled, 2004 Collage on paper, 6 × 4 inches (15.3 × 10.4 cm)

Rachel Whiteread, Untitled, 2004

Collage on paper, 6 × 4 inches (15.3 × 10.4 cm)

Rachel Whiteread, Untitled, 2004 Gouache and collage on paper, 6 × 4 inches (15.3 × 10.4 cm)

Rachel Whiteread, Untitled, 2004

Gouache and collage on paper, 6 × 4 inches (15.3 × 10.4 cm)

Rachel Whiteread, Untitled, 2004 Gouache and collage on paper, 6 × 4 inches (15.3 × 10.4 cm)

Rachel Whiteread, Untitled, 2004

Gouache and collage on paper, 6 × 4 inches (15.3 × 10.4 cm)

About

A major exhibition of important new works by Rachel Whiteread will open at Gagosian Gallery, London. This exhibition includes over twenty sculptures and drawings completed over the last two years and is scheduled to coincide with "Embankment," her much anticipated Unilever Series commission for the Turbine Hall at Tate Modern, on view from 11 October 2005 through 2 April 2006.

Rachel Whiteread is one of Britain's leading contemporary sculptors. Born in London in 1963, she studied painting at Brighton Polytechnic and sculpture at the Slade School of Fine Art. She shot to public attention in 1993 with her sculpture, "House," a life-sized replica of the interior of a condemned terraced house in London's East End which provoked intense public debate until it was eventually demolished in 1994.

Over the last decade she has developed a significant international reputation, creating major public works in both Europe and the United States. Her winning proposal for the Holocaust memorial at the Judenplatz in Vienna was one of the most prestigious sculptural commissions in Europe in the 1990s. This piece involved placing the cast interior of a library, including imprints from the books on their shelves, into the centre of the square. It was unveiled in October 2000. She represented the UK at the 1997 Venice Biennale and created "Monument" for the empty plinth in Trafalgar Square in 2001. Her "Water Tower" (1998) was just reinstalled on the roof of the Museum of Modern Art, New York this autumn. She lives and works in London and her work is represented in many private and public collections worldwide.

A fully illustrated catalogue will accompany this exhibition, which will include an essay by Alex Potts, Professor of Art History at the University of Michigan.

Rachel Whiteread, Nissen Hut, 2018.

Shy Sculpture: Nissen Hut

Rachel Whiteread’s public sculpture Nissen Hut was unveiled in October 2018 in Yorkshire’s Dalby Forest. Curator Tamsin Dillon explores the dynamic history of these structures and provides a firsthand account of the steps leading up to the work’s premiere.

Rachel Whiteread, Untitled (Notre-Dame), 2019.

For Notre-Dame

An exhibition at Gagosian, Paris, is raising funds to aid in the reconstruction of the Cathédrale Notre-Dame de Paris following the devastating fire of April 2019. Gagosian directors Serena Cattaneo Adorno and Jean-Olivier Després spoke to Jennifer Knox White about the generous response of artists and others, and what the restoration of this iconic structure means across the world.

Gagosian Quarterly Summer 2019

Now available
Gagosian Quarterly Summer 2019

The Summer 2019 issue of Gagosian Quarterly is now available, featuring a detail from Afrylic by Ellen Gallagher on its cover.

Gagosian Quarterly Spring 2019

Now available
Gagosian Quarterly Spring 2019

The Spring 2019 issue of Gagosian Quarterly is now available, featuring Red Pot with Lute Player #2 by Jonas Wood on its cover.

Becoming Home

Becoming Home

Rachel Whiteread’s US Embassy (Flat pack house) was unveiled in its permanent home at the new American embassy in Nine Elms, London, earlier this year. Virginia Shore, the curator for the London embassy project who worked with Whiteread to realize this site-specific commission, reflects on the history of prefabricated housing, the power of “home,” and the connecting force of art.

Solid Recollections: Rachel Whiteread

Solid Recollections: Rachel Whiteread

James Lawrence explores the quiet power and critical role of memory in Rachel Whiteread’s public works.