Installation Views

Works Exhibited

About

Naming things has something to do with human awareness, with the separation of the entire world from you. So with the Seascapes, I was thinking about the most ancient of human impressions. The time when man first named the world around him…
—Hiroshi Sugimoto

Gagosian Gallery is pleased to announce "7 Days / 7 Nights," an exhibition of fourteen photographs from the Seascapes series by Hiroshi Sugimoto in an architectural setting of his own design.

For more than thirty years, Sugimoto has produced series of highly refined black and white photographs. His subjects, which include movie theaters and drive-ins, natural history dioramas, waxworks, and seascapes, provoke fundamental questions about the relationship of photography and time while exploring the mysterious and ineffable nature of reality.

In 1980 he began working on an ongoing series of photographs of the sea and its horizon in locations all over the world, using an old-fashioned large-format camera to make exposures of varying duration. These seascapes are as much about the nature of photography as nature itself. They fall into several basic types: clear dayscapes with crisp, absolute horizons dividing bright, blank skies from dark water; foggy dayscapes where sky and sea merge atmospherically; nightscapes, in which sky, water, waves, and horizon register as so many degrees of black; and dawnscapes shot deliberately out of focus, where sunpaths spill from misty horizons, rendering the candor of photographic vision as pure impressionism. Captions are nuggets of empirical information and the nomenclature in Sugimoto's titles resonates: strait, gulf, bay, ocean, sea, channel, lake; Atami, Santa Cesarea, Pilion, Sounion, Tearai, Weston Cliff, Eagle River.

Christo: Wrapped 1961 Volkswagen Beetle Saloon (1963–2014)

Christo: Wrapped 1961 Volkswagen Beetle Saloon (1963–2014)

Join Vladamir Yavachev, director of operations for the Christo and Jeanne-Claude Foundation, as he discusses the genesis of the artist’s work Wrapped 1961 Volkswagen Beetle Saloon (1963–2014), ahead of its presentation at Art Basel Unlimited 2024.

Gagosian Quarterly Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

Donald Judd: Untitled: 1970

Donald Judd: Untitled: 1970

In this video, Flavin Judd, the artist’s son and artistic director of Judd Foundation, discusses a historic large-scale work by his father from 1970, ahead of its presentation at Art Basel Unlimited 2024.

Oscar Murillo and Alessandro Rabottini

In Conversation
Oscar Murillo and Alessandro Rabottini

In conjunction with Marks and Whispers, at Gagosian, Rome, Oscar Murillo and Alessandro Rabottini sit down to discuss the artist’s paintings and works on paper in the exhibition, as well as how the show emphasizes the formal, political, and social dimensions of the color red in Murillo’s work of the last decade.

The Art of the Olympics: An Interview with Yasmin Meichtry

The Art of the Olympics: An Interview with Yasmin Meichtry

The Olympic and Paralympic Games arrive in Paris on July 26. Ahead of this momentous occasion, Yasmin Meichtry, the associate director at the Olympic Foundation for Culture and Heritage, Switzerland, met with Gagosian senior director Serena Cattaneo Adorno to discuss the Olympic Games’ long engagement with artists and culture, including the Olympic Museum, commissions, and the collaborative two-part exhibition, The Art of the Olympics, being staged this summer at Gagosian, Paris.

Nan Goldin: Sisters, Saints, Sibyls

Nan Goldin: Sisters, Saints, Sibyls

Michael Cary explores the history behind, and power within, Nan Goldin’s video triptych Sisters, Saints, Sibyls. The work will be on view at the former Welsh chapel at 83 Charing Cross Road, London, as part of Gagosian Open, from May 30 to June 23, 2024.

That Carousel of Thought: Lonnie Holley

That Carousel of Thought: Lonnie Holley

Lonnie Holley’s self-taught musical and artistic practice utilizes a strategy of salvage to recontextualize his past lives. His new album, Oh Me Oh My, is the latest rearticulation of this biography.

Inconsolata: Jordi Savall

Inconsolata: Jordi Savall

Ariana Reines caught a plane to Barcelona earlier this year to see A Sea of Music 1492–1880, a concert conducted by the Spanish viola da gambist Jordi Savall. Here, she meditates on the power of this musical pilgrimage and the humanity of Savall’s work in the dissemination of early music.

Hold a World: Lucinda Chua

Hold a World: Lucinda Chua

Multi-instrumentalist, singer, songwriter, and composer Lucinda Chua meets with writer Dhruva Balram to reflect on the response to her debut album YIAN (2023).

Maurizio Cattelan: Sunday Painter

Maurizio Cattelan: Sunday Painter

Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.

BRONX BODEGA Basel

BRONX BODEGA Basel

On the occasion of Art Basel 2024, creative agency Villa Nomad joins forces with Ghetto Gastro, the Bronx-born culinary collective by Jon Gray, Pierre Serrao, and Lester Walker, to stage the interdisciplinary pop-up BRONX BODEGA Basel. The initiative brings together food, art, design, and a series of live events at the Novartis Campus, Basel, during the course of the fair. Here, Jon Gray from Ghetto Gastro and Sarah Quan from Villa Nomad tell the Quarterly’s Wyatt Allgeier about the project.

A-POC ABLE ISSEY MIYAKE: An interview with Yoshiyuki Miyamae

A-POC ABLE ISSEY MIYAKE: An interview with Yoshiyuki Miyamae

Founded in 1998 by Issey Miyake, A-POC (“A Piece of Cloth”) set out to bring the development and production of fabric and garments into the future. Over the subsequent decades, A-POC has worked at the forefront of technology to realize its goals, and under the leadership of Yoshiyuki Miyamae—who has been with Miyake Design Studio since 2001—A-POC ABLE has engaged in a dynamic series of collaborations with artists, architects, craftspeople, and new technologies to rethink how clothing is designed and made. On the occasion of the line being made available in the United States for the first time, the Quarterly’s Wyatt Allgeier visited the brand’s flagship in New York to speak with Yoshiyuki about the A-POC process, as well as the latest collaboration with the artist Sohei Nishino.