Visions of the Self: Jenny Saville on Rembrandt
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.
For an artist, time can always be regained . . . because by an act of imagination you can always go back.
—Howard Hodgkin
Gagosian is pleased and honored to present Last Paintings, an exhibition of Howard Hodgkin’s final works.
One of Britain’s most celebrated contemporary painters, Hodgkin composed powerful, expressive works that, while nominally abstract, bring representation, gesture, and affect into urgent relation. Last Paintings, presented at the Grosvenor Hill gallery in accordance with the late artist’s wishes, includes the final six paintings that he completed in India prior to his death, in March 2017, five of which will be exhibited for the first time. The exhibition includes more than twenty other paintings, never before exhibited in Europe.
In 1972 Hodgkin renounced working on canvas in favor of wooden panels and frames, some new and others sourced secondhand in India and Europe. The grain of the wood and the scars and scratches of the supports became integral to the paintings, affirming their physical presence and heft. Last Paintings attests to the immediacy of Hodgkin’s methods, as well as his intuitive understanding of the relationship between hand, eye, and memory.
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.
A celebrated collaboration between Sir Howard Hodgkin and choreographer Mark Morris. Nancy Dalva takes us behind the scenes.
In this video interview, National Portrait Gallery senior curator Paul Moorhouse explains how Hodgkin increasingly abstracted what people meant to him, representing people in his pictures through memories, evocations, and feelings.
In Howard Hodgkin: From London to Hong Kong, we are welcomed into the celebrated painter’s London studio. Narrated by Robin Vousden.