Installation Views

Works Exhibited

About

I think art teaches us how to feel, and what our parameters can be. It makes us more engaged with life.
—Jeff Koons

Gagosian is pleased to present recent works by Jeff Koons from the Gazing Ball series.

Making use of conceptual constructs including the ancient, the everyday, and the sublime, Koons creates luxurious icons and elaborate tableaux, which, beneath their captivating exteriors, engage the viewer in a metaphysical dialogue with cultural history.

With the Gazing Ball series, Koons draws attention to the continuity of images as they pass through time. In each work, a blue mirrored, hand-blown glass gazing ball—a convention from eighteenth-century garden design—is affixed to a replica of a famous painting or sculpture, adding a layer of sensory experience to familiar masterpieces. Installed within these art historical milestones, the gazing ball reflects its surroundings, uniting painting, sculpture, and architecture.

Included in this exhibition are seven Gazing Ball paintings, ranging from mythical and pastoral scenes by Jacques-Louis David, Hendrick Goltzius, Nicolas Poussin, and Tintoretto to a self-portrait by Rembrandt and a stark depiction of a dead fox in the snow by Gustave Courbet. Koons captures the artists’ variations in style, technique, and subject matter, offering a glimpse into the past, while the gleaming orbs locate the viewer in the immediate present. In the only Gazing Ball sculpture in the show, the blue sphere is placed atop a copy of Marcel Duchamp’s Bottle Rack (1914), raising questions about the definition of the readymade, as well as its relevance within Koons’s larger oeuvre.

Laws of Motion

Laws of Motion

Catalyzed by Laws of Motion—a group exhibition pairing artworks from the 1980s on by Jeff Koons, Cady Noland, Rosemarie Trockel, and Jeff Wall with contemporary sculptures by Josh Kline and Anicka Yi—Wyatt Allgeier discusses the convergences and divergences in these artists’ practices with an eye to the economic worlds from which they spring.

Gagosian Quarterly Fall 2019

Now available
Gagosian Quarterly Fall 2019

The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.

Intimate Grandeur: Glenstone Museum

Intimate Grandeur: Glenstone Museum

Paul Goldberger tracks the evolution of Mitchell and Emily Rales’s Glenstone Museum in Potomac, Maryland. Set amid 230 acres of pristine landscape and housing a world-class collection of modern and contemporary art, this graceful complex of pavilions, designed by architects Thomas Phifer and Partners, opened to the public in the fall of 2018.

Visions of the Self: Jenny Saville on Rembrandt

Visions of the Self: Jenny Saville on Rembrandt

Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.

Jeff Koons: Easyfun-Ethereal

Jeff Koons: Easyfun-Ethereal

Learn more about Jeff Koons’s Easyfun-Ethereal series in this video featuring Rebecca Sternthal, one of the organizers behind the most recent exhibition of these works in New York.

RxART

The Bigger Picture
RxART

Derek Blasberg speaks with Diane Brown, president and founder of RxART, and with contributing artists Dan Colen, Urs Fischer, and Jeff Koons about the transformative power of visual art.

Jeff Koons

The Bigger Picture
Jeff Koons

Jeff Koons speaks with Alison McDonald and Maura Harty about his longstanding commitment to protecting the rights of children.

Jeff Koons Glenn Fuhrman

In Conversation
Jeff Koons Glenn Fuhrman

The FLAG Art Foundation hosted a conversation between Jeff Koons and FLAG founder Glenn Fuhrman, in which the two discuss the dichotomy between sexuality and childhood innocence in Koons’s oeuvre, remaking Made in Heaven with Lady Gaga, what drives Koons to make more work, and several works including Cat on a Clothesline (1994–2001) and Winter Bears (1988).

The Last 36 Hours

The Last 36 Hours

Derek Blasberg speaks with Scott Rothkopf, a curator at the Whitney Museum of American Art, about the last thirty-six hours of the Jeff Koons retrospective, which also marked the end of the museum’s tenure in uptown Manhattan.

Split-Rocker: A Landscaping Perspective

Split-Rocker: A Landscaping Perspective

Jeff Koons’s flowering sculpture Split-Rocker, at once imposing and adorable, has cast a spell on New York City’s Rockefeller Center. Derek Blasberg interviews Matt Donham, Koons’s landscape designer on the project, to find out more.

Jeff Koons: A Retrospective

Jeff Koons: A Retrospective

Jeff Koons’s first, mammoth one-man show opens at the Whitney today, which is also the last show at the museum’s Madison Avenue location.

Cover of the book Jeff Koons: Gazing Ball Paintings

Jeff Koons: Gazing Ball Paintings

$100
Cover of the book Jeff Koons, published in 2017

Jeff Koons

$80
Front of Jeff Koons: Split-Rocker Notecard Set

Jeff Koons: Split-Rocker Notecard Set

$15
Jeff Koons: Split-Rocker Plate

Jeff Koons: Split-Rocker Plate

$978
Jeff Koons: Banality Series Bread and Butter Plate

Jeff Koons: Banality Series Bread and Butter Plates

$558
Jeff Koons: Banality Series espresso cup

Jeff Koons: Banality Series Espresso Set

$1,174
Jeff Koons: Banality Series Platter

Jeff Koons: Banality Series Platter

$558
Jeff Koons: Play-Doh Plate

Jeff Koons: Play-Doh Plate

$978
Jeff Koons: Elephant Plate

Jeff Koons: Elephant Plate

$978