Vera Lutter: Time Travel
Jean Dykstra reports on Vera Lutter’s new series, produced on the occasion of a commission to photograph Athens.
Gagosian is pleased to present Turning Time, an exhibition of eight new photographs by Vera Lutter.
Lutter has created pinhole-camera photographs of architecture, landscapes, cityscapes, and industrial sites since the early 1990s. Turning Time comprises two series: one depicting ancient temples in the southern Italian town of Paestum; the other, the Effelsberg radio telescope at the Max-Planck-Institut für Radioastronomie in Germany, used for scientific research and recording cosmic activity in outer space. These studies of historical monuments and pivotal technological innovations reflect Lutter’s deep relationship with the forces of time.
At each site, Lutter transformed a standard-size shipping container into a camera obscura, one of the oldest image-capturing technologies, whereby light enters a dark camera space through a pinhole, projecting an image into the interior onto a sheet of photographic paper. Lutter’s images are large and the exposure times can last hours, weeks, or even months. The projected image inscribes itself as an inverted black-and-white image, making each print a unique object, a negative on paper that cannot be reprinted.
In 2013, Lutter traveled to the Eifel region of Germany to photograph the Effelsberg telescope. One of the largest radio telescopes on Earth, with a diameter of 100 meters, it collects ancient radio waves that have traveled for light years to reach our hemisphere, helping to shape our understanding of planets and activity beyond our own. Over the course of a month, Lutter made a series of compelling black-and-white images of the telescope while the instrument itself was exploring the farthest reaches of our galaxy, searching for information that will inform us about the past and, possibly, the inception of our universe.
Jean Dykstra reports on Vera Lutter’s new series, produced on the occasion of a commission to photograph Athens.
The Summer 2022 issue of Gagosian Quarterly is now available, with two different covers—featuring Takashi Murakami’s 108 Bonnō MURAKAMI.FLOWERS (2022) and Andreas Gursky’s V & R II (2022).
During a two-year residency at the Los Angeles County Museum of Art, from 2017 to 2019, Vera Lutter documented the museum’s changing campus and permanent collection, using her distinctive photographic technique. Here, she speaks about the experience with the museum’s director, Michael Govan.
The Spring 2020 issue of Gagosian Quarterly is now available, featuring Cindy Sherman’s Untitled #412 (2003) on its cover.
Vera Lutter speaks with Gagosian’s Derek Blasberg about her Museum of Fine Arts Houston exhibition, using a shipping container as a camera, and her place in photography as we enter a digital age.
Vera Lutter sat down with Marvin Heiferman, an independent curator and expert in photography, to discuss her latest New York exhibition.