Douglas Gordon

I’m interested in the fine line between my intentions and the perceptions of others; that moment when someone encounters something and realizes that there is more to it than meets the eye.
—Douglas Gordon

Gagosian is pleased to present Neon Ark, an exhibition of new neon works by Douglas Gordon that incorporates a live workshop in which artisans will fabricate works in situ that will then be installed in the gallery. During certain hours the space will be closed while activity in the workshop is visible through the street-facing window.

In his films, projections, installations, photographs, performances, and works in other mediums, Gordon investigates collective memory and our sense of psychological security through extreme distortions of time and space, often using his own work and that of other artists and filmmakers as raw material. He has made text-based works since the 1990s; most of these have taken the form of vinyl transfers applied to walls, but a few—the first being Empire, installed in 1998 in an alleyway outside a Glasgow pub—have employed neon light.

Neon Ark, Gordon’s first gallery exhibition devoted entirely to text works in neon, acknowledges the medium’s change in status from a common platform for commercial signage toward a rarified technology superseded by digital display. The on-site workshop highlights the spectacle of this elemental production process—incongruous in its Mayfair location—in which a flame is used to bend fine glass tubes before the air inside is evacuated (a process called “bombarding”) and noble gases, whose molecules emit light when activated by electric currents, are added.

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