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Derrick Adams

Come as You Are

September 14–October 28, 2023
Beverly Hills

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Installation video

Installation view Artwork © Derrick Adams. Photo: Jeff McLane

Installation view

Artwork © Derrick Adams. Photo: Jeff McLane

Installation view Artwork © Derrick Adams. Photo: Jeff McLane

Installation view

Artwork © Derrick Adams. Photo: Jeff McLane

Installation view Artwork © Derrick Adams. Photo: Jeff McLane

Installation view

Artwork © Derrick Adams. Photo: Jeff McLane

Installation view Artwork © Derrick Adams. Photo: Jeff McLane

Installation view

Artwork © Derrick Adams. Photo: Jeff McLane

Installation view Artwork © Derrick Adams. Photo: Jeff McLane

Installation view

Artwork © Derrick Adams. Photo: Jeff McLane

Installation view Artwork © Derrick Adams. Photo: Jeff McLane

Installation view

Artwork © Derrick Adams. Photo: Jeff McLane

Installation view Artwork © Derrick Adams. Photo: Jeff McLane

Installation view

Artwork © Derrick Adams. Photo: Jeff McLane

Installation view Artwork © Derrick Adams. Photo: Jeff McLane

Installation view

Artwork © Derrick Adams. Photo: Jeff McLane

Installation view Artwork © Derrick Adams. Photo: Jeff McLane

Installation view

Artwork © Derrick Adams. Photo: Jeff McLane

Installation view Artwork © Derrick Adams. Photo: Jeff McLane

Installation view

Artwork © Derrick Adams. Photo: Jeff McLane

Works Exhibited

Derrick Adams, Be the Table, 2023 Acrylic on wood panel, in artist's frame, 61 × 61 × 2 ½ inches (154.9 × 154.9 × 6.4 cm)© Derrick Adams Studio. Photo: Jeff McLane

Derrick Adams, Be the Table, 2023

Acrylic on wood panel, in artist's frame, 61 × 61 × 2 ½ inches (154.9 × 154.9 × 6.4 cm)
© Derrick Adams Studio. Photo: Jeff McLane

Derrick Adams, Happy Place, 2023 Acrylic and collaged fabric on wood panel, in artist's frame, 96 × 73 × 2 ½ inches (243.8 × 185.4 × 6.4 cm)© Derrick Adams Studio. Photo: Jeff McLane

Derrick Adams, Happy Place, 2023

Acrylic and collaged fabric on wood panel, in artist's frame, 96 × 73 × 2 ½ inches (243.8 × 185.4 × 6.4 cm)
© Derrick Adams Studio. Photo: Jeff McLane

Derrick Adams, Lookie Loos, 2023 Acrylic and collaged fabric on wood panel, in artist's frame, 73 × 96 × 2 ½ inches (185.4 × 243.8 × 6.4 cm)© Derrick Adams Studio. Photo: Jeff McLane

Derrick Adams, Lookie Loos, 2023

Acrylic and collaged fabric on wood panel, in artist's frame, 73 × 96 × 2 ½ inches (185.4 × 243.8 × 6.4 cm)
© Derrick Adams Studio. Photo: Jeff McLane

Derrick Adams, Taking it on the Road, 2023 Acrylic and collaged fabric on wood panel, in artist's frame, 60 ½ × 48 ½ × 2 ½ inches (153.7 × 123.2 × 6.4 cm)© Derrick Adams Studio. Photo: Jeff McLane

Derrick Adams, Taking it on the Road, 2023

Acrylic and collaged fabric on wood panel, in artist's frame, 60 ½ × 48 ½ × 2 ½ inches (153.7 × 123.2 × 6.4 cm)
© Derrick Adams Studio. Photo: Jeff McLane

Derrick Adams, All Eyes on Me, 2023 Acrylic on wood panel, in artist's frame, 49 × 37 × 2 ½ inches (124.5 × 94 × 6.4 cm)© Derrick Adams Studio. Photo: Jeff McLane

Derrick Adams, All Eyes on Me, 2023

Acrylic on wood panel, in artist's frame, 49 × 37 × 2 ½ inches (124.5 × 94 × 6.4 cm)
© Derrick Adams Studio. Photo: Jeff McLane

Derrick Adams, A Moment, 2023 Acrylic and collaged fabric on wood panel, in artist's frame, 96 × 73 × 2 ½ inches (243.8 × 185.4 × 6.4 cm)© Derrick Adams Studio. Photo: Jeff McLane

Derrick Adams, A Moment, 2023

Acrylic and collaged fabric on wood panel, in artist's frame, 96 × 73 × 2 ½ inches (243.8 × 185.4 × 6.4 cm)
© Derrick Adams Studio. Photo: Jeff McLane

About

This body of work flirts with the idea of sensuality—images fused with constructs of desire, self-embodiment, humor, and normalcy. There are no limits to character building and the elaborate environments of these paintings are the manifestation of that feeling. 
—Derrick Adams

Gagosian is pleased to announce Derrick Adams’s debut exhibition with the gallery, which will open on September 14, 2023, in Beverly Hills. For Come as You Are, Adams continues to develop pictorial vignettes centering the Black figure, this time in new works born from the artist’s imagined invitation to the real or fictional personalities he paints.

The exhibition’s title offers encouragement to be present without the need to conceal one’s true self, dreams, and aspirations—a prompt to shed the pressures of adaptation and conformity. Adams counters hackneyed narratives by presenting figures in moments of carefree leisure, inspired by his belief in the constructive power of scenes that uplift and support Black culture. Adding elements of fantastical daydreams along with a few icons familiar from previous series, he dramatizes lived experience and self-actualization in compositions that balance vivid and muted tones, flat planes and multidimensional space.

Inspired by a Halloween costume once worn by the artist’s aunt, Be the Table (all works 2023) merges the levity of a masquerade party with themes surrounding equity and access. The intermingling of her features with a table setting complete with cups and slices of cake, means that she no longer needs “a seat at the table.” Lookie Loos represents the window display of a beauty supply store near Adams’s studio in Brooklyn. A tribute to the power of self-adornment, it explores a theme also present in his Style Variation series (2019–21). Creative expression is central to Taking It on the Road, in which a female figure plays a banjo, an instrument with deep roots in the African diaspora and American popular music. Encircled by cars, she is envisioned as at one with the lyrics of her song.

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Press

Gagosian
press@gagosian.com

Hallie Freer
hfreer@gagosian.com
+1 212 744 2313