Installation Views

Works Exhibited

About

The color makes the structure.
—Stanley Whitney

Gagosian is pleased to present There Will Be Song, an exhibition of new paintings by Stanley Whitney. Opening March 30, this will be the gallery’s first exhibition of paintings by Whitney since announcing its representation of the artist.

Vibrant and lyrical, Whitney’s paintings emerge from his ongoing exploration of color and composition. Each work is composed of rectilinear, predominantly monochrome blocks of oil color in three or four registers demarcated by horizontal bands. Working extemporaneously within this compositional structure, the artist selects each successive tone in relation to those already applied. The paintings’ brushwork reveals the active trace of the artist’s hand through variations in direction of application and opacity of pigment.

Pursuing abstraction since the mid-1970s, Whitney consolidated a process-based approach while living in Rome in the 1990s. In Italy, he was captivated by ancient Roman murals and the transformative effect of light on the façades of historic buildings such as the Colosseum, prompting a new understanding of color and geometry. Responding as well to his study of artists such as Piet Mondrian, Giorgio Morandi, and Mark Rothko, and to American quiltmakers, he has developed this body of work over the course of three decades.

Stanley Whitney: Vibrations of the Day

Stanley Whitney: Vibrations of the Day

Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.

Private Pages Made Public

Book Corner
Private Pages Made Public

Megan N. Liberty explores artists’ engagement with notebooks and diaries, thinking through the various meanings that arise when these private ledgers become public.

The Space Is in the Color: Stanley Whitney

The Space Is in the Color: Stanley Whitney

Stanley Whitney reflects on the evolution of his work with Louise Neri, from his formative early days in New York to the pivotal period he spent living and working in Rome, arriving at the highly distinctive paintings for which he is now known. They explore the diverse and surprising influences of art and music on Whitney’s oeuvre, as well as his process and practice.

Stanley Whitney: Rhythm and Vision

Stanley Whitney: Rhythm and Vision

While preparing his first exhibition with Gagosian, in Rome, Stanley Whitney speaks with Louise Neri in his New York studio about how he arrived at his unique and intuitive approach to color and space in painting, employing a dynamic fusion of preordained structure and improvisation.

Stanley Whitney: The Ruins

Stanley Whitney: The Ruins

For American painter Stanley Whitney, Italy remains a central and enduring source of inspiration. Matthew Jeffrey Abrams, the author of a new monograph on the artist, reflects on the profound and far-reaching influence of Italian art and architecture on Whitney’s art.

Cover of book Stanley Whitney: There Will Be Song

Stanley Whitney: There Will Be Song

$80
Cover of the book Stanley Whitney: How High the Moon

Stanley Whitney: How High the Moon

$75
Cover of the book To Bend the Ear of the Outer World

To Bend the Ear of the Outer World: Conversations on contemporary abstract painting

$125
Cover of the Gagosian Quarterly: Spring 2024 Issue featuring artwork by Jean-Michel Basquiat

Gagosian Quarterly: Spring 2024 Issue

$20
Cover of the Fall 2022 issue of Gagosian Quarterly magazine, featuring artwork by Jordan Wolfson

Gagosian Quarterly: Fall 2022 Issue

$20
Cover of the Summer 2020 issue of Gagosian Quarterly magazine, featuring artwork by Joan Jonas

Gagosian Quarterly: Summer 2020 Issue

$20
Cover of the Spring 2020 issue of Gagosian Quarterly magazine, featuring artwork by Cindy Sherman

Gagosian Quarterly: Spring 2020 Issue

$20
Cover of the monograph Stanley Whitney, published in 2020

Stanley Whitney

$55