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Gagosian is pleased to announce the exhibition of Stanley Whitney’s painting Dear Paris (2023) at 9 rue de Castiglione, Paris, from January 10 to February 28, 2024.

Inspired by the artist’s extended stay in the French capital, Dear Paris is the latest of Whitney’s lyrical abstractions. Balancing systematic structure and expressive spontaneity, he composed the painting in his characteristic manner, one roughly rectilinear block at a time, starting at the top left and progressing in rows across and down the canvas. Whitney forms each shape with energetic brushwork, choosing its vivid hues and shaping its boundaries in relation to its predecessors. The painting’s subtly shifting freehand geometry is further demarcated by linear bands between its rows that both divide and unify the composition.

Pursuing abstraction since the 1970s, Whitney established his mature style in the 1990s while living and working in Rome. The compositional framework he employs allows him the freedom to improvise, facilitating the emergence of surprising chromatic harmonies and dynamic visual rhythms. The artist’s wide-ranging influences include the polyphonic call and response of jazz, the transformative effect of light cast on historic buildings, the traditions of American quiltmaking, and artists from Henri Matisse and Piet Mondrian to Giorgio Morandi.

Stanley Whitney: Vibrations of the Day

Stanley Whitney: Vibrations of the Day

Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.

Private Pages Made Public

Book Corner
Private Pages Made Public

Megan N. Liberty explores artists’ engagement with notebooks and diaries, thinking through the various meanings that arise when these private ledgers become public.

The Space Is in the Color: Stanley Whitney

The Space Is in the Color: Stanley Whitney

Stanley Whitney reflects on the evolution of his work with Louise Neri, from his formative early days in New York to the pivotal period he spent living and working in Rome, arriving at the highly distinctive paintings for which he is now known. They explore the diverse and surprising influences of art and music on Whitney’s oeuvre, as well as his process and practice.

Stanley Whitney: Rhythm and Vision

Stanley Whitney: Rhythm and Vision

While preparing his first exhibition with Gagosian, in Rome, Stanley Whitney speaks with Louise Neri in his New York studio about how he arrived at his unique and intuitive approach to color and space in painting, employing a dynamic fusion of preordained structure and improvisation.

Stanley Whitney: The Ruins

Stanley Whitney: The Ruins

For American painter Stanley Whitney, Italy remains a central and enduring source of inspiration. Matthew Jeffrey Abrams, the author of a new monograph on the artist, reflects on the profound and far-reaching influence of Italian art and architecture on Whitney’s art.

Cover of book Stanley Whitney: There Will Be Song

Stanley Whitney: There Will Be Song

$80
Cover of the book Stanley Whitney: How High the Moon

Stanley Whitney: How High the Moon

$75
Cover of the book To Bend the Ear of the Outer World

To Bend the Ear of the Outer World: Conversations on contemporary abstract painting

$125
Cover of the Gagosian Quarterly: Spring 2024 Issue featuring artwork by Jean-Michel Basquiat

Gagosian Quarterly: Spring 2024 Issue

$20
Cover of the Fall 2022 issue of Gagosian Quarterly magazine, featuring artwork by Jordan Wolfson

Gagosian Quarterly: Fall 2022 Issue

$20
Cover of the Summer 2020 issue of Gagosian Quarterly magazine, featuring artwork by Joan Jonas

Gagosian Quarterly: Summer 2020 Issue

$20
Cover of the Spring 2020 issue of Gagosian Quarterly magazine, featuring artwork by Cindy Sherman

Gagosian Quarterly: Spring 2020 Issue

$20
Cover of the monograph Stanley Whitney, published in 2020

Stanley Whitney

$55