Gagosian is pleased to participate in the third edition of Frieze Seoul with paintings, sculptures, and mixed-media works by an international grouping of gallery artists. 

Participating artists include Derrick Adams, Amoako Boafo, Carol Bove, Maurizio Cattelan, Edmund de Waal, Urs Fischer, Helen Frankenthaler, Cy Gavin, Katharina Grosse, Jennifer Guidi, Lauren Halsey, Hao Liang, Tetsuya Ishida, Donald Judd, Ewa Juszkiewicz, Rick Lowe, Tyler Mitchell, Sabine Moritz, Takashi Murakami, Oscar Murillo, Albert Oehlen, Nam June Paik, Sterling Ruby, Ed Ruscha, Spencer Sweeney, Adriana Varejão, Mary Weatherford, and Stanley Whitney. 

Fair Highlights

Painting depicting three mannequin heads with colorful wigs on tables seen through a window on a brick wall with graffiti hearts

Derrick Adams

Whatever (En Vogue), 2024

Acrylic and spray paint on wood panel, in artist’s frame

36 × 36 × 2 ⅜ inches (91.4 × 91.4 × 6 cm)

Portrait in the style of a historical European painting of a woman sitting on a chair with her face and body swathed in red fabric

Ewa Juszkiewicz

Portrait with Pearls (after François Gérard), 2024

Oil on canvas

35 ½ × 29 ½ inches (90 × 75 cm)

I wish to tell a new tale and create my own language: ambiguous, dense, natural, and organic.

—Ewa Juszkiewicz
A painting of rectangles in different shades of orange, pink, green, yellow, and blue arranged in a network that resembles a grid or map

Rick Lowe

Fish Eyed View, 2024

Acrylic and paper collage on canvas

64 × 96 inches (162.6 × 243.8 cm)

Painting depicting an abstract landscape in muted tones bisected by an unpainted thin horizontal bar

Hao Liang

Impression of Iceland-Ragnarök, 2024

Ink and color on silk

17 × 12 ⅝ inches (43.2 × 31.9 cm)

Detail of artwork comprising four square panels of beige gypsum with images of figures, slogans, commercial signs, products, fliers, and graffiti found in South Central Los Angeles carved into it

Lauren Halsey, sister dreamer thang, 2024 (detail) © Lauren Halsey

Artwork comprising four square panels of beige gypsum with images of figures, slogans, commercial signs, products, fliers, and graffiti found in South Central Los Angeles carved into it

Lauren Halsey

sister dreamer thang, 2024

Polymer modified gypsum and stain on wood

47 ½ × 47 ½ × 3 inches (120.7 × 120.7 × 7.6 cm)

Edition 1/12 + 2 AP

Painting with the words "NOW AND THEN" in all caps, white letters stacked on a background comprising red and blue stacked sections that blend into each other in the middle

Ed Ruscha

NOW AND THEN #2, 2023

Dry pigment, acrylic, and fixative spatter on museum board

15 × 15 inches (38.1 × 38.1 cm)

At times self-portraiture is kind of a painful thing to do. But it helped me out too, because there were things to think about, and it appealed to my sense of humor on a lot of levels as well.

—Spencer Sweeney
Painting of an abstract face in red, blue, black, yellow and orange

Spencer Sweeney

Playful Personal Hell (Self-Portrait), 2024

Oil, pigment stick, spray paint, and costume jewelry on linen

54 × 41 ⅛ inches (137.2 × 104.5 cm)

Four rings installed close together on a wall connected by cords, string, and videotape hanging from them

Nam June Paik

Life Rings, 1965

Magnetic copper coils, electrical tape, masking tape, string, videotape, electrical cords, microphone, and plastic foot switch

Overall dimensions variable

Detail of four rings installed close together on a wall connected by cords, string, and videotape hanging from them

Nam June Paik, Life Rings, 1965 (detail) © Nam June Paik Estate

Gestural painting of a purple body of water with long black cattails and flying moths with a teal full moon in the distance

Cy Gavin

Untitled, 2024

Acrylic and vinyl on wood panel

48 × 48 inches (121.9 × 121.9 cm)

Abstract painting that is primarily blue with red, black, green, and white gestural strokes

Oscar Murillo

manifestation, 2020–21

Oil, oil stick, graphite, and spray paint on canvas and linen

45 ¼ × 45 ¼ inches (115 × 115 cm)

With my painting I seek to incite agitation. I want us to be so disturbed, positively or negatively, that we develop the desire to change something—preferably immediately and repeatedly.

—Katharina Grosse
Acrylic on canvas painting featuring overlapping colorful sweeping strokes

Katharina Grosse

Untitled, 2023

Acrylic on canvas

58 ¾ × 47 ⅝ inches (149 × 121 cm)

Fabric hanging from a wood frame with a photograph of a black man

Tyler Mitchell

Possibilities, 2024

Dye-sublimation print on fabric, in walnut artist’s frame

72 ¼ × 47 ⅝ × 8 inches (183.5 × 121 × 20.3 cm)

Detail of a painting with dense arrays of overlapping brushstrokes in contrasting colors

Sabine Moritz, Seoul II, 2024 (detail) © Sabine Moritz

Painting with dense arrays of overlapping brushstrokes in contrasting colors

Sabine Moritz

Seoul II, 2024

Oil on canvas

59 ⅛ × 59 ⅛ inches (150 × 150 cm)

Abstract painting with sponged paint in pink, black and white with two placed colored neon tubes

Mary Weatherford

Dragons and Clouds, 2024

Flashe and neon on linen

79 × 186 inches (200.7 × 472.4 cm)

In my artwork there is a really important concept I’m always working with, which is misinterpretation, misunderstanding. [For me this] produces something new and interesting. [With my first film, Jellyfish Eyes]—because I didn’t have any idea what I was making, where it was going—I wanted the title to be something that can be anything. And once I determined the title, then I went to make the story and the characters.

—Takashi Murakami
Shaped canvas with girl, boy and animal characters

Takashi Murakami

Jellyfish Eyes Masashi and Saki, 2024

Acrylic on canvas mounted on wood panel

42 ⅜ × 38 ¼ inches (107.5 × 97.1 cm)

Remembering Brice Marden

Remembering Brice Marden

In conjunction with the memorial service for Brice Marden held at the Museum of Modern Art, New York, Mirabelle and Melia Marden produced a short film directed by Chiara Clemente to honor the late artist. Featuring interviews, archival photographs, and family videos, this film captures Marden’s vibrant life and enduring cultural impact.

Gagosian Quarterly Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

Picture by Picture: Revisiting Frankenthaler

Picture by Picture: Revisiting Frankenthaler

John Elderfield and Lauren Mahony of Gagosian speak with the National Gallery of Art’s Harry Cooper about the new and expanded version of Elderfield’s 1989 monograph on Helen Frankenthaler that Gagosian, in collaboration with the Helen Frankenthaler Foundation, will publish this summer. The conversation traces Elderfield’s long interest in Frankenthaler’s work—from his time as a young curator at the Museum of Modern Art, New York, to the present—and reveals some of the new perspectives and discoveries awaiting readers.

Honoring Aegean Memories: Ekaterina Juskowski and Salomé Gómez-Upegui

Honoring Aegean Memories: Ekaterina Juskowski and Salomé Gómez-Upegui

The Warp of Time celebrates a hundred years of shared history between the Old Carpet Factory, a historical mansion located on the Greek island of Hydra, and Soutzoglou Carpets. Here, Salomé Gómez-Upegui interviews curator Ekaterina Juskowski about Helen Marden’s woven works within the context of the exhibition, touching upon themes of history, memory, and creative expression.

“I Can’t Accept to Act Like a Zombie”: Enzo Mari and Design’s Utopian Impulse

“I Can’t Accept to Act Like a Zombie”: Enzo Mari and Design’s Utopian Impulse

The exhibition Enzo Mari, curated by Hans Ulrich Obrist with Francesca Giacomelli at the Design Museum, London, runs through September 8. Taking a cue from this major retrospective, Bartolomeo Sala delves into Mari’s practice and convictions.

David Cronenberg: The Shrouds

David Cronenberg: The Shrouds

David Cronenberg’s film The Shrouds made its debut at the 77th edition of the Cannes Film Festival in France. Film writer Miriam Bale reports on the motifs and questions that make up this latest addition to the auteur’s singular body of work.

The Art of the Olympics: An Interview with Yasmin Meichtry

The Art of the Olympics: An Interview with Yasmin Meichtry

The Olympic and Paralympic Games arrive in Paris on July 26. Ahead of this momentous occasion, Yasmin Meichtry, associate director at the Olympic Foundation for Culture and Heritage, Lausanne, Switzerland, meets with Gagosian senior director Serena Cattaneo Adorno to discuss the Olympic Games’ long engagement with artists and culture, including the Olympic Museum, commissions, and the collaborative two-part exhibition, The Art of the Olympics, being staged this summer at Gagosian, Paris.

Brooke Holmes, Katarina Jerinic, and Lissa McClure on Francesca Woodman

In Conversation
Brooke Holmes, Katarina Jerinic, and Lissa McClure on Francesca Woodman

Join Brooke Holmes, professor of Classics at Princeton University, and Lissa McClure and Katarina Jerinic, executive director and collections curator, respectively, at the Woodman Family Foundation, as they discuss Francesca Woodman’s preoccupation with classical themes and archetypes, her exploration of the body as sculpture, and her engagement with allegory and metaphor in photography.

Wings to Fly: Art and Pain through the Lens of Psychology and Medicine

Wings to Fly: Art and Pain through the Lens of Psychology and Medicine

Ashley Overbeek speaks with three experts in the field of arts in medicine.

Christo: Wrapped 1961 Volkswagen Beetle Saloon (1963–2014)

Christo: Wrapped 1961 Volkswagen Beetle Saloon (1963–2014)

Join Vladimir Yavachev, director of operations for the Christo and Jeanne-Claude Foundation, as he discusses the genesis of the artist’s work Wrapped 1961 Volkswagen Beetle Saloon (1963–2014), which Gagosian presented at Art Basel Unlimited 2024.

Oscar Murillo and Alessandro Rabottini

In Conversation
Oscar Murillo and Alessandro Rabottini

In conjunction with Marks and Whispers, at Gagosian, Rome, Oscar Murillo and Alessandro Rabottini sit down to discuss the artist’s paintings and works on paper in the exhibition, as well as how the show emphasizes the formal, political, and social dimensions of the color red in Murillo’s work of the last decade.

Roy

Roy

Michael Ovitz, cofounder of Creative Artists Agency (CAA), looks back to 1989, the year he and the architect I. M. Pei commissioned Roy Lichtenstein to create the Bauhaus Stairway Mural for the then new CAA Building in Los Angeles. Through the experience of working with Lichtenstein, Ovitz formed a meaningful friendship with the artist.