Menu

Fairs

Art Fair

Frieze New York 2018

May 3–6, 2018, booth D14
Randall’s Island Park, New York
www.frieze.com

Gagosian is pleased to participate in Frieze New York 2018 with a solo presentation of works by Robert Therrien. In his investigations of form, perception, and subjectivity, Therrien isolates recognizable elements and objects from everyday life, imbuing the ordinary with an otherworldly air. His work demonstrates the transformative power of scale and viewpoint, from giant tables and chairs and towering stacks of oversize plates, to drawings of familiar shapes and forms, which he distills and refines to create a lexicon of symbols, both ambiguous and charged with memory. To receive a PDF with detailed information on the works, please contact the gallery at inquire@gagosian.com.To preview our booth go to www.artsy.net. To purchase tickets to attend the fair go to www.frieze.com/fairs.

Robert Therrien, No title (folding table and chairs, green), 2008 © Robert Therrien/Artists Rights Society (ARS), New York

Robert Therrien, No title (folding table and chairs, green), 2008 © Robert Therrien/Artists Rights Society (ARS), New York

Related News

Robert Therrien, No title (witch hat), 2018 © Robert Therrien/Artists Rights Society (ARS), New York. Photo: Josh White

Tour

Robert Therrien

Saturday, March 30, 2019, 3pm
Gagosian, San Francisco

Join Gagosian for a private tour and in-depth look at Robert Therrien’s first solo exhibition in San Francisco in twenty years. In this exhibition of new paintings and sculptures, the artist pares down familiar forms such as smoke signals, stacked plates, and a witch hat to the point that they become symbols and silhouettes, underscoring the simple beauty and infinite meaning inherent in common objects. The tour, led by Graham Dalik, will consider Therrien’s continual reinvention of these motifs through shifts in medium, perspective, and scale. To attend the free event, RSVP to sftours@gagosian.com.  

Robert Therrien, No title (witch hat), 2018 © Robert Therrien/Artists Rights Society (ARS), New York. Photo: Josh White

Ed Ruscha, Even Though He’s Light Years Away, His Heart Belongs to Me, 1963 © Ed Ruscha

Art Fair

Seattle Art Fair 2018

August 2–5, 2018, booth A09
CenturyLink Field Event Center, Seattle
www.seattleartfair.com

Gagosian is pleased to present Out of This World: Artists Explore Space, a booth curated by Larry Gagosian for the 2018 Seattle Art Fair. The presentation gathers works that reveal artistic and scientific explorations of the cosmos. Featured artists include Richard Avedon, Andisheh Avini, Chris Burden, Alexander Calder, Vija Celmins, Ellen Gallagher, Andreas Gursky, Damien Hirst, Neil Jenney, Mike Kelley, Yves Klein, Vera Lutter, Brice Marden, Marc Newson, Nam June Paik, Thomas Ruff, Ed Ruscha, Tom Sachs, Taryn Simon, Yves Tanguy, and Andy Warhol, among others.

To receive a PDF with detailed information on the works, please contact the gallery at inquire@gagosian.com. To attend the fair, purchase tickets at seattleartfair.com.

Ed Ruscha, Even Though He’s Light Years Away, His Heart Belongs to Me, 1963 © Ed Ruscha

John Chamberlain, Untitled, 1993 © 2018 Fairweather & Fairweather LTD/Artists Rights Society (ARS), New York

Art Fair

Zona Maco 2018

February 7–11, 2018, booth F201
Centro Citibanamex, Mexico City
www.zsonamaco.com

Gagosian is pleased to participate in Zona Maco México Arte Contemporáneo 2018, presenting works by Chris Burden, John Chamberlain, Dan Colen, Frank Gehry, Piero Golia, Douglas Gordon, Katharina Grosse, Adam McEwen, Takashi Murakami, Albert Oehlen, Giuseppe Penone, Pablo Picasso, Richard Prince, Sterling Ruby, Ed Ruscha, Jenny Saville, Rudolf Stingel, Robert Therrien, Blair Thurman, Adriana Varejão, Jeff Wall, Andy Warhol, and Tom Wesselmann. If you wish to receive a PDF with detailed information on the works, please contact us at losangeles@gagosian.com. Tickets are available at www.zsonamaco.com.

John Chamberlain, Untitled, 1993 © 2018 Fairweather & Fairweather LTD/Artists Rights Society (ARS), New York

Richard Serra, Hands Scraping, 1968, film still.

The Art of Perception: Richard Serra’s Films

For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.

The cover of the Fall 2019 Gagosian Quarterly magazine. Artwork by Nathaniel Mary Quinn

Now available
Gagosian Quarterly Fall 2019

The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.

Sterling Ruby, ACTS/OSIRIS-REx, 2016 (detail).

Sterling Ruby: Disjointed Monuments to Nothing

Alessandro Rabottini investigates the theoretical and formal underpinnings of Sterling Ruby’s career through the lens of the artist’s series ACTS.

Nathaniel Mary Quinn, Brooklyn, New York, 2019.

Nathaniel Mary Quinn

Anderson Cooper spoke with the artist at his Brooklyn studio about his childhood and the visionary nature of his art.

Michael Craig-Martin at his London studio, 2019

Behind the Art
Michael Craig-Martin: Ordinariness

Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.

Rachel Feinstein working at the Porzellan Manufaktur Nymphenburg, Munich, 2019.

Rachel Feinstein at Chatsworth

A new sculpture by Rachel Feinstein has been unveiled on the grounds of Chatsworth, the celebrated Derbyshire estate, where Feinstein recently spent time as Gucci’s inaugural artist in residence. Alice Godwin tells the story of how it came to be.

Nina Simone at the Globe Jazz festival at Symphony Hall, Boston, March 20, 1986.

Nina Simone, Our National Treasure

Text by Salamishah Tillet.

Helen Frankenthaler in gondola with various friends, Venice, June 1966

Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992

Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992 marks the first time that Frankenthaler’s paintings have been exhibited in Venice since her inclusion in the 1966 Biennale as part of the US Pavilion. This video, including interviews with the show’s curator, John Elderfield; the chairman of the Helen Frankenthaler Foundation, Clifford Ross; and the Foundation’s executive director, Elizabeth Smith, provides viewers with an in-depth look at the fourteen paintings included in the exhibition.

Left: Sally Mann, Self-Portrait, 1974; right: Jenny Saville in her studio, c. 1990s.

Sally Mann and Jenny Saville

The two artists discuss being drawn to difficult subjects, the effects of motherhood on their practice, embracing chance, and their shared adoration of Cy Twombly.

Installation view of the exhibition Henry Moore at Houghton Hall: Nature and Inspiration.

Nature and Inspiration: Henry Moore at Houghton Hall

Sebastiano Barassi reflects on the centrality of nature in the work of Henry Moore—as form, material, inspiration, and site.

Thelma Golden and David Adjaye.

The Studio Museum in Harlem

Established in 1968, the Studio Museum in Harlem has served as a crucial institution in the development, presentation, and promotion of artists of African descent. With the museum now preparing for the construction of a new home, Gagosian’s Mark Francis spoke with Thelma Golden, director and chief curator, and Sir David Adjaye OBE, the project’s principal architect, about the building plans and the centrality of artists in their collaboration.

Glenstone Museum.

Intimate Grandeur: Glenstone Museum

Paul Goldberger tracks the evolution of Mitchell and Emily Rales’s Glenstone Museum in Potomac, Maryland. Set amid 230 acres of pristine landscape and housing a world-class collection of modern and contemporary art, this graceful complex of pavilions, designed by architects Thomas Phifer and Partners, opened to the public in the fall of 2018.