Frieze New York 2018
May 3–6, 2018, booth D14
Randall’s Island Park, New York
Gagosian is pleased to participate in Frieze New York 2018 with a solo presentation of works by Robert Therrien. In his investigations of form, perception, and subjectivity, Therrien isolates recognizable elements and objects from everyday life, imbuing the ordinary with an otherworldly air. His work demonstrates the transformative power of scale and viewpoint, from giant tables and chairs and towering stacks of oversize plates, to drawings of familiar shapes and forms, which he distills and refines to create a lexicon of symbols, both ambiguous and charged with memory. To receive a PDF with detailed information on the works, please contact the gallery at email@example.com.To preview our booth go to www.artsy.net. To purchase tickets to attend the fair go to www.frieze.com/fairs.
Robert Therrien, No title (folding table and chairs, green), 2008 © Robert Therrien/Artists Rights Society (ARS), New York
Saturday, March 30, 2019, 3pm
Gagosian, San Francisco
Join Gagosian for a private tour and in-depth look at Robert Therrien’s first solo exhibition in San Francisco in twenty years. In this exhibition of new paintings and sculptures, the artist pares down familiar forms such as smoke signals, stacked plates, and a witch hat to the point that they become symbols and silhouettes, underscoring the simple beauty and infinite meaning inherent in common objects. The tour, led by Graham Dalik, will consider Therrien’s continual reinvention of these motifs through shifts in medium, perspective, and scale. To attend the free event, RSVP to firstname.lastname@example.org.
Robert Therrien, No title (witch hat), 2018 © Robert Therrien/Artists Rights Society (ARS), New York. Photo: Josh White
Seattle Art Fair 2018
August 2–5, 2018, booth A09
CenturyLink Field Event Center, Seattle
Gagosian is pleased to present Out of This World: Artists Explore Space, a booth curated by Larry Gagosian for the 2018 Seattle Art Fair. The presentation gathers works that reveal artistic and scientific explorations of the cosmos. Featured artists include Richard Avedon, Andisheh Avini, Chris Burden, Alexander Calder, Vija Celmins, Ellen Gallagher, Andreas Gursky, Damien Hirst, Neil Jenney, Mike Kelley, Yves Klein, Vera Lutter, Brice Marden, Marc Newson, Nam June Paik, Thomas Ruff, Ed Ruscha, Tom Sachs, Taryn Simon, Yves Tanguy, and Andy Warhol, among others.
Ed Ruscha, Even Though He’s Light Years Away, His Heart Belongs to Me, 1963 © Ed Ruscha
Zona Maco 2018
February 7–11, 2018, booth F201
Centro Citibanamex, Mexico City
Gagosian is pleased to participate in Zona Maco México Arte Contemporáneo 2018, presenting works by Chris Burden, John Chamberlain, Dan Colen, Frank Gehry, Piero Golia, Douglas Gordon, Katharina Grosse, Adam McEwen, Takashi Murakami, Albert Oehlen, Giuseppe Penone, Pablo Picasso, Richard Prince, Sterling Ruby, Ed Ruscha, Jenny Saville, Rudolf Stingel, Robert Therrien, Blair Thurman, Adriana Varejão, Jeff Wall, Andy Warhol, and Tom Wesselmann. If you wish to receive a PDF with detailed information on the works, please contact us at email@example.com. Tickets are available at www.zsonamaco.com.
John Chamberlain, Untitled, 1993 © 2018 Fairweather & Fairweather LTD/Artists Rights Society (ARS), New York
The Art of Perception: Richard Serra’s Films
For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.
Gagosian Quarterly Fall 2019
The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.
Sterling Ruby: Disjointed Monuments to Nothing
Alessandro Rabottini investigates the theoretical and formal underpinnings of Sterling Ruby’s career through the lens of the artist’s series ACTS.
Nathaniel Mary Quinn
Anderson Cooper spoke with the artist at his Brooklyn studio about his childhood and the visionary nature of his art.
Behind the Art
Michael Craig-Martin: Ordinariness
Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.
Rachel Feinstein at Chatsworth
A new sculpture by Rachel Feinstein has been unveiled on the grounds of Chatsworth, the celebrated Derbyshire estate, where Feinstein recently spent time as Gucci’s inaugural artist in residence. Alice Godwin tells the story of how it came to be.
Nina Simone, Our National Treasure
Text by Salamishah Tillet.
Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992
Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992 marks the first time that Frankenthaler’s paintings have been exhibited in Venice since her inclusion in the 1966 Biennale as part of the US Pavilion. This video, including interviews with the show’s curator, John Elderfield; the chairman of the Helen Frankenthaler Foundation, Clifford Ross; and the Foundation’s executive director, Elizabeth Smith, provides viewers with an in-depth look at the fourteen paintings included in the exhibition.
Sally Mann and Jenny Saville
The two artists discuss being drawn to difficult subjects, the effects of motherhood on their practice, embracing chance, and their shared adoration of Cy Twombly.
Nature and Inspiration: Henry Moore at Houghton Hall
Sebastiano Barassi reflects on the centrality of nature in the work of Henry Moore—as form, material, inspiration, and site.
The Studio Museum in Harlem
Established in 1968, the Studio Museum in Harlem has served as a crucial institution in the development, presentation, and promotion of artists of African descent. With the museum now preparing for the construction of a new home, Gagosian’s Mark Francis spoke with Thelma Golden, director and chief curator, and Sir David Adjaye OBE, the project’s principal architect, about the building plans and the centrality of artists in their collaboration.
Intimate Grandeur: Glenstone Museum
Paul Goldberger tracks the evolution of Mitchell and Emily Rales’s Glenstone Museum in Potomac, Maryland. Set amid 230 acres of pristine landscape and housing a world-class collection of modern and contemporary art, this graceful complex of pavilions, designed by architects Thomas Phifer and Partners, opened to the public in the fall of 2018.