Menu

News / Announcements

Gagosian Exhibition to Benefit Reconstruction of Notre-Dame

Notre-Dame is one of the most widely recognized symbols of the city of Paris and the French nation. I wish to contribute to the reconstruction of this iconic cathedral after watching, with devastation, as it was engulfed in flames. Gagosian will mount an exhibition at the Paris gallery in June to support the rebuilding of this irreplaceable historical monument. 
—Larry Gagosian

Gagosian is pleased to announce an exhibition to benefit the reconstruction of the Cathédrale Notre-Dame de Paris.

The exhibition will include works by both modern and contemporary artists. In the spirit of the gallery’s ongoing commitment to artists and the arts, all proceeds will be directed to supporting the renovation and restoration of the medieval cathedral, an icon for the city and its people, France, and the world.

Édouard Baldus, Notre-Dame (façade), c. 1860s, albumen silver print from glass negative, 10 ⅞ × 8 ⅜ inches (27.6 × 21.1 cm), Metropolitan Museum of Art, New York

Édouard Baldus, Notre-Dame (façade), c. 1860s, albumen silver print from glass negative, 10 ⅞ × 8 ⅜ inches (27.6 × 21.1 cm), Metropolitan Museum of Art, New York

Related News

Gagosian Launches Art Advisory Venture, Announces Andrew Fabricant as Gagosian COO, and Establishes Global Advisory Board of Gagosian Directors

After a landmark year of exhibitions and sales, Gagosian Gallery, Inc., announces three initiatives: the launch of Gagosian Art Advisory, to be led by Laura Paulson; the appointment of Andrew Fabricant to the recently created position of Chief Operating Officer of the gallery; and the establishment of a global Advisory Board to the gallery, comprised of senior directors who oversee strategy and business development, artist relationships and exhibitions, information and technology, and infrastructure.

Theaster Gates, america, america, 2019 (detail) © Theaster Gates

Commission

Theaster Gates
Chicago Transit Authority

In April 2019, the Chicago Transit Authority unveiled two new works by Theaster Gates, commissioned for the recently completed 95th/Dan Ryan station, located at the southernmost end of the city’s Red Line. With america, america (2019), a pair of large tapestries made from decommissioned fire hoses, on display in the station’s South Terminal, the artist aims to formally materialize the history of the civil rights struggle in the US and to acknowledge that the work of equity and equality is an ongoing effort carried on not by one person but by all.

Theaster Gates, america, america, 2019 (detail) © Theaster Gates

Nathaniel Mary Quinn. Photo: Kyle Dorosz

New Representation

Nathaniel Mary Quinn

Gagosian is pleased to announce the representation of Nathaniel Mary Quinn. Collecting imagery that he tears, cuts, and overlaps on the walls of his studio, Quinn uses oil paint, charcoal, gouache, oil stick, and pastels to render facial features and details from sources both personal and found, covering parts of the canvas as he goes. Fragments of images taken from online searches, fashion magazines, and family photographs come together to form hybrid faces and figures that are at once neo-Dada and adamantly realist, evoking the intimacy and intensity of a face-to-face encounter with an alien other. By adapting the medium of collage and translating it into cohesive two-dimensionality, Quinn suggests that multiplicity is a perennial rather than fleeting state.

Download the full press release (PDF)

Nathaniel Mary Quinn. Photo: Kyle Dorosz

Marc Newson, London, 2018.

In Conversation
Marc Newson & Derek Blasberg

Marc Newson tells Derek Blasberg about his newest creations, explaining the backstory of these ornate works.

Gagosian Quarterly Summer 2019

Now available
Gagosian Quarterly Summer 2019

The Summer 2019 issue of Gagosian Quarterly is now available, featuring a detail from Afrylic by Ellen Gallagher on its cover.

Andy Warhol: Everything Is Good

Andy Warhol: Everything Is Good

Richard Hell writes about the “transcendentally camp” Pop artist, portraitist of daily life.

Frieze Sculpture New York: An Interview with Brett Littman

Frieze Sculpture New York: An Interview with Brett Littman

The inaugural presentation of Frieze Sculpture New York at Rockefeller Center opened on April 25, 2019. Before the opening, Brett Littman, the director of the Isamu Noguchi Foundation and Garden Museum and the curator of this exhibition, told Wyatt Allgeier about his vision for the project and detailed the artworks included.

Roy Lichtenstein: 1961 to 1965

Roy Lichtenstein: 1961 to 1965

Gillian Pistell examines Roy Lichtenstein’s aesthetic developments in the years 1961 to 1965.

Arakawa: Diagrams for the Imagination

Arakawa: Diagrams for the Imagination

The exhibition Arakawa: Diagrams for the Imagination receives a closer look by Gagosian director Ealan Wingate. In this video, he discusses the artist’s arrival in New York and examines the importance of maps and language in Arakawa’s work.

Jeff Wall: The World as It Appears

Jeff Wall: The World as It Appears

The artist speaks with David Rimanelli about his newest works, the physicality of photography, and the persistence of certain motifs throughout his career.

Time by Dance by Paik

Time by Dance by Paik

Gillian Jakab considers the role of choreography in Nam June Paik’s 1989 video installation Fin de Siècle II.

Zeng Fanzhi on Cézanne, Morandi, and Sanyu

Zeng Fanzhi on Cézanne, Morandi, and Sanyu

Zeng Fanzhi speaks about curating the exhibition Cézanne, Morandi, and Sanyu at Gagosian, Hong Kong, and the connections between the three artists’ works. Interview by Jin Jing.

David Bailey: The Sixties

David Bailey: The Sixties

The photographer speaks about his signature portraits of the 1960s, recounting how he came to photograph such luminaries of the era as Mick Jagger, Jean Shrimpton, and Andy Warhol, among many others.

Helen Frankenthaler: Sea Change

Helen Frankenthaler: Sea Change

Elizabeth Smith, executive director of the Helen Frankenthaler Foundation, and curator John Elderfield discuss a decade of Frankenthaler’s work on the occasion of her first exhibition of paintings in Rome.

View of the south front of Kenwood House.

Kenwood House

Anna Eavis, the curatorial director of English Heritage, traces the history of Kenwood House and details the remarkable collection of paintings that reside there.