Vision and Justice: A Convening
April 25–26, 2019
Harvard University, Cambridge, Massachusetts
Theaster Gates is participating in “Vision and Justice,” a two-day creative gathering that will consider the role of the arts in understanding the nexus of art, race, and justice. The program will emphasize short presentations, with the goal of outlining and catalyzing ideas for future work in art and justice around the country and the world. To attend the free event, register at www.boxoffice.harvard.edu. To live-stream the event, visit www.radcliffe.harvard.edu.
Theaster Gates. Photo: Julian Salinas
Screening and Talk
Dance of Malaga
Wednesday, May 8, 2019, 7–8:30pm
Getty Center, Los Angeles
To conclude the Getty Scholar Year Symposium on the theme of monumentality, keynote presenter Theaster Gates—current artist-in-residence at the Getty Research Institute—will screen his recent film Dance of Malaga (2019). The film is a monument to the people of Malaga Island, Maine, and a meditation on love and race in America. The screening will be followed by a conversation with the Research Institute’s deputy director, Andrew Perchuk. To attend the free event, reserve tickets at tickets.getty.edu.
Theaster Gates. Photo: Rankin
Chicago Transit Authority
In April 2019, the Chicago Transit Authority unveiled two new works by Theaster Gates, commissioned for the recently completed 95th/Dan Ryan station, located at the southernmost end of the city’s Red Line. With america, america (2019), a pair of large tapestries made from decommissioned fire hoses, on display in the station’s South Terminal, the artist aims to formally materialize the history of the civil rights struggle in the US and to acknowledge that the work of equity and equality is an ongoing effort carried on not by one person but by all.
Theaster Gates, america, america, 2019 (detail) © Theaster Gates
Gagosian is pleased to announce the representation of Theaster Gates. In a single decade, Gates has incubated compelling new models for legacy building, social transformation, and making art. Encompassing sculpture, painting, ceramics, video, performance, and music, his art both derives from and sustains ambitious urban renewal projects—creating hubs and archives for Black culture, which serve as catalysts for discussions on race, equality, space, and history. Aspects of Gates’s oeuvre suggest the almost shamanic role of worker and artisan, where the power of the unseen is harnessed and manifested in the ordinary and everyday. In his abstract compositions made out of new and used roofing materials—tar, rubber, slate—working-class labor, ritual, and formalism intersect and are imbued with religious potency.
Photo: Sara Polley
Mansplaining: Figuring Masculinity in the Age of #MeToo
In light of recent developments around the definition of masculinity in American culture, Alison M. Gingeras, the curator of John Currin: My Life as a Man at Dallas Contemporary looks closely at the artist’s depictions of male subjects.
Gagosian Quarterly Winter 2019
The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.
Reading Nam June Paik
Earlier this year, MIT Press released We Are in Open Circuits: Writings by Nam June Paik. Here Gregory Zinman, coeditor of the book along with John Hanhardt and Edith Decker-Phillips, writes about his first exposure to the artist’s archives, the discoveries made there, and the relationship between Paik’s writings and his larger practice.
Before the Smoke Has Cleared
Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.
Sarah Sze: Art That Explores Time and Memory
Join Sarah Sze as she talks about the questions that drive her work. She describes creating immersive experiences that blur the lines between time, memory, and space—and between art and life.
Abstract Climates: Helen Frankenthaler in Provincetown
Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.
Nathaniel Mary Quinn and Troy Carter
On the eve of the opening of his first exhibition with Gagosian, in Beverly Hills, Nathaniel Mary Quinn joined Troy Carter for a conversation at LA’s Hammer Museum. They spoke about deliverance, Quinn’s new work, and what drives him to make art.
The Art of Perception: Richard Serra’s Films
For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.
Sterling Ruby: Disjointed Monuments to Nothing
Alessandro Rabottini investigates the theoretical and formal underpinnings of Sterling Ruby’s career through the lens of the artist’s series ACTS.
Behind the Art
Michael Craig-Martin: Ordinariness
Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.
Nathaniel Mary Quinn
Anderson Cooper spoke with the artist at his Brooklyn studio about his childhood and the visionary nature of his art.
Nina Simone, Our National Treasure
Text by Salamishah Tillet.