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Permanent Installation

Frank Gehry
Thomas Houseago

Six additional acres have been added to the Sydney and Walda Besthoff Sculpture Garden at the New Orleans Museum of Art. The expansion features twenty-six new works including Frank Gehry’s Bear With Us (2014) and Thomas Houseago’s Striding Figure (Rome I) (2013).

Left: Frank Gehry, Bear With Us, 2014 © Frank Gehry. Right: Thomas Houseago, Striding Figure (Rome I), 2013 © Thomas Houseago. Photos: Roman Alokhin

Left: Frank Gehry, Bear With Us, 2014 © Frank Gehry. Right: Thomas Houseago, Striding Figure (Rome I), 2013 © Thomas Houseago. Photos: Roman Alokhin

Related News

Frank Gehry, Wishful Thinking, 2021, installation view, Gagosian, Beverly Hills © Frank O. Gehry. Photo: Joshua White

Public Installation

Frank Gehry
Wishful Thinking

February 19–March 20, 2022
Walt Disney Concert Hall, Los Angeles
www.laphil.com

Frank Gehry’s immersive installation Wishful Thinking (2021) is installed in BP Hall at Walt Disney Concert Hall in Los Angeles, following its debut at Gagosian, Beverly Hills, last yearBased on a scene from Alice’s Adventures in Wonderland, the work depicts the Mad Hatter’s tea party as a group of ten surreal figures, twice life-size. Fashioned from brilliantly painted metal, Gehry’s abstracted interpretations of Lewis Carroll’s characters surround an internally lit table, the glowing heart of the scene. Three overlapping woven steel “tapestries” of trees evoke the episode’s forest setting, while a mirror on the opposite wall implicates the viewer. The crumpled surfaces of Wishful Thinking’s figures establish a new visual connection with some of Gehry’s best-known designs. The installation is free and open to the public.

Frank Gehry, Wishful Thinking, 2021, installation view, Gagosian, Beverly Hills © Frank O. Gehry. Photo: Joshua White

Frank Gehry’s The Tower, Luma Arles, France. Artwork © Frank Gehry. Photo: Adrian Deweerdt

Design

Frank Gehry
The Tower

Designed by Frank Gehry, The Tower, a twisting building covered with 11,000 stainless-steel panels, that serves as the centerpiece for Luma Arles, is set to open on June 26, 2021. Dedicated to providing artists with opportunities to experiment in the production and presentation of new work, the campus encompasses six historic, large-scale industrial buildings for installations, exhibitions, and artists’ residencies. The Luma Foundation was established by Maja Hoffmann in Switzerland in 2004 and focuses on the direct relations between art, culture, human rights, environmental topics, education, and research.

Frank Gehry’s The Tower, Luma Arles, France. Artwork © Frank Gehry. Photo: Adrian Deweerdt

Photo: David Lauridsen

In Conversation

Frank Gehry, Maja Hoffmann, Hans Ulrich Obrist

Friday, February 15, 2019, 5pm
Sherry Lansing Theatre, Paramount Studios, Los Angeles
frieze.com

Frank Gehry will speak with Maja Hoffmann, founder of the Luma Foundation, and Hans Ulrich Obrist, artistic director of the Serpentine Galleries, as part of Frieze’s Conversations on Patronage. The new series explores the social and civic impact of art patronage. The event is free with fair admission.

Photo: David Lauridsen

Installation view of the exhibition "Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews"

Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews

Join Jake Auerbach, Richard Calvocoressi, Bella Freud, Martin Gayford, and Florence Hallett as they discuss the work and legacy of four era-defining artists. Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews, on view at Gagosian, Grosvenor Hill, London, elucidates the connections between their respective practices, and also features some of the artists’ portraits of each other.

Anna Weyant’s Two Eileens (2022) on the cover of Gagosian Quarterly, Winter 2022

Now available
Gagosian Quarterly Winter 2022

The Winter 2022 issue of Gagosian Quarterly is now available, featuring Anna Weyant’s Two Eileens (2022) on its cover.

Alexandria Smith's painting, Languorous undulations (in the temple of my familiar), 2022, mixed media on three-dimensional wood assemblage, depicting a purple figure with a cloud-shaped head and one eye standing on a road and dipping a toe into a river. There is a bricked-up doorway in the background.

Languorous undulations (in the temple of my familiar)

Alexandria Smith and Akwaeke Emezi take up themes of queerness, hybridity, and embodied memory in their respective visual and literary works. Here, Emezi responds to Smith’s painting Languorous undulations (in the temple of my familiar) (2022) with an eponymous piece of flash fiction.

Michael Govan and Anselm Kiefer

In Conversation
Anselm Kiefer and Michael Govan

On the occasion of his exhibition Anselm Kiefer: Exodus at Gagosian at Marciano Art Foundation in Los Angeles, the artist spoke with Michael Govan about his works that elaborate on themes of loss, history, and redemption.

Sterling Ruby studio

Sterling Ruby: TURBINES

Join Sterling Ruby in his Los Angeles studio as he works on new abstract paintings ahead of his exhibition TURBINES at Gagosian in New York.

Image of Jenny Saville standing in front of her artworks

Jenny Saville: Latent

In this video, Jenny Saville describes the evolution of her practice inside her latest exhibition, Latent, at Gagosian, Paris. She addresses the genesis of the title and reflects on the anatomy of a painting.

Glenn Brown in his studio

Glenn Brown: We’ll Keep On Dancing Till We Pay the Rent

In conjunction with his exhibition Glenn Brown: We’ll Keep On Dancing Till We Pay the Rent at Gagosian in New York, the artist sits down to discuss his new paintings, sculptures, and drawings.

Installation view, Jubiläumsausstellung—Special Guest Duane Hanson, Fondation Beyeler, Riehen/Basel, Switzerland, October 30, 2022–January 8, 2023. Artwork, front to back: © 2023 Estate of Duane Hanson/Licensed by VAGA at Artists Rights Society (ARS), New York; Henri Rousseau. Photo: Lucia Hunziker/LL Productions

Duane Hanson at Fondation Beyeler

To celebrate their twenty-fifth anniversary, Fondation Beyeler, Riehen/Basel, Switzerland, staged an exhibition entitled Jubiläumsausstellung—Special Guest Duane Hanson. The presentation featured several sculptures by Duane Hanson alongside more than one hundred works from the foundation’s collection. Alice Godwin considers the fertile dialogues produced by these juxtapositions.

Artists Against Mass Incarceration

The Bigger Picture
Artists Against Mass Incarceration

Salomé Gómez-Upegui reports on cultural organizations and artists standing up against mass incarceration in the United States.

Spencer Sweeney and Peter Doig sitting on chairs in Sweeney’s studio

Artist to Artist: Spencer Sweeney and Peter Doig

Peter Doig visits Spencer Sweeney’s studio and the two discuss automatism, ambiguity, and anguish in the creative process.

Tyler Mitchell and Zoé Whitley

In Conversation
Tyler Mitchell and Zoé Whitley

Tyler Mitchell sat down with Zoé Whitley, director at Chisenhale Gallery in London, for a conversation as part of Frieze Masters Talks and in partnership with Gagosian. The two discussed Mitchell’s first solo presentation in London and with the gallery, Chrysalis, on view earlier this fall at Gagosian, Davies Street, London, and a special commission for Frieze Masters 2022 that reflected on his conceptual and editorial photography practices. His work reinterprets the tropes employed in both the Western canon of portraiture and the contemporary fashion magazine.

Tony Ward and Madonna from Sex (1992)

Fashion and Art: Madonna’s Sex and Saint Laurent Rive Droite

This year’s edition of Art Basel Miami Beach brought Saint Laurent to America for a special exhibition curated by creative director Anthony Vaccarello celebrating the thirtieth anniversary of the publication of Madonna’s groundbreaking book, Sex (1992). Staged on the Miami beachfront, the ephemeral exhibition was presented on the occasion of the reissue of Sex by Rive Droite and Callaway, New York, and featured large-format prints of Steven Meisel’s iconic photographs from the book, as well as unpublished images from the original photo shoots. Rennie McDougall reflects on the momentous impact of the publication, tracing Madonna’s ongoing influence on and provocation of popular culture.