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Nathaniel Mary Quinn
Hollow and Cut

Saturday, September 14, 2019, 1pm
Gagosian, Beverly Hills

Gagosian director Ashley Stewart will lead a tour of the exhibition Nathaniel Mary Quinn: Hollow and Cut at Gagosian, Beverly Hills. The show features new composite portraits by the artist that explore the relationship between perception and memory. The paintings and works on paper probe deeply embedded experiences and emotions that are not often discussed in public by illuminating the subconscious aspects of the human psyche. To attend the free event, RSVP to bhtours@gagosian.com. Space is limited.

Nathaniel Mary Quinn, How Come Not Me, 2019 © Nathaniel Mary Quinn

Nathaniel Mary Quinn, How Come Not Me, 2019 © Nathaniel Mary Quinn

Related News

Photo: Kyle Dorosz

Video

Nathaniel Mary Quinn
Dominique Clayton

Nathaniel Mary Quinn speaks with Dominique Clayton from the Broad, Los Angeles, about his approach to figuration and the central role that empathy and vulnerability play within his studio practice. He discusses how social distancing has reinforced his perspective on the important role of art and explains how the writings of Henry David Thoreau, which he has been reading while practicing social distancing, have inspired him.

Photo: Kyle Dorosz

Nathaniel Mary Quinn, Big Rabbit, Little Rabbit, 2017 © Nathaniel Mary Quinn

In Conversation

Nathaniel Mary Quinn, Eric N. Mack, Lorraine O’Grady

Thursday, May 30, 2019, 7–9pm
Brooklyn Museum, New York
brooklynmuseum.org

In a series of rapid-fire talks with Brooklyn Museum curators, Nathaniel Mary Quinn, Eric N. Mack, and Lorraine O’Grady will discuss their unique artistic practices, historical inspirations, and how their work expands the Western art-historical canon. The discussion is titled “Breaking the Canon.” To attend the event, purchase tickets at www.brooklynmuseum.org.

Nathaniel Mary Quinn, Big Rabbit, Little Rabbit, 2017 © Nathaniel Mary Quinn

Nathaniel Mary Quinn. Photo: Kyle Dorosz

New Representation

Nathaniel Mary Quinn

Gagosian is pleased to announce the representation of Nathaniel Mary Quinn. Collecting imagery that he tears, cuts, and overlaps on the walls of his studio, Quinn uses oil paint, charcoal, gouache, oil stick, and pastels to render facial features and details from sources both personal and found, covering parts of the canvas as he goes. Fragments of images taken from online searches, fashion magazines, and family photographs come together to form hybrid faces and figures that are at once neo-Dada and adamantly realist, evoking the intimacy and intensity of a face-to-face encounter with an alien other. By adapting the medium of collage and translating it into cohesive two-dimensionality, Quinn suggests that multiplicity is a perennial rather than fleeting state.

Download the full press release (PDF)

Nathaniel Mary Quinn. Photo: Kyle Dorosz

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