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Gallery Weekend Los Angeles
Urs Fischer and Honor Titus
July 27–29, 2023
Various locations in Los Angeles
weekend.galleryplatform.la
Gagosian is participating in the third annual Gallery Weekend Los Angeles with two exhibitions. Honor Titus: Advantage In, on view at Gagosian, Beverly Hills, and Urs Fischer: Denominator, on view across the street at 433 North Camden Drive, will be open until 8pm on Thursday, July 27. The initiative is organized by Gallery Association Los Angeles and galleryplatform.la and includes more than one hundred of the city’s leading contemporary art galleries and museums.
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Installation view, Honor Titus: Advantage In, Gagosian, Beverly Hills, July 20–September 1, 2023. Artwork © Honor Titus. Photo: Jeff McLane
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Installation
Urs Fischer
Rose
March 5–April 16, 2024
Gagosian, rue de Castiglione, Paris
Urs Fischer’s painting Rose (2024) is on view in the vitrine at Gagosian, rue de Ponthieu, Paris, as part of the artist’s exhibition Beauty at the rue de Castiglione gallery.
In 2010, Fischer began the Problem Paintings series, layering vivid screen-printed images of familiar objects and organic forms—from fixtures and fittings to fruits and vegetables—over precisely rendered enlargements of vintage Hollywood headshots. Rose belongs to this series and shows a glamorous screen actor wearing red lipstick, her face partially obscured by a luscious pink rose with a bright green stem and leaves. The juxtaposition enacts a playful conflict between clarity and secrecy, aesthetic experimentation and symbolic meaning. Evoking the cryptological messaging of Victorian floriography, Rose confronts the viewer with a mischievous, perhaps unsolvable visual conundrum.
Urs Fischer, Rose, 2024 © Urs Fischer. Photo: Stefan Altenburger
Art Fair
West Bund Art & Design 2023
November 9–12, 2023, booth A102
West Bund Art Center, Shanghai
www.westbundshanghai.com
Gagosian is pleased to participate in West Bund Art & Design with an extensive group presentation. The gallery will exhibit works by Harold Ancart, Georg Baselitz, Glenn Brown, Urs Fischer, Katharina Grosse, Hao Liang, Damien Hirst, Thomas Houseago, Alex Israel, Jia Aili, Anish Kapoor, Yayoi Kusama, Takashi Murakami, Takashi Murakami & Virgil Abloh, Albert Oehlen, Nam June Paik, Ed Ruscha, Alexandria Smith, Spencer Sweeney, Cameron Welch, Jonas Wood, and Zeng Fanzhi.
Gagosian’s booth at West Bund Art & Design 2023. Artwork, left to right: © Zeng Fanzhi; © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2023; © Spencer Sweeney; © Yayoi Kusama. Photo: Alessandro Wang
Installation
Urs Fischer
Candyfloss
October 12–November 28, 2023
Gagosian, rue de Ponthieu, Paris
Urs Fischer’s painting Candyfloss (2023) is on view in the street-facing vitrine at Gagosian, rue de Ponthieu, Paris, presented along with the artist’s monumental sculpture Wave (2018) at Place Vendôme in Paris as part of Paris+ par Art Basel.
Candyfloss is one of the latest works in Fischer’s series of Problem Paintings, which he began in 2010. In this series, the artist formulates incongruous pairings of photographic portraits with vibrantly colored screenprinted images of inanimate objects. In Candyfloss, Fischer overlays an enlarged picture of a cerise-pink daisy on a digitally altered headshot of a Hollywood actress, obscuring her identity through the blossom’s placement. The visual “problem” resulting from this friction between illegibility and possibility—and from the clash of representational systems suggested by the flower’s mysteriously improbable shadow—is at once surprising and darkly humorous.
Urs Fischer, Candyfloss, 2023 © Urs Fischer
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Frank Stella
In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.
Highlights: Salone del Mobile Milano 2024
This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.
Stanley Whitney: Vibrations of the Day
Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.
Richard Armstrong
Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.
Touch of Evil
Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.
Vladimir Kagan’s First Collection: An Interview with Chris Eitel
Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.
Institutional Buzz
On the occasion of Andrea Fraser ’sexhibition at the Fondazione Antonio Dalle Nogare in Bolzano, Italy, Mike Stinavage speaks with the feminist performance artist about institutions and their discontents.
Simon Hantaï: Azzurro
Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.
Game Changer: Alexey Brodovitch
Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.
Outsider Artist
David Frankel considers the life and work of Jeff Perrone, an artist who rejected every standard of success, and reflects on what defines an existence devoted to art.