Visit
May 31–June 2, 2024
Various locations in London
londongalleryweekend.art
As part of London Gallery Weekend, Gagosian will have extended hours at its London locations. Visitors can see Nan Goldin’s film Sisters, Saints, Sibyls, the second presentation of Gagosian Open, at 83 Charing Cross Road, as well as an exhibition of select early black-and-white photographs by the artist at Gagosian, Burlington Arcade.
Additionally, Goldin’s Gagosian Shop takeover is open, featuring a reading room of books she has chosen, publications on her work, and a display of in-progress layouts from Heartbeat, a forthcoming nine-volume catalogue raisonné published by Steidl. In its fourth year, London Gallery Weekend is a free annual event featuring over 150 of the city’s leading contemporary art galleries coming together to celebrate culture and creativity.
Gagosian Open
Gagosian, Burlington Arcade
Friday, May 31, 10am–8pm
Saturday, June 1, 10am–8pm
Sunday, June 2, 10am–6pm
Gagosian Shop, Burlington Arcade
Friday, May 31, 10am–7pm
Saturday, June 1, 10am–7pm
Sunday, June 2, 10am–6pm
Nan Goldin, Marlene as a showgirl on stage with Sylvia Sidney, The Other Side, Boston, 1973 © Nan Goldin
Nan Goldin, Marlene as a showgirl on stage with Sylvia Sidney, The Other Side, Boston, 1973 © Nan Goldin
Join Vladamir Yavachev, director of operations for the Christo and Jeanne-Claude Foundation, as he discusses the genesis of the artist’s work Wrapped 1961 Volkswagen Beetle Saloon (1963–2014), ahead of its presentation at Art Basel Unlimited 2024.
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
In this video, Flavin Judd, the artist’s son and artistic director of Judd Foundation, discusses a historic large-scale work by his father from 1970, ahead of its presentation at Art Basel Unlimited 2024.
In conjunction with Marks and Whispers, at Gagosian, Rome, Oscar Murillo and Alessandro Rabottini sit down to discuss the artist’s paintings and works on paper in the exhibition, as well as how the show emphasizes the formal, political, and social dimensions of the color red in Murillo’s work of the last decade.
The Olympic and Paralympic Games arrive in Paris on July 26. Ahead of this momentous occasion, Yasmin Meichtry, the associate director at the Olympic Foundation for Culture and Heritage, Switzerland, met with Gagosian senior director Serena Cattaneo Adorno to discuss the Olympic Games’ long engagement with artists and culture, including the Olympic Museum, commissions, and the collaborative two-part exhibition, The Art of the Olympics, being staged this summer at Gagosian, Paris.
Michael Cary explores the history behind, and power within, Nan Goldin’s video triptych Sisters, Saints, Sibyls. The work will be on view at the former Welsh chapel at 83 Charing Cross Road, London, as part of Gagosian Open, from May 30 to June 23, 2024.
Lonnie Holley’s self-taught musical and artistic practice utilizes a strategy of salvage to recontextualize his past lives. His new album, Oh Me Oh My, is the latest rearticulation of this biography.
Ariana Reines caught a plane to Barcelona earlier this year to see A Sea of Music 1492–1880, a concert conducted by the Spanish viola da gambist Jordi Savall. Here, she meditates on the power of this musical pilgrimage and the humanity of Savall’s work in the dissemination of early music.
Multi-instrumentalist, singer, songwriter, and composer Lucinda Chua meets with writer Dhruva Balram to reflect on the response to her debut album YIAN (2023).
Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.
On the occasion of Art Basel 2024, creative agency Villa Nomad joins forces with Ghetto Gastro, the Bronx-born culinary collective by Jon Gray, Pierre Serrao, and Lester Walker, to stage the interdisciplinary pop-up BRONX BODEGA Basel. The initiative brings together food, art, design, and a series of live events at the Novartis Campus, Basel, during the course of the fair. Here, Jon Gray from Ghetto Gastro and Sarah Quan from Villa Nomad tell the Quarterly’s Wyatt Allgeier about the project.
Founded in 1998 by Issey Miyake, A-POC (“A Piece of Cloth”) set out to bring the development and production of fabric and garments into the future. Over the subsequent decades, A-POC has worked at the forefront of technology to realize its goals, and under the leadership of Yoshiyuki Miyamae—who has been with Miyake Design Studio since 2001—A-POC ABLE has engaged in a dynamic series of collaborations with artists, architects, craftspeople, and new technologies to rethink how clothing is designed and made. On the occasion of the line being made available in the United States for the first time, the Quarterly’s Wyatt Allgeier visited the brand’s flagship in New York to speak with Yoshiyuki about the A-POC process, as well as the latest collaboration with the artist Sohei Nishino.