Fall 2017 Issue

Spotlight

basquiat

Jean-Michel Basquiat’s Untitled (L.A. Painting) (1982) was a game changer. Text by Derek Blasberg.

<p>Jean-Michel Basquiat, <em>Untitled (L.A. Painting)</em>, 1982, acrylic, oilstick, Xerox copies, collage, marker, and spray paint on canvas, 67 × 205 inches (170.2 × 520.7 cm) © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photo by Rob McKeever</p>

Jean-Michel Basquiat, Untitled (L.A. Painting), 1982, acrylic, oilstick, Xerox copies, collage, marker, and spray paint on canvas, 67 × 205 inches (170.2 × 520.7 cm) © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photo by Rob McKeever

Jean-Michel Basquiat, Untitled (L.A. Painting), 1982, acrylic, oilstick, Xerox copies, collage, marker, and spray paint on canvas, 67 × 205 inches (170.2 × 520.7 cm) © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photo by Rob McKeever

This year, Jean-Michel Basquiat set the record for the highest-selling American artist when Untitled, a work from 1982, sold for $110.5 million at Sotheby’s. The work of art you see here, Untitled (L.A. Painting), debuted the same year at the former Gagosian Gallery on N. Almont Drive as part of the exhibition Jean-Michel Basquiat: Paintings. It was the first time Basquiat had exhibited in Los Angeles and his second solo show ever. The work is a masterpiece and has many of the hallmarks that we’ve come to associate with his work: the crown, the bird, the coin, the skull. With its underlayers of golden yellows (like sand or sun) overcome by soft blues (tones of the ocean), this panoramic painting, the largest of the twelve that were included in that landmark show, is marked by the geography of its inception: seeing it is like looking out at the Pacific from the shore. This California ambiance is worth noting.

Basquiat with Untitled (Julius Caesar on Gold) (1981; left) and Untitled (L.A. Painting) (1982; ground), New York, c. 1981 © Pierre Houlès

Given the mythical relationship between the artist and New York City, Basquiat’s West Coast outings have often been overlooked, but with two additional shows after the first (one in 1983, the other in 1986) and many trips in between—often staying at Larry Gagosian’s U-shaped house in Venice Beach—he made Los Angeles an important second home during crucially industrious years of his life.

Black-and-white portrait of Derek Blasberg

Derek Blasberg is a writer, fashion editor, and New York Times best-selling author. He has been with Gagosian since 2014, and is currently the executive editor of Gagosian Quarterly.

See all Articles

Gagosian Quarterly Spring 2024

Now available
Gagosian Quarterly Spring 2024

The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).

Jean-Michel Basquiat: Los Angeles

Jean-Michel Basquiat: Los Angeles

Jean-Michel Basquiat’s sisters, Lisane Basquiat and Jeanine Heriveaux, met with filmmaker Tamra Davis, art dealer Larry Gagosian, and author and curator Fred Hoffman to reflect on their experiences with the artist during the 1980s in Los Angeles.

Private Pages Made Public

Book Corner
Private Pages Made Public

Megan N. Liberty explores artists’ engagement with notebooks and diaries, thinking through the various meanings that arise when these private ledgers become public.

Visions of the Self: Jenny Saville on Rembrandt

Visions of the Self: Jenny Saville on Rembrandt

Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.

Gagosian Quarterly Spring 2019

Now available
Gagosian Quarterly Spring 2019

The Spring 2019 issue of Gagosian Quarterly is now available, featuring Red Pot with Lute Player #2 by Jonas Wood on its cover.

Jean-Michel in Black and White

Spotlight
Jean-Michel in Black and White

Fred Hoffman looks back on the creation of Jean-Michel Basquiat’s Tuxedo (1983), examining the work’s significance in relation to identity and the hip-hop culture of the 1980s.

Peter Paul Rubens

Spotlight
Peter Paul Rubens

Larry Gagosian reflects on Peter Paul Rubens’s The Massacre of the Innocents (c. 1610).

Walter De Maria: Truck Trilogy

Spotlight
Walter De Maria: Truck Trilogy

Lars Nittve investigates Truck Trilogy, Walter De Maria’s last work, conceived in 2011 and premiered at Dia:Beacon in 2017.

Andy Warhol: Triple Elvis

Spotlight
Andy Warhol: Triple Elvis

Text by Derek Blasberg.

Tom Wesselmann

Spotlight
Tom Wesselmann

The story behind Tom Wesselmann’s Still Life #59 (1972). Text by Lauren Mahony.

Burden

Spotlight
Burden

The story behind Chris Burden’s Buddha’s Fingers (2014–15) and its connection to all of his streetlamp installations. Text by Sydney Stutterheim.

Mark Tansey

Spotlight
Mark Tansey

Alexander Wolf guides us through a multilayered new painting by the celebrated artist.