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Gagosian Quarterly

January 15, 2018

Tom Wesselmann:In the Studio

Join us for a look at Tom Wesselmann’s New York studio in this behind-the-scenes video.

Artwork © The Estate of Tom Wesselmann/Licensed by VAGA, New York. Video by Pushpin FilmsTom Wesselmann: Standing Still Lifes is on view at Gagosian West 24th Street from January 18–February 24, 2018

Richard Phillips on Tom Wesselmann

Richard Phillips on Tom Wesselmann

Tom Wesselmann: Standing Still Lifes closes this week at Gagosian New York. In this text, Richard Phillips speaks with Jason Ysenburg about the impact of the exhibition. A video about the exhibition and the artist’s studio practice accompanies the text.

One-Cent Life

Book Corner
One-Cent Life

A 1964 publication by the Chinese-American artist and poet Walasse Ting and Abstract Expressionist painter Sam Francis.

The Parameters of Perception

The Parameters of Perception

Michael Craig-Martin and Jeffrey Sturges in conversation on Tom Wessselmann’s Standing Still Lifes. 

Reinventing the Nude

Reinventing the Nude

Modern master Henri Matisse was a touchstone for American Pop artist Tom Wesselmann throughout his career.

Course of Empire

Course of Empire

Ed Ruscha sat down with Tom McCarthy and Elizabeth Kornhauser, curator at the Metropolitan Museum of Art, to discuss the nineteenth-century artist Thomas Cole, whose Course of Empire paintings inspired a series of works by Ruscha more than a century later.

Calvin Klein

In Conversation
Calvin Klein

Before Calvin Klein was the fashion brand recognized from red carpets and underwear drawers around the world, he was a man from the Bronx with a relentless passion for classic, minimalist Americana. On the occasion of Klein’s new eponymous monograph, Derek Blasberg sits down with the fashion designer to discuss his artistic influences, creative process, and lasting legacy.

Anselm Kiefer at Copenhagen Contemporary

Anselm Kiefer at Copenhagen Contemporary

Tom Lee explores Anselm Kiefer’s exhibition at Copenhagen Contemporary, tracing the literary and alchemical references at work in the installation.

Michael Craig-Martin at his London studio, 2019

Behind the Art
Michael Craig-Martin: Ordinariness

Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.

Helen Frankenthaler in gondola with various friends, Venice, June 1966

Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992

Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992 marks the first time that Frankenthaler’s paintings have been exhibited in Venice since her inclusion in the 1966 Biennale as part of the US Pavilion. This video, including interviews with the show’s curator, John Elderfield; the chairman of the Helen Frankenthaler Foundation, Clifford Ross; and the Foundation’s executive director, Elizabeth Smith, provides viewers with an in-depth look at the fourteen paintings included in the exhibition.

Edmund de Waal: psalm

Edmund de Waal: psalm

The artist speaks about his two-part exhibition psalm, on view in Venice. He describes its connection to the history of the city and to notions of exile, and the profound cultural wealth that comes from migration.

The artist Setsuko in Paris

Behind the Art
Setsuko: Into the Trees

Setsuko takes Jean-Olivier Després on a tour of her exhibition of terra-cotta and enameled ceramics in Paris, explaining her passion for trees and describing her approach to painting.

Margo Smith, Henry Skerritt, and Fred Myers at the Gagosian Shop, New York

Gagosian Quarterly Talks
Desert Painters of Australia

To coincide with Desert Painters of Australia, an exhibition of contemporary Indigenous Australian art at Gagosian, 976 Madison Avenue, New York, the gallery hosted a conversation between leading authorities Fred Myers,  Henry Skerritt, and Margo Smith AM.