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Gagosian Quarterly

October 24, 2018

Gagosianquarterlywinter 2018

The Winter 2018 issue of Gagosian Quarterly is now available. Our cover this issue comes from High Times, a new body of work by Richard Prince.

Detail from Richard Prince’s Untitled (2017) on the cover of Gagosian Quarterly, Winter 2018

Detail from Richard Prince’s Untitled (2017) on the cover of Gagosian Quarterly, Winter 2018

Inside the issue, musician and writer Richard Hell muses on Richard Prince’s High Times series and the images’ connections to children’s drawings, popular culture, and the artist’s earlier work. We hear from Urs Fischer and Madeline Hollander about their project PLAY and host an intimate conversation between Claude Picasso and Sir John Richardson. We discuss the Louvre Abu Dhabi with Jean Nouvel and Giuseppe Penone, and learn more about the ideas behind Sarah Sze’s exhibition in Rome. We also take a look at Joe Bradley’s newest paintings, Andy Warhol’s Polaroids, Ed Ruscha’s works on paper, Sterling Ruby’s ceramics, and much more!

Order your copy or subscribe at the Gagosian Shop, or read the issue online.

Cover © Richard Prince

Andy Warhol: Everything Is Good

Andy Warhol: Everything Is Good

Richard Hell writes about the “transcendentally camp” Pop artist, portraitist of daily life.

Roy Lichtenstein: 1961 to 1965

Roy Lichtenstein: 1961 to 1965

Gillian Pistell examines Roy Lichtenstein’s aesthetic developments in the years 1961 to 1965.

Sterling Ruby: Bloody Pots

Sterling Ruby: Bloody Pots

Ceramics expert Garth Clark explores Sterling Ruby’s practice in the medium, addressing the work’s allegiances and divergences from tradition.

Gagosian Quarterly Spring 2019

Now available
Gagosian Quarterly Spring 2019

The Spring 2019 issue of Gagosian Quarterly is now available, featuring Red Pot with Lute Player #2 by Jonas Wood on its cover.

Course of Empire

Course of Empire

Ed Ruscha sat down with Tom McCarthy and Elizabeth Kornhauser, curator at the Metropolitan Museum of Art, to discuss the nineteenth-century artist Thomas Cole, whose Course of Empire paintings inspired a series of works by Ruscha more than a century later.

Giuseppe Penone and Carlos Basualdo

Gagosian Quarterly Talks
Giuseppe Penone and Carlos Basualdo

Giuseppe Penone discusses his new monograph, The Inner Life of Forms, with the book’s editor Carlos Basualdo, senior curator of contemporary art at the Philadelphia Museum of Art, at the Greene Space, New York. Hosted by art critic Deborah Solomon.

Who is choreographing whom?

Who is choreographing whom?

PLAY, currently on view at Gagosian on West 21st Street in New York, is a work by Urs Fischer in which nine office chairs move through the gallery and interact with visitors. Artist and choreographer Madeline Hollander worked with Fischer and a team of programmers and animators to create various gestures, movements, and behavior sequences for the chairs. Gagosian’s Angela Brown sat down to talk with Hollander about this process.

Urs Fischer: Sotatsu

Urs Fischer: Sotatsu

Urs Fischer and Francesco Bonami sat down with the Gagosian Quarterly to discuss Sōtatsu, a new painting in nine parts.

Urs Fischer: Things

Urs Fischer: Things

In midtown Manhattan, a new sculpture by Urs Fischer, entitled Things, was debuted in May 2018. Fischer and international curator, Francesco Bonami, discuss this unique exhibition with the Gagosian Quarterly.

Ideas of Stone

Behind the Art
Ideas of Stone

In the small skiing village of Gstaad, among the towering mountains of the Swiss Alps, lies a surprising and ambitious exhibition of sculpture by Giuseppe Penone. Susan Ellicott tells the story of how this installation came to be.

People Are Beautiful

People Are Beautiful

An exhibition at Vassar College brings together almost one hundred works by Andy Warhol that highlight the methods and aesthetics of the artist’s portraiture.

Ed Ruscha and Joanne Northrup

In Conversation
Ed Ruscha and Joanne Northrup

Ed Ruscha sat down with JoAnne Northrup of the Nevada Museum of Art to discuss the exhibition Unsettled, which the two co-curated.