Artwork © Sarah Sze; video: Pushpin Films; interview: Louise Neri; special thanks to Mike Barnett and Kelso Wyeth
April 7, 2020
Sarah Sze: Anything Times Zero Is Zero
Hear Sarah Sze speak about her most recent work, including the panel painting Picture Perfect (Times Zero) and the multimedia installation Plein Air (Times Zero) (both 2020). Discussing the relationship between painting and sculpture in her practice, she explains how she creates structure and its inverse, instability, in her layering of images, putting the viewer in the position of active discovery.
Gagosian Quarterly Summer 2020
The Summer 2020 issue of Gagosian Quarterly is now available, featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.
Five Films: Sarah Sze
Sarah Sze writes about five films that live as richly evocative images in her visual memory.
Sarah Sze: Infinite Generation
Louise Neri talks with Sarah Sze about the new primacy of the image in her explorations between and across mediums. They spoke on the occasion of an exhibition of Sze’s work at Gagosian, Rome, comprising collaged panel paintings, a large-scale video installation, and an outdoor sculpture fashioned from a natural boulder.
Sarah Sze: Art That Explores Time and Memory
Join Sarah Sze as she talks about the questions that drive her work. She describes creating immersive experiences that blur the lines between time, memory, and space—and between art and life.
Frieze Sculpture New York: An Interview with Brett Littman
The inaugural presentation of Frieze Sculpture New York at Rockefeller Center opened on April 25, 2019. Before the opening, Brett Littman, the director of the Isamu Noguchi Foundation and Garden Museum and the curator of this exhibition, told Wyatt Allgeier about his vision for the project and detailed the artworks included.
Work in Progress
Sarah Sze: In the Studio
Join Sarah Sze in her studio as she prepares for an exhibition of new work in Rome.
The Bigger Picture
Sky High Farm × Project EATS
Dan Colen and Linda Goode Bryant are both artists who have founded nonprofits devoted to food justice. Here they speak about art, food, and life, including how they arrived at farming and the urgency of their projects’ missions during the current health crisis.
A Single Moment: Dan Colen and Francesco Bonami
Dan Colen joins Francesco Bonami in a conversation about absence and nostalgia, decadence and decay, progress and failure—and about help, the theme of his most recent body of paintings.
Roe Ethridge and Antwaun Sargent
From his early work for magazines in the 1990s to recent projects with the designer Telfar Clemens, Roe Ethridge has consistently challenged the distinctions between commercial and conceptual photography that long defined the medium. Antwaun Sargent recently caught up with him to discuss the moment that confirmed the artist’s understanding of the photographic image’s potential for boundary-hopping ubiquity in the contemporary era.
Cindy Sherman sat down with Derek Blasberg to discuss her critically acclaimed exhibition at London’s National Portrait Gallery, her solitary process, and selfies.
Carlos Valladares explores the cinema of Pier Paolo Pasolini, tracking the developments and lasting influence of the auteur’s singular career.
Overture: Ridding the Passing Moments of Their Fat
Art historian Robert Farris Thompson has maintained a passion for Afro-Cuban dance and music since experiencing, in 1944, a conga line in his hometown of El Paso. Here, he tracks the spiritual, linguistic, and musical roots of mambo.