Gagosian Quarterly

April 20, 2020

Now available

gagosianquarterlysummer 2020

The Summer 2020 issue of Gagosian Quarterly is now available, featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.

Joan Jonas’s Mirror Piece 1 (1969) on the cover of Gagosian Quarterly, Summer 2020

Joan Jonas’s Mirror Piece 1 (1969) on the cover of Gagosian Quarterly, Summer 2020

Our cover features a photograph from Joan Jonas’s Mirror Piece 1, a groundbreaking performance from the late 1960s. For Jonas the mirror was “a metaphor, a device to alter the image and to include the audience as a reflection, making them uneasy as they viewed themselves in public.” Reflection, the gaze, and discomfort: the present moment reveals the work’s prescience.

Inside the issue, we launch a new series, Leaders in the Arts, with a focus on Los Angeles. Joanne Heyler of the Broad invited Kristin Sakoda and Bettina Korek to discuss their personal journeys, the social responsibility of commissioning public art, the evolution of their city’s landscape, and more. Luc Sante writes on the enduring appeal of the cowboy and the resonance of that archetype in the work of Richard Prince. Carlos Valladares contemplates the history and evolution of gangster films. Jed Perl composes an abecedarium of Alexander Calder’s lifelong engagements with theater and dance. And Gillian Jakab reads the love poems of Frank O’Hara, revealing the inspiration behind some of his most celebrated poetry.

Our Building a Legacy article in this issue, featuring Glenn Wharton, focuses on the complexities involved in the preservation of time-based media. And Flavin Judd talks to Kara Vander Weg about the responsibility of maintaining the legacy of a great artist—in his case that of his father, Donald Judd—while passing along insights that only a son could have. Building on another legacy, Adriano Pedrosa speaks with Louise Neri about the radical history of the Museu de Arte de São Paulo and how it has influenced his vision for the museum’s future.

Elsewhere in the issue, Richard Calvocoressi writes on Georg Baselitz’s latest series of paintings; Christine Kondoleon and Kate Nesin speak with Mark Francis about an exhibition pairing artwork by Cy Twombly with works from the collection of ancient Greek, Roman, and Egyptian objects at the Museum of Fine Arts, Boston; Anne Baldassari reflects on her time working with Simon Hantaï; Raymond Foye offers a window into his long-standing friendship with Graham Nash; Sarah Sze takes us into the studio to describe the making of an intricate collage as the seed for a new public art commission; and Anne Boyer continues “The Iconoclasts,” in the second installment of our 2020 fiction series.

For all of this and more, order your copy or subscribe at the Gagosian Shop, or read the issue online.

Artwork © Joan Jonas/Artists Rights Society (ARS), New York

Black and white image of the interior of Cy Twombly’s apartment in Rome

Cy Twombly: Making Past Present

In 2020, the Museum of Fine Arts, Boston, announced their plan for a survey of Cy Twombly’s artwork alongside selections from their permanent ancient Greek and Roman collection. The survey was postponed due to the lockdowns necessitated by the coronavirus pandemic, but was revived in 2022 with a presentation at the J. Paul Getty Museum in Los Angeles from August 2 through October 30. In 2023, the exhibition will arrive at the Museum of Fine Arts, Boston. The curator for the exhibition, Christine Kondoleon, and Kate Nesin, author of Cy Twombly’s Things (2014) and advisor for the show, speak with Gagosian director Mark Francis about the origin of the exhibition and the aesthetic and poetic resonances that give the show its title: Making Past Present.

Installation view, Pat Steir: Paintings, Gagosian, Rome, March 10–May 7, 2022. Photo: Matteo D’Eletto

Artist to Artist: Pat Steir and Sarah Sze

On the occasion of her exhibition of recent paintings, presented at Gagosian in Rome, Pat Steir met with fellow artist Sarah Sze for a wide-ranging discussion—from shared inspirations and influences to the role of chance, contingency, place, and time in painting.

Installation view, Georg Baselitz: Archinto, Museo di Palazzo Grimani, Venice, May 19, 2021–November 27, 2022. Photo: Matteo De Fina

Georg Baselitz: Archinto

On the occasion of Georg Baselitz: Archinto at Museo di Palazzo Grimani, Venice, Artcore Films produced a short documentary featuring the artist. In the video, Baselitz details the origins of the project, how he approached the unique space, and his experiments in process and technique.

Richard Prince, Untitled (Original Cowboy), 2013, chromogenic print, in frame, 70 ⅛ × 100 ⅛ × 2 inches (178.1 × 254.3 × 5.1 cm) © Richard Prince, courtesy Richard Prince Studio

Picture Books: Percival Everett and Brandon Taylor

The second installment of Picture Books, an imprint organized by Emma Cline and Gagosian, presents author Percival Everett’s novella Grand Canyon, Inc. alongside Untitled (Original Cowboy), a photograph by Richard Prince. In celebration of the publication, Everett met with author Brandon Taylor to discuss the novella, the role of history in the writing process, and the similarity in methodologies for science and literature.

Installation view of Katharina Grosse: Repetitions without Origins at Gagosian, Beverly Hills

In Conversation
Katharina Grosse and Graham Bader

On the occasion of her exhibition Katharina Grosse: Repetitions without Origin at Gagosian, Beverly Hills, the artist spoke with art historian Graham Bader, associate professor of art history at Rice University, about the throughlines in her practice.

Baselitz: La rétrospective

Baselitz: La rétrospective

Richard Calvocoressi visits Georg Baselitz’s retrospective exhibition at the Centre Pompidou in Paris and reflects on both the historical specificity and timeless themes of the artist’s sixty-year career.

Alexander Calder, Flying Dragon, 1975, installation view, Place Vendôme, Paris © 2021 Calder Foundation, New York/Artists Rights Society (ARS), New York. Photo: Thomas Lannes

Behind the Art
Alexander Calder: Flying Dragon

In this video, Gagosian director Serena Cattaneo Adorno celebrates the installation of Alexander Calder’s monumental sculpture Flying Dragon (1975) in Paris at Place Vendôme, detailing the process and importance of this ambitious project.

Cy Twombly, Untitled (Say Goodbye, Catallus, to the Shores of Asia Minor), 1994, oil, acrylic, oil stick, crayon, and graphite on three canvases,

Say Goodbye, Catullus, to the Shores of Asia Minor

Thierry Greub tracks the literary references in Cy Twomblys epic painting of 1994.

Portrait of the painter with the spray gun.

Gagosian Quarterly Films
Katharina Grosse: Think Big!

From October 21 to 23, 2021, Gagosian Quarterly presented a special English-language online screening of Claudia Müller’s Katharina Grosse: Think Big!

Georg Baselitz working on Madame Demoisielle weit weg von der Küste (Madame Demoiselle a long way from the coast)

Georg Baselitz: Pulling Up the Image

In celebration of five recent projects related to Georg Baselitz, Richard Calvocoressi, Max Hollein, and Katy Siegel speak with the artist and look at his prolific career.

Damien Hirst's Reclining Woman on the cover of Gagosian Quarterly, Fall 2021

Now available
Gagosian Quarterly Fall 2021

The Fall 2021 issue of Gagosian Quarterly is now available, featuring Damien Hirst’s Reclining Woman (2011) on its cover.

Carrie Mae Weems’s The Louvre (2006), on the cover of Gagosian Quarterly, Summer 2021

Now available
Gagosian Quarterly Summer 2021

The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.