Summer 2021 Issue

Doris Ammann

Larry Gagosian reflects on the incredible life and career of his friend Doris Ammann.

<p>Doris Ammann and Georg Frei, New York, 2007</p>

Doris Ammann and Georg Frei, New York, 2007

Doris Ammann and Georg Frei, New York, 2007

Doris could light up a room, brighten every conversation, illuminate an artist’s intentions, and spark a collector’s passion. She had the high-wattage European sophistication that can intimidate in any language, but also a disarming warmth and wit that could put anyone at ease. She was both an impeccable perfectionist and a modest and forgiving friend. The ever-present twinkle in her eye was as irresistible as her quick and generous smile. The art world will be much dimmer without her.

She became one of the most talented art dealers in the world, but it was not a role she chose for herself. In 1977 she cofounded Thomas Ammann Fine Art AG, the Zurich gallery that bore the name of her charismatic brother, and where she happily played the supporting role. When Thomas tragically died, in 1993, she came from behind the scenes to center stage with fortitude and grace. Thrust into a world of extraordinarily competitive dealers, she became a beloved and respected friend among them. She had the attention of the top collectors in the world and gained their confidence by being a consummate professional and a true class act. Her discretion was legendary. She was strong but never forceful. You can gain power by force, but it’s stronger if you gain it through admiration. She commanded respect from artists, curators, and collectors alike through her sheer straightforward excellence. The art world’s love affair with Doris was earnest, deserved, and reciprocated.

Doris Ammann and Georg Frei, Rome, 2007

Georg Frei and Doris Ammann, New York, 2012

Georg Frei and Doris Ammann, Basel, 2006

Alba Clemente and Doris Ammann, New York, 2004

Doris found a collaborator and a soulmate in the art historian Georg Frei. They spent over three decades working together in one of the most enviable partnerships in the art business—the two were inseparable, cutting expertly tailored figures around the globe and finding themselves inevitably on every guest list. The thing about Doris and Georg was not only that they were sophisticated and erudite and really knew their stuff, but that they knew art was a grand adventure and seemed to have a lot of fun. Their affection for art, artists, and each other was infectious.

We were friends and co-conspirators for forty years. Every encounter or conversation with Doris could be the bright spot of the day or the thing that kept you up at night—she made it all look so easy and her elegance seemed effortless, but it was born of real guts. What becomes a legend most? Warholian red lipstick is the perfect war paint. The art world is not for the faint-hearted, but Doris proved one can excel with decency and the rare quality of unshakable integrity. Her friendships were pure and lasting and true. She wouldn’t sell her real treasures for the world. For nearly my whole life in this business, she was a model and inspiration and sometime jousting partner. Her friendship was a gift that will long outlast the loss. Her unexpected death leaves a hole at the very center of the art world that we haven’t begun to get our heads around yet. She was so loved and she will be greatly missed.

Artwork © Jean Pigozzi

David Cronenberg: The Shrouds

David Cronenberg: The Shrouds

David Cronenberg’s film The Shrouds made its debut at the 77th edition of the Cannes Film Festival in France. Film writer Miriam Bale reports on the motifs and questions that make up this latest addition to the auteur’s singular body of work.

Trevor Horn: Video Killed the Radio Star

Trevor Horn: Video Killed the Radio Star

The mind behind some of the most legendary pop stars of the 1980s and ’90s, including Grace Jones, Pet Shop Boys, Frankie Goes to Hollywood, Yes, and the Buggles, produced one of the music industry’s most unexpected and enjoyable recent memoirs: Trevor Horn: Adventures in Modern Recording. From ABC to ZTT. Young Kim reports on the elements that make the book, and Horn’s life, such a treasure to engage with.

The Sound Before Sound: Éliane Radigue

The Sound Before Sound: Éliane Radigue

Louise Gray on the life and work of Éliane Radigue, pioneering electronic musician, composer, and initiator of the monumental OCCAM series.

Fake the Funk

Fake the Funk

Tracing the history of white noise, from the 1970s to the present day, from the synthesized origins of Chicago house to the AI-powered software of the future.

Inconsolata: Jordi Savall

Inconsolata: Jordi Savall

Ariana Reines caught a plane to Barcelona earlier this year to see A Sea of Music 1492–1880, a concert conducted by the Spanish viola da gambist Jordi Savall. Here, she meditates on the power of this musical pilgrimage and the humanity of Savall’s work in the dissemination of early music.

My Hot Goth Summers

My Hot Goth Summers

Dan Fox travels into the crypts of his mind, tracking his experiences with goth music in an attempt to understand the genre’s enduring cultural influence and resonance.

Jim Shaw: A–Z

Jim Shaw: A–Z

Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.

Lacan, the exhibition

Lacan, the exhibition

On the heels of finishing a new novel, Scaffolding, that revolves around a Lacanian analyst, Lauren Elkin traveled to Metz, France, to take in Lacan, the exhibition. When art meets psychoanalysis at the Centre Pompidou satellite in that city. Here she reckons with the scale and intellectual rigor of the exhibition, teasing out the connections between the art on view and the philosophy of Jacques Lacan.

Notes to Selves, Trains of Thought

Notes to Selves, Trains of Thought

Dieter Roelstraete, curator at the Neubauer Collegium for Culture and Society at the University of Chicago and coeditor of a recent monograph on Rick Lowe, writes on Lowe’s journey from painting to community-based projects and back again in this essay from the publication. At the Museo di Palazzo Grimani, Venice, during the 60th Biennale di Venezia, Lowe will exhibit new paintings that develop his recent motifs to further explore the arch in architecture.

Lauren Halsey: Full and Complete Freedom

Lauren Halsey: Full and Complete Freedom

Essence Harden, curator at Los Angeles’s California African American Museum and cocurator of next year’s Made in LA exhibition at the Hammer Museum, visited Lauren Halsey in her LA studio as the artist prepared for an exhibition in Paris and the premiere of her installation at the 60th Biennale di Venezia this summer.

Nan Goldin: Sisters, Saints, Sibyls

Nan Goldin: Sisters, Saints, Sibyls

Michael Cary explores the history behind, and power within, Nan Goldin’s video triptych Sisters, Saints, Sibyls. The work will be on view at the former Welsh chapel at 83 Charing Cross Road, London, as part of Gagosian Open, from May 30 to June 23, 2024.

Candy Darling

Candy Darling

Published in March, Cynthia Carr’s latest biography recounts the life and work of the Warhol superstar and transgender trailblazer Candy Darling. Combining scholarship, compassion, and a rich understanding of the world Darling inhabited, Carr’s follow-up to her biography of the artist David Wojnarowicz elucidates the incredible struggles that Darling faced in the course of her determined journey toward a more glamorous, more honest, and more tender world. Here, Carr tells Josh Zajdman about the origins of the book, her process, and what she hopes readers glean from the story.