February 21, 2022
From February 25 to 27, 2022, Gagosian Quarterly presented a special continuous online screening of Emily in Japan: The Making of an Exhibition, coinciding with Emily Kame Kngwarreye’s first ever exhibition in France at Gagosian, Paris. Made by Ronin Films, and directed by Andrew Pike, this feature-length documentary tracks the development and mounting of the Kngwarreye retrospective that toured Osaka and Tokyo in 2008. Featuring interviews with the curators, Margo Neale, a leading Australian authority on Indigenous art, and Japanese critic, curator, and poet Akira Tatehata, the film underscores the historical importance of this museum presentation.
This online screening is now over.
This screening was presented on the occasion of the exhibition Emily: Desert Painter of Australia, Gagosian, rue de Ponthieu, Paris, January 21–March 26, 2022
From May 28 to 30, 2022, Gagosian Quarterly is presented a special continuous screening of Pat Steir: Artist, a film by Veronica Gonzalez Peña, coinciding with Steir’s exhibition at Gagosian, Rome. This intimate, revelatory documentary offers special insight into Steir’s life and career, which spans more than five decades.
From October 21 to 23, 2021, Gagosian Quarterly presented a special English-language online screening of Claudia Müller’s Katharina Grosse: Think Big!
To celebrate Gagosian Quarterly’s Winter 2019 feature on photographer and filmmaker Jerry Schatzberg, the essay’s author, Carlos Valladares, led a conversation between the director and Harmony Korine at Metrograph, New York. The discussion followed a screening of Schatzberg’s 1973 film Scarecrow.
From January 23 to February 21, 2019, Gagosian Quarterly presented a special online screening of Chris Burden’s 1980 video Big Wrench.
In this video, Jenny Saville sits down inside her first major exhibition in Venice to discuss how the great Venetian artists of the past and the city’s heritage influence her work. The show brings together more than thirty canvases and works on paper from the 1990s to the present, tracing the development of her practice, which is deeply rooted in the history of painting.
On the occasion of his exhibition The Fire This Time at Gagosian, Paris, Titus Kaphar discusses themes of history, representation, and collective memory in his recent paintings and hand-carved wood sculptures.
Join the artist inside Carol Bove: Nights of Cabiria, her recent exhibition at Gagosian, Beverly Hills, as she considers the power of illusion, the histories of her materials, and the philosophical lessons at the heart of Federico Fellini’s films.
In this video, musical ensemble Sō Percussion performs Steve Reich’s “Music for Pieces of Wood” inside the exhibition Richard Serra: Running Arcs (For John Cage), 1992, at Gagosian, New York.
The House on Utopia Parkway: Joseph Cornell’s Studio Re-Created by Wes Anderson is an exhibition conceived by curator Jasper Sharp and the acclaimed American filmmaker. The show brings Cornell’s New York studio to the heart of Paris, transforming Gagosian’s storefront gallery into a meticulously staged tableau—part time capsule, part life-size shadow box—for the first solo presentation of the artist’s work in Paris in more than four decades. In this video, Anderson discusses the genesis of the exhibition and the process by which it came together.
Join exhibition curator Donna De Salvo as she discusses her selection of the artist’s rarely seen sculptures, drawings, films, and archival materials in Walter De Maria: The Singular Experience at Gagosian, Le Bourget. Chief among these is Truck Trilogy (2011–17), De Maria’s final sculpture and the centerpiece of the exhibition.
Join Glenn Brown in his London studio as he discusses his presentation for the Studio section of Frieze Masters 2025, which explores the idea of the artist’s studio as a time machine: a space in which historical memory fuels creativity, manifesting in artworks that look to the future. Brown speaks about the featured works, which range from new paintings, drawings, and a sculpture to historic works on paper from the Brown Collection.
Paul McCartney: Rearview Mirror: Photographs, December 1963–February 1964 at Gagosian, Beverly Hills, brings together self-portraits, unguarded snapshots of The Beatles, and vivid depictions of the pandemonium that greeted them at every turn. Ahead of the exhibition, McCartney and Joshua Chuang, director of photography at Gagosian, met up at Griffin Editions in Brooklyn, New York, to reflect on the prints featured in the show.