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Gagosian Quarterly

January 23, 2019

Gagosian Quarterly Films

Chris Burden: Big Wrench

From January 23 to February 21, 2019, Gagosian Quarterly presented a special online screening of Chris Burden’s 1980 video Big Wrench.

Chris Burden: Big Wrench

Chris Burden, Big Wrench, 1980 (still)

This online screening is now over.

For more on Big Wrench, see Sydney Stutterheim’s essay on the brief but feverish obsession behind this work.

Presented in conjunction with a free public screening of Big Wrench at Gagosian, Britannia Street, London, on January 18, 2019, in partnership with MUBI

© 2019 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York

Big Wrench

Big Wrench

Sydney Stutterheim looks at the brief but feverish obsession behind this 1980 video by Chris Burden.

Deluxe Photo Book

Deluxe Photo Book

Sydney Stutterheim discusses Chris Burden’s Deluxe Photo Book 1971–73 on the occasion of its inclusion in About Photography at Gagosian San Francisco.

Urban Light: A Ten Year Anniversary

Urban Light: A Ten Year Anniversary

Ten years ago LACMA premiered Chris Burden’s Urban Light, which has since become an iconic landmark for the city of Los Angeles. To celebrate the anniversary, we look back to 2008 with a conversation between Chris Burden and Michael Govan, director of LACMA.

Burden

Spotlight
Burden

The story behind Chris Burden’s Buddha’s Fingers (2014–15) and its connection to all of his streetlamp installations. Text by Sydney Stutterheim.

Burden’s Airship Takes Flight

Burden’s Airship Takes Flight

Sydney Stutterheim investigates Chris Burden’s Ode to Santos-Dumont (2015) as the work takes flight during Art Basel Unlimited 2017.

Walter De Maria, The Lightning Field, 1977, long-term installation, western New Mexico. Artwork © Estate of Walter De Maria. Photo: John Cliett, courtesy Dia Art Foundation, New York, and © Estate of Walter De Maria

Light and Lightning: Wonder-Reactions at Walter De Maria's The Lightning Field

In this second installment of a two-part essay, John Elderfield resumes his investigation of Walter De Maria’s The Lightning Field (1977), focusing this time on how the hope to see lightning there has led to the work’s association with the Romantic conception of the sublime.

Left: Jordan Belson, Berkeley, California, c. 1946. Photo: courtesy Estate of Jordan Belson. Right: Harry Smith (front) and Lionel Ziprin, New York City, c. 1952. Photo: Joanne Ziprin, courtesy Lionel Ziprin Archives

Delineators: Jordan Belson and Harry Smith

Raymond Foye tracks the relationship between the two mavericks, investigating their influence on one another and their enduring legacies.

Gisele Castro and Nathaniel Mary Quinn at exalt’s annual gala, New York, 2017

The Bigger Picture
Exalt: Youth Justice Can’t Stop

As 2020 came to a close, Nathaniel Mary Quinn spoke with Gisele Castro, executive director of exalt, a New York City nonprofit dedicated to transforming the lives of court-involved youth by providing a path to success through effective educational engagement. Quinn is a former educator at exalt and now serves as a member of the organization’s board.

Purple and black graphic title page

The Iconoclasts: Part 3

The third installment of a four-part story cycle by Anne Boyer.

Black and orange graphic title page

The Iconoclasts: Part 1

The first installment of a four-part story cycle by Anne Boyer.

Oil on linen linen painting by Dennis Kardon, titled Transfixed by the Past, depicting a woman holding a snow globe in front of her face seated at a dining table.

You Should Leave

As part of “New Interiorities,” a supplement guest edited by Alison M. Gingeras and Jamieson Webster for the Winter 2020 issue of the Quarterly, Alissa Bennett writes on liminal spaces and self-contemplation within the work of Patricia Highsmith.

The Kitchen, 512 West 19th Street, New York

The Kitchen: Fifty-Year Anniversary

To celebrate the fiftieth anniversary of the trailblazing New York institution The Kitchen, we present an oral history that includes contributions from Laurie Anderson, Charles Atlas, Wade Guyton, Jacqueline Humphries, Joan Jonas, Ralph Lemon, and Anicka Yi. Statements organized by Christopher Bollen and Tim Griffin.