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Gagosian Quarterly

January 23, 2019

Gagosian Quarterly Films

Chris Burden: Big Wrench

From January 23 to February 21, 2019, Gagosian Quarterly presented a special online screening of Chris Burden’s 1980 video Big Wrench.

Chris Burden: Big Wrench

Chris Burden, Big Wrench, 1980 (still)

This online screening is now over.

For more on Big Wrench, see Sydney Stutterheim’s essay on the brief but feverish obsession behind this work.

Presented in conjunction with a free public screening of Big Wrench at Gagosian, Britannia Street, London, on January 18, 2019, in partnership with MUBI

© 2019 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York

Big Wrench

Big Wrench

Sydney Stutterheim looks at the brief but feverish obsession behind this 1980 video by Chris Burden.

Deluxe Photo Book

Deluxe Photo Book

Sydney Stutterheim discusses Chris Burden’s Deluxe Photo Book 1971–73 on the occasion of its inclusion in About Photography at Gagosian San Francisco.

Urban Light: A Ten Year Anniversary

Urban Light: A Ten Year Anniversary

Ten years ago LACMA premiered Chris Burden’s Urban Light, which has since become an iconic landmark for the city of Los Angeles. To celebrate the anniversary, we look back to 2008 with a conversation between Chris Burden and Michael Govan, director of LACMA.

Burden

Spotlight
Burden

The story behind Chris Burden’s Buddha’s Fingers (2014–15) and its connection to all of his streetlamp installations. Text by Sydney Stutterheim.

Burden’s Airship Takes Flight

Burden’s Airship Takes Flight

Sydney Stutterheim investigates Chris Burden’s Ode to Santos-Dumont (2015) as the work takes flight during Art Basel Unlimited 2017.

young people inside a tent structure within a purple-lit room

The Bigger Picture
Recess

Gagosian’s Sarah Hoover sat down with Allison Freedman Weisberg, founder and executive director of Recess, and Anaïs Duplan, Recess program manager, to discuss the community arts organization’s evolution, recent programs, and dreams for the future.

The inside of Theaster Gates’s Black Vessel for a Saint sculpture

How to Renew the Color of Bricks

Social historian Chris Dingwall reflects on Theaster Gates’s engagement with the history of quotidian materials, focusing on the symbolic qualities and function of his brick-based sculpture.

Titus Kaphar in his studio, painting

Titus Kaphar: In the Studio

Jacoba Urist reports on a recent trip to the artist’s studio in New Haven, Connecticut, to see his new body of work, From a Tropical Space (2019–). She writes on the emotional and sensory impact of these paintings and considers their singular place in Titus Kaphar’s oeuvre.

Still from La Jetée (1962), directed by Chris Marker.

Shortlist
Five Films: Sarah Sze

Sarah Sze writes about five films that live as richly evocative images in her visual memory.

Kelly Reichardt.

The World According to Kelly Reichardt

Carlos Valladares writes on Kelly Reichardt’s films, exploring the director’s interest in subtle details and care for complex characters.

Piero Golia.

Myth-Maker

Alexander Wolf explores the economic, social, and methodological concerns of Piero Golia’s art practice, revealing the real-world implications of the artist’s experiments with form and process.

Billy Martin.

Digital Pompeii

Guitarist and legendary composer Marc Ribot and acclaimed percussionist Billy Martin speak with Brett Littman, the director of the Isamu Noguchi Foundation and Garden Museum, about how they met, New York in the 1980s, and the way the visual arts have informed their music.