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Gagosian Quarterly

November 22, 2019

Gagosian Quarterly Films

jerry schatzbergharmony korine

To celebrate Gagosian Quarterly’s Winter 2019 feature on photographer and filmmaker Jerry Schatzberg, the essay’s author, Carlos Valladares, led a conversation between the director and Harmony Korine at Metrograph, New York. The discussion followed a screening of Schatzberg’s 1973 film Scarecrow.

Screening of Jerry Schatzberg’s 1973 feature film Scarecrow, starring Gene Hackman and Al Pacino, at Metrograph, New York, November 3, 2019; talk moderated by Carlos Valladares, who wrote on Schatzberg’s career in the Winter 2019 issue of Gagosian Quarterly; talk held in tandem with the exhibition Birth Machine Baby: H. R. Giger and Mark Prent, curated by Harmony Korine, Gagosian, Park & 75, New York, November 5–December 21, 2019; video: Pushpin Films

Jerry Schatzberg, Self Portrait in the Mirror, Trinidad, 1964.

The Center of the Storm

Carlos Valladares writes on filmmaker and photographer Jerry Schatzberg’s prolific career.

The cover of the Spring 2020 edition of the Gagosian Quarterly magazine. A Cindy Sherman photograph of herself dressed as a clown against a rainbow background.

Now available
Gagosian Quarterly Spring 2020

The Spring 2020 issue of Gagosian Quarterly is now available, featuring Cindy Sherman’s Untitled #412 (2003) on its cover.

Announcement for the film The Beach Bum (2019) by Harmony Korine.

Transcendent Criminal Dream

From Kids to his new film The Beach Bum, Harmony Korine has continually revolutionized the art of cinema. In a wide-ranging discussion with film critic Emmanuel Burdeau, Korine reflects on the rewards and challenges of filmmaking and reveals what’s in store for the future.

Harmony Korine: BLOCKBUSTER

Harmony Korine: BLOCKBUSTER

The artist discusses his latest exhibition in New York with the Gagosian Quarterly, telling the story behind the works and their connection to his larger practice.

Harmony Korine at the Centre Pompidou

Harmony Korine at the Centre Pompidou

The artist sat down with Alicia Knock, curator of his exhibition at the Centre Pompidou, to discuss the power of mistakes, outsiders, and the marginal.

Graham Nash at home, San Francisco, 1972. An M. C. Escher print from his collection can be seen on the floor to the right. Photo: Joel Bernstein

Graham Nash

Raymond Foye offers a window into his long-standing friendship with Graham Nash, guiding us through the legendary musician’s evolving interest in art and the visual world.

Cover of the Winter 2019 Gagosian Quarterly, featuring a selection from a black-and-white Christopher Wool photograph

Now available
Gagosian Quarterly Winter 2019

The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.

Romuald Hazoumè

Romuald Hazoumè

Romuald Hazoumè’s masks are deeply rooted in the cultural, social, and political context of Benin. His masks, which use salvaged materials and bidons, or plastic jerry cans, comment on pan-African politics and culture. Text by André Magnin.

Sterling Ruby: Bloody Pots

Sterling Ruby: Bloody Pots

Ceramics expert Garth Clark explores Sterling Ruby’s practice in the medium, addressing the work’s allegiances and divergences from tradition.

Chris Burden: Big Wrench

Gagosian Quarterly Films
Chris Burden: Big Wrench

From January 23 to February 21, 2019, Gagosian Quarterly presented a special online screening of Chris Burden’s 1980 video Big Wrench.

Tom Eccles and Kiki Smith on Rachel Whiteread

In Conversation
Tom Eccles and Kiki Smith on Rachel Whiteread

On the occasion of Artist Spotlight: Rachel Whiteread, curator Tom Eccles and artist Kiki Smith speak about the work of Rachel Whiteread through the lens of their personal friendships with her. They discuss her public projects from the early 1990s to the present, the relationship between drawing and sculpture in her practice, and the way her works reveal the memories embedded in familiar everyday objects.

Tom Eccles and Kiki Smith on Rachel Whiteread

In Conversation
Tom Eccles and Kiki Smith on Rachel Whiteread

On the occasion of Artist Spotlight: Rachel Whiteread, curator Tom Eccles and artist Kiki Smith speak about the work of Rachel Whiteread through the lens of their personal friendships with her. They discuss her public projects from the early 1990s to the present, the relationship between drawing and sculpture in her practice, and the way her works reveal the memories embedded in familiar everyday objects.