October 21, 2021
Still from Think Big! – Die Künstlerin Katharina Grosse, 2020 © Phlox Films 2020. Film: produced by Phlox Films/Claudia Müller for 3sat, www.phlox-films.de
This online screening is now over.
The screening was presented on the occasion of the exhibition Katharina Grosse: Repetitions without Origin, Gagosian, Beverly Hills, September 11–October 23, 2021
The exhibition Katharina Grosse Studio Paintings, 1988–2022: Returns, Revisions, Inventions premiered at the Mildred Lane Kemper Art Museum, Saint Louis, in September 2022. It continues its tour with presentations at the Kunstmuseum Bern, through June 2023, and the Kunstmuseum Bonn, opening in April 2024. To mark this momentous survey, the show’s curator, Sabine Eckmann, met with Grosse to discuss the evolution of her practice.
The Summer 2023 issue of Gagosian Quarterly is now available, featuring Richard Avedon’s Marilyn Monroe, actor, New York, May 6, 1957 on its cover.
On the occasion of her exhibition Katharina Grosse: Repetitions without Origin at Gagosian, Beverly Hills, the artist spoke with art historian Graham Bader, associate professor of art history at Rice University, about the throughlines in her practice.
David Reed and Katharina Grosse met at Reed’s New York studio in the fall of 2019 to talk about his newest paintings, the temporal aspects of both artists’ practice, and some of their mutual inspirations.
Katharina Grosse discusses her exhibition Is It You? at the Baltimore Museum of Art with Jona Lueddeckens. They consider what sets the Baltimore installation apart from its predecessors, and how Grosse sees the relationship of the human body to her immersive environments as opposed to her canvases.
On the occasion of the artist’s exhibition at the Baltimore Museum of Art, Terry R. Myers muses on the manipulations of time in Grosse’s work.
The Summer 2020 issue of Gagosian Quarterly is now available, featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.
The Spring 2020 issue of Gagosian Quarterly is now available, featuring Cindy Sherman’s Untitled #412 (2003) on its cover.
We take a visual tour through Katharina Grosse’s Mumbling Mud and the installation process behind it as the artist discusses the effects of the work’s merging of built and painted space.
Tatiana Trouvé and Katharina Grosse discuss their exhibition Le numerose irregolarità, at the French Academy in Rome, Villa Medici, with curator Chiara Parisi.
The Spring 2018 Gagosian Quarterly with a cover by Ed Ruscha is now available for order.
On the occasion of Katharina Grosse’s latest in situ painting The Horse Trotted Another Couple of Metres, Then It Stopped, at Carriageworks, Sydney, a series of video interviews with the artist was created.