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Spotlight
Jean-Michel in Black and White
Fred Hoffman looks back on the creation of Jean-Michel Basquiat’s Tuxedo (1983), examining the work’s significance in relation to identity and the hip-hop culture of the 1980s.
April 12, 2022
Larry Gagosian reflects on Peter Paul Rubens’s The Massacre of the Innocents (c. 1610).
Peter Paul Rubens, The Massacre of the Innocents, c. 1610, oil on panel, 55 ⅞ × 72 inches (142 × 183 cm), The Thomson Collection at the Art Gallery of Ontario, Toronto, 2014
Peter Paul Rubens, The Massacre of the Innocents, c. 1610, oil on panel, 55 ⅞ × 72 inches (142 × 183 cm), The Thomson Collection at the Art Gallery of Ontario, Toronto, 2014
Fred Hoffman looks back on the creation of Jean-Michel Basquiat’s Tuxedo (1983), examining the work’s significance in relation to identity and the hip-hop culture of the 1980s.
Lars Nittve investigates Truck Trilogy, Walter De Maria’s last work, conceived in 2011 and premiered at Dia:Beacon in 2017.
Text by Derek Blasberg.
The story behind Tom Wesselmann’s Still Life #59 (1972). Text by Lauren Mahony.
The story behind Chris Burden’s Buddha’s Fingers (2014–15) and its connection to all of his streetlamp installations. Text by Sydney Stutterheim.
Jean-Michel Basquiat’s Untitled (L.A. Painting) (1982) was a game changer. Text by Derek Blasberg.
Alexander Wolf guides us through a multilayered new painting by the celebrated artist.
The story behind the sculpture that Diana Widmaier Picasso highlighted in Picasso’s Picassos: A Selection from the Collection of Maya Ruiz-Picasso.
Ed Ruscha’s Burning Gas Station (1965–66) was a game changer. Text by Larry Gagosian.
David Cronenberg’s film The Shrouds made its debut at the 77th edition of the Cannes Film Festival in France. Film writer Miriam Bale reports on the motifs and questions that make up this latest addition to the auteur’s singular body of work.
The mind behind some of the most legendary pop stars of the 1980s and ’90s, including Grace Jones, Pet Shop Boys, Frankie Goes to Hollywood, Yes, and the Buggles, produced one of the music industry’s most unexpected and enjoyable recent memoirs: Trevor Horn: Adventures in Modern Recording. From ABC to ZTT. Young Kim reports on the elements that make the book, and Horn’s life, such a treasure to engage with.
Louise Gray on the life and work of Éliane Radigue, pioneering electronic musician, composer, and initiator of the monumental OCCAM series.