April 12, 2022

Spotlight

Peter Paul Rubens

Larry Gagosian reflects on Peter Paul Rubens’s The Massacre of the Innocents (c. 1610).

<p>Peter Paul Rubens, <em>The Massacre of the Innocents</em>, c. 1610, oil on panel, 55 ⅞ × 72 inches (142 × 183 cm), The Thomson Collection at the Art Gallery of Ontario, Toronto, 2014</p>

Peter Paul Rubens, The Massacre of the Innocents, c. 1610, oil on panel, 55 ⅞ × 72 inches (142 × 183 cm), The Thomson Collection at the Art Gallery of Ontario, Toronto, 2014

Peter Paul Rubens, The Massacre of the Innocents, c. 1610, oil on panel, 55 ⅞ × 72 inches (142 × 183 cm), The Thomson Collection at the Art Gallery of Ontario, Toronto, 2014

It’s a kind of trick; the beautiful, seductive depiction of a brutal, heinous crime. Still speaking to us over centuries. The old masters were dangerous, and it’s not only for pleasure that we return to them again and again. Rubens’s vision of unbridled aggression is an alarm, starkly still relevant to today.

Jean-Michel in Black and White

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Jean-Michel in Black and White

Fred Hoffman looks back on the creation of Jean-Michel Basquiat’s Tuxedo (1983), examining the work’s significance in relation to identity and the hip-hop culture of the 1980s.

Walter De Maria: Truck Trilogy

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Walter De Maria: Truck Trilogy

Lars Nittve investigates Truck Trilogy, Walter De Maria’s last work, conceived in 2011 and premiered at Dia:Beacon in 2017.

Andy Warhol: Triple Elvis

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Andy Warhol: Triple Elvis

Text by Derek Blasberg.

Tom Wesselmann

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Tom Wesselmann

The story behind Tom Wesselmann’s Still Life #59 (1972). Text by Lauren Mahony.

Burden

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Burden

The story behind Chris Burden’s Buddha’s Fingers (2014–15) and its connection to all of his streetlamp installations. Text by Sydney Stutterheim.

Basquiat

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Basquiat

Jean-Michel Basquiat’s Untitled (L.A. Painting) (1982) was a game changer. Text by Derek Blasberg.

Mark Tansey

Spotlight
Mark Tansey

Alexander Wolf guides us through a multilayered new painting by the celebrated artist.

Picasso

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Picasso

The story behind the sculpture that Diana Widmaier Picasso highlighted in Picasso’s Picassos: A Selection from the Collection of Maya Ruiz-Picasso.

Ruscha

Spotlight
Ruscha

Ed Ruscha’s Burning Gas Station (1965–66) was a game changer. Text by Larry Gagosian.

David Cronenberg: The Shrouds

David Cronenberg: The Shrouds

David Cronenberg’s film The Shrouds made its debut at the 77th edition of the Cannes Film Festival in France. Film writer Miriam Bale reports on the motifs and questions that make up this latest addition to the auteur’s singular body of work.

Trevor Horn: Video Killed the Radio Star

Trevor Horn: Video Killed the Radio Star

The mind behind some of the most legendary pop stars of the 1980s and ’90s, including Grace Jones, Pet Shop Boys, Frankie Goes to Hollywood, Yes, and the Buggles, produced one of the music industry’s most unexpected and enjoyable recent memoirs: Trevor Horn: Adventures in Modern Recording. From ABC to ZTT. Young Kim reports on the elements that make the book, and Horn’s life, such a treasure to engage with.

The Sound Before Sound: Éliane Radigue

The Sound Before Sound: Éliane Radigue

Louise Gray on the life and work of Éliane Radigue, pioneering electronic musician, composer, and initiator of the monumental OCCAM series.